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Sounding art : eight literary excursions through electronic music / Katharine Norman.

By: Material type: TextTextPublisher: Aldershot, Hants, England ; Burlington, VT : Ashgate, [2004]Copyright date: ©2004Description: xiii, 227 pages ; 25 cm + 1 computer disc (12 cm)Content type:
  • text
  • computer dataset
Media type:
  • unmediated
  • computer
Carrier type:
  • volume
  • computer disc
ISBN:
  • 0754604268
  • 9780754604266
Subject(s): DDC classification:
  • 786.7 21
LOC classification:
  • ML1380 .N67 2004
Contents:
Pt. 1. Sounding ... spaces -- 1. Concrete tales and touching times -- 2. Several infinities (an emblem book) -- Pt. 2. Sounding ... worlds -- 3. With no direction home -- 4. The same trail twice: Talking Rain with Hildegard Westerkamp -- Pt. 3. Sounding ... voices -- 5. Speak/Listen: Invisible voices in radio, radio art and works for sound alone -- 6. Figure-toi ... Listening to Sous le regard d'um soleil noir by Francis Dhomont -- Pt. 4. Sounding ... edges -- 7. Beyond the limit and the line -- 8. The Endnotes -- App. 1. Texts for Sous le regard d'un soleil noir, by Francis Dhomont -- App. 2. Track listing and acknowledgements for the accompanying CD.
Summary: This work is a journey that traverses a variety of aesthetic approaches to making electronic music. The author, a composer, takes illustrative byways through subjects as diverse as map-making, metaphors of flight, emblem books, the history of recording, translating and walks in the rain.Review: "Sounding Art is a journey that traverses a variety of aesthetic approaches to making electronic music. Katharine Norman, herself a composer, writes from a highly personal and unusual perspective. The series of eight extended essays is a long way from conventional academic writing, and covers far more than the traditional repertoire. The essays are themselves literary compositions, whose structure, language and visual appearance are carefully constructed to amplify their theme - whether it be microsound or acousmatic art, electroacoustic or radiophonic music, plunderphonics, turntables or noise. In addition to this listening travel, these essays take illustrative byways through subjects as diverse as map-making, metaphors of flight, emblem books, the history of recording, translating and walks in the rain."--BOOK JACKET.
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Holdings
Item type Current library Call number Copy number Status Date due Barcode
Book City Campus City Campus Main Collection 786.7 NOR (Browse shelf(Opens below)) 1 Available A297660B
Accompanying Material City Campus City Campus Main Collection 786.7 NOR ACCOMPANYING PART ( DISC ) (Browse shelf(Opens below)) 1 Not for loan A297640B

Accompanied by: 1 computer disc (CD-ROM)

Includes bibliographical references (pages 215-218) and index.

Includes discography.

Pt. 1. Sounding ... spaces -- 1. Concrete tales and touching times -- 2. Several infinities (an emblem book) -- Pt. 2. Sounding ... worlds -- 3. With no direction home -- 4. The same trail twice: Talking Rain with Hildegard Westerkamp -- Pt. 3. Sounding ... voices -- 5. Speak/Listen: Invisible voices in radio, radio art and works for sound alone -- 6. Figure-toi ... Listening to Sous le regard d'um soleil noir by Francis Dhomont -- Pt. 4. Sounding ... edges -- 7. Beyond the limit and the line -- 8. The Endnotes -- App. 1. Texts for Sous le regard d'un soleil noir, by Francis Dhomont -- App. 2. Track listing and acknowledgements for the accompanying CD.

This work is a journey that traverses a variety of aesthetic approaches to making electronic music. The author, a composer, takes illustrative byways through subjects as diverse as map-making, metaphors of flight, emblem books, the history of recording, translating and walks in the rain.

"Sounding Art is a journey that traverses a variety of aesthetic approaches to making electronic music. Katharine Norman, herself a composer, writes from a highly personal and unusual perspective. The series of eight extended essays is a long way from conventional academic writing, and covers far more than the traditional repertoire. The essays are themselves literary compositions, whose structure, language and visual appearance are carefully constructed to amplify their theme - whether it be microsound or acousmatic art, electroacoustic or radiophonic music, plunderphonics, turntables or noise. In addition to this listening travel, these essays take illustrative byways through subjects as diverse as map-making, metaphors of flight, emblem books, the history of recording, translating and walks in the rain."--BOOK JACKET.

Machine converted from AACR2 source record.

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