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Diaspora and visual culture : representing Africans and Jews / edited by Nicholas Mirzoeff.

Contributor(s): Material type: TextTextPublisher: London ; New York : Routledge, 2000Description: xiii, 264 pages : illustrations ; 25 cmContent type:
  • text
Media type:
  • unmediated
Carrier type:
  • volume
ISBN:
  • 0415166705
  • 9780415166706
  • 0415166691
  • 9780415166690
Subject(s): DDC classification:
  • 701.03
LOC classification:
  • N7417.6. D53 2000
Contents:
List of illustrations -- List of contributors -- Acknowledgments -- Introduction: The multiple viewpoint: diasporic visual cultures -- Pt. I. Points of departure -- 1. Cultural identity and diaspora -- 2. First diasporist manifesto -- Pt. II. Diasporic identity in the nineteenth century -- 3. Mary Edmonia Lewis's Minnehaha: gender, race and the "Indian Maid" -- 4. Pissarro's passage: The sensation of Caribbean Jewishness in diaspora -- 5. The body of Alfred Dreyfus: a site for France's displaced anxieties of masculinity, homosexuality and power -- Pt. III. Engendering diaspora -- 6. Diaspora and hybridity: queer identities and the ethnicity model -- 7. Nomadic cultural production in African diaspora -- 8. Black skin, white kins: metamodern masks, multiple mimesis -- 9. Daughters of sunshine: diasporic impulses and gendered identities -- 10. The hill behind the house: an Ashkenazi Jew and art history -- Pt. IV. Poland-Brazil -- 11. Imaging the Shtetl: diaspora culture, photography and eastern European Jews -- 12. Alice Halicka's self-effacement: constructing an artistic identity in interwar France -- 13. Helio Oiticica's Parangoles: nomadic experience in endless motion -- 14. Memory and agency: Bantu and Yoruba arts in Brazilian culture -- 15. Practicing modernism: "... for the master's tools will never dismantle the master's house...".
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Holdings
Item type Current library Call number Copy number Status Date due Barcode
Book City Campus City Campus Main Collection 701.03 DIA (Browse shelf(Opens below)) 1 Available A409205B

Includes bibliographical references and index.

List of illustrations -- List of contributors -- Acknowledgments -- Introduction: The multiple viewpoint: diasporic visual cultures -- Pt. I. Points of departure -- 1. Cultural identity and diaspora -- 2. First diasporist manifesto -- Pt. II. Diasporic identity in the nineteenth century -- 3. Mary Edmonia Lewis's Minnehaha: gender, race and the "Indian Maid" -- 4. Pissarro's passage: The sensation of Caribbean Jewishness in diaspora -- 5. The body of Alfred Dreyfus: a site for France's displaced anxieties of masculinity, homosexuality and power -- Pt. III. Engendering diaspora -- 6. Diaspora and hybridity: queer identities and the ethnicity model -- 7. Nomadic cultural production in African diaspora -- 8. Black skin, white kins: metamodern masks, multiple mimesis -- 9. Daughters of sunshine: diasporic impulses and gendered identities -- 10. The hill behind the house: an Ashkenazi Jew and art history -- Pt. IV. Poland-Brazil -- 11. Imaging the Shtetl: diaspora culture, photography and eastern European Jews -- 12. Alice Halicka's self-effacement: constructing an artistic identity in interwar France -- 13. Helio Oiticica's Parangoles: nomadic experience in endless motion -- 14. Memory and agency: Bantu and Yoruba arts in Brazilian culture -- 15. Practicing modernism: "... for the master's tools will never dismantle the master's house...".

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