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Global pop : world music, world markets / Timothy D. Taylor.

By: Material type: TextTextPublisher: New York : Routledge, 1997Description: xxiii, 271 pages : illustrations ; 24 cmContent type:
  • text
Media type:
  • unmediated
Carrier type:
  • volume
ISBN:
  • 0415918715
  • 9780415918718
Subject(s): DDC classification:
  • 781.6 21
LOC classification:
  • ML3470 .T4 1997
Contents:
List of Tables, Figures, and Music Examples -- Acknowledgments -- Introduction -- 1. Popular Musics and Globalization -- Hasn't World Music Been Around for Thousands of Years? -- Welcome to the Market -- World Musicians -- World Music Listeners -- The Discourses of World Music -- 2. "Nothin' but the Same Old Story": Old Hegemonies, New Musics -- Peter Gabriel: Us -- The Work of Art in an Era of Minimal Reproduction -- Kronos Quartet: Pieces of Africa -- 3. Strategies of Resistance -- Ladysmith Black Mambazo: Two Worlds One Heart -- Djur Djura: Women of the (Third) World, Unite! -- 4. A Music of One's Own -- Pauline Oliveros -- D'Cuckoo: Umoja -- 5. Strategic Inauthenticity -- Youssou N'Dour: "A Modern Griot" -- Angelique Kidjo: "Let's Create A Better Continent" -- Whose Authenticity? -- 6. Anglo-Asian Self-Fashioning -- Sheila Chandra: "From Me You've Stolen East and West" -- Apache Indian's No Reservations: "A Very British Sound" -- Bhangra in the U.S. -- 7. Toward a More Perfect Union: Cross-Cultural Collaborations -- Johnny Clegg, Sipho Mchunu, and Juluka -- The SongCatchers: "History 101" -- Zap Mama: The Sound of Channel Surfing -- 8. Conclusions: We Are the World, and the Worlds Is Us -- Binaries? Yes/No -- Whose Hybridity? -- The "Global Postmodern" -- Appendices -- App. 1. Billboard World Music Charts, Arranged Chronologically -- App. 2. History of the Folk, Ethnic, and World Music Grammy Awards -- App. 3. "Donall Og" -- References -- Discography -- Musical Scores -- Filmography -- Interviews -- Unpublished Materials -- CD-ROMs -- Internet Sites -- Internet Newsgroups -- Publications/Interviews/Materials Available only on the Internet -- Books and Articles -- Permissions -- Index.
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Holdings
Item type Current library Call number Copy number Status Date due Barcode
Book City Campus City Campus Main Collection 781.6 TAY (Browse shelf(Opens below)) 1 Available A289420B

Includes bibliographical references (pages 233-235) and index.

Includes discography.

List of Tables, Figures, and Music Examples -- Acknowledgments -- Introduction -- 1. Popular Musics and Globalization -- Hasn't World Music Been Around for Thousands of Years? -- Welcome to the Market -- World Musicians -- World Music Listeners -- The Discourses of World Music -- 2. "Nothin' but the Same Old Story": Old Hegemonies, New Musics -- Peter Gabriel: Us -- The Work of Art in an Era of Minimal Reproduction -- Kronos Quartet: Pieces of Africa -- 3. Strategies of Resistance -- Ladysmith Black Mambazo: Two Worlds One Heart -- Djur Djura: Women of the (Third) World, Unite! -- 4. A Music of One's Own -- Pauline Oliveros -- D'Cuckoo: Umoja -- 5. Strategic Inauthenticity -- Youssou N'Dour: "A Modern Griot" -- Angelique Kidjo: "Let's Create A Better Continent" -- Whose Authenticity? -- 6. Anglo-Asian Self-Fashioning -- Sheila Chandra: "From Me You've Stolen East and West" -- Apache Indian's No Reservations: "A Very British Sound" -- Bhangra in the U.S. -- 7. Toward a More Perfect Union: Cross-Cultural Collaborations -- Johnny Clegg, Sipho Mchunu, and Juluka -- The SongCatchers: "History 101" -- Zap Mama: The Sound of Channel Surfing -- 8. Conclusions: We Are the World, and the Worlds Is Us -- Binaries? Yes/No -- Whose Hybridity? -- The "Global Postmodern" -- Appendices -- App. 1. Billboard World Music Charts, Arranged Chronologically -- App. 2. History of the Folk, Ethnic, and World Music Grammy Awards -- App. 3. "Donall Og" -- References -- Discography -- Musical Scores -- Filmography -- Interviews -- Unpublished Materials -- CD-ROMs -- Internet Sites -- Internet Newsgroups -- Publications/Interviews/Materials Available only on the Internet -- Books and Articles -- Permissions -- Index.

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