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The paradoxes of art : a phenomenological investigation / Alan Paskow.

By: Material type: TextTextPublisher: Cambridge, UK ; New York, NY : Cambridge University Press, 2004Description: xi, 260 pages : colour illustrations ; 24 cmContent type:
  • text
Media type:
  • unmediated
Carrier type:
  • volume
ISBN:
  • 0521828333
  • 9780521828338
Subject(s): DDC classification:
  • 111.85 21
LOC classification:
  • BH301.R42 P37 2004
Contents:
1. The Reality of Fictional Beings -- 2. Things in Our World -- 3. Why and How Others Matter -- 4. Why and How Painting Matters -- 5. For and Against Interpretation.
Review: "In this study, Alan Paskow first asks why fictional characters, such as Hamlet and Anna Karenina, matter to us and how they emotionally affect us. He then applies these questions to pictorial art, demonstrating that certain paintings beckon us to view their contents as real. Emblematic of the fundamental concerns of our lives, what we visualize in paintings, he argues, is not simply in our heads but in our world. Paskow also situates the phenomenological approach to methodological assumptions and claims in analytic aesthetics as well as the experience of painting in relation to contemporary schools of thought, particularly Marxist, feminist, and deconstructionist."--BOOK JACKET.
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Holdings
Item type Current library Call number Copy number Status Date due Barcode
Book City Campus City Campus Main Collection 111.85 PAS (Browse shelf(Opens below)) 1 Available A418629B
Book City Campus City Campus Main Collection 111.85 PAS (Browse shelf(Opens below)) 1 Available A297182B

Includes bibliographical references (pages 251-256) and index.

1. The Reality of Fictional Beings -- 2. Things in Our World -- 3. Why and How Others Matter -- 4. Why and How Painting Matters -- 5. For and Against Interpretation.

"In this study, Alan Paskow first asks why fictional characters, such as Hamlet and Anna Karenina, matter to us and how they emotionally affect us. He then applies these questions to pictorial art, demonstrating that certain paintings beckon us to view their contents as real. Emblematic of the fundamental concerns of our lives, what we visualize in paintings, he argues, is not simply in our heads but in our world. Paskow also situates the phenomenological approach to methodological assumptions and claims in analytic aesthetics as well as the experience of painting in relation to contemporary schools of thought, particularly Marxist, feminist, and deconstructionist."--BOOK JACKET.

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