Unmarked : the politics of performance / Peggy Phelan.
Material type:
TextPublisher: London ; New York : Routledge, 1993, 2001Description: xi, 207 pages : illustrations ; 25 cmContent type: - text
- unmediated
- volume
- 0415068223
- 9780415068222
- 0415068215
- 9780415068215
- 700.103
- NX650.P6 P47 1993
Contents:
List of figures -- Acknowledgements -- 1. Broken symmetries: memory, sight, love -- 2. Developing the negative: Mapplethorpe, Schor, and Sherman -- 3. Spatial envy: Yvonne Rainer's The Man Who Envied Women -- 4. The golden apple: Jennie Livingston's Paris Is Burning -- 5. Theatre and its mother: Tom Stoppard's Hapgood -- 6. White men and pregnancy: discovering the body to be rescued -- 7. The ontology of performance: representation without reproduction -- 8. Afterword: notes on hope -- Notes -- Bibliography -- Index.
| Item type | Current library | Call number | Copy number | Status | Date due | Barcode | |
|---|---|---|---|---|---|---|---|
| Book | City Campus City Campus Main Collection | 700.103 PHE (Browse shelf(Opens below)) | 1 | Available | A255983B |
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Includes bibliographical references (pages 195-202) and index.
List of figures -- Acknowledgements -- 1. Broken symmetries: memory, sight, love -- 2. Developing the negative: Mapplethorpe, Schor, and Sherman -- 3. Spatial envy: Yvonne Rainer's The Man Who Envied Women -- 4. The golden apple: Jennie Livingston's Paris Is Burning -- 5. Theatre and its mother: Tom Stoppard's Hapgood -- 6. White men and pregnancy: discovering the body to be rescued -- 7. The ontology of performance: representation without reproduction -- 8. Afterword: notes on hope -- Notes -- Bibliography -- Index.
Machine converted from AACR2 source record.
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