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The bodies that were not ours : and other writings / Coco Fusco.

By: Material type: TextTextPublisher: London ; New York : Routledge, 2001Description: xx, 252 pISBN:
  • 0415251745 (pbk. : alk. paper)
  • 0415251737 (hb : alk. paper)
Subject(s): DDC classification:
  • 709.2
LOC classification:
  • NX180.P67 F87 2001
Contents:
Sect. 1. Borne in Captivity. The bodies that were not ours. Mexarcane International: ethnic talent for export. Better Yet When Dead. The man and the myth: Roger Guenveur Smith as Huey P. Newton, an interview. Captain Shit and other allegories of black stardom: the work of Chris Ofili. Wreaking havoc on the signified: the art of David Hammons. My kind of conversation: the artwork of Daniel J. Martinez. The unbearable weightiness of beings: art in Mexico after NAFTA. Votos (vows): a performance -- Sect. 2. Fotonovelas. Paquita [gamma] Chata Se Arrebatan: a collaboration with Nao Bustamante. Pochonovela: pilot for a Chicano soap opera -- Sect. 3. Suspended in Transit. Blacks in the metropolis: Isaac Julien on Frantz Fanon, an interview. Rights of Pasage: a performance for South Africa. Stuff co-written with Nao Bustamante. Bad grrl bravado: a conversation with Tracey Moffatt. Hustling for dollars: jineteras in Cuba. Bridge over troubled waters: and view from the bridge four years on. El Ultimo Deseo (the last wish): a performance for Cuba. El Evento Suspendido (the postponed event): a performance for Cuba. Mamas, sistahs and auntie men: Hilton Als and The Women, an interview. Sudaca Enterprises: a collaboration with Juan Pablo Ballester and Maria Elena Escalona. Modernity deferred: the work of Luis Molina-Pantin. At your service: Latin women in the global information network. The Incredible Disappearing Woman: a play in one act -- Sect. 4. Other Perspectives. Witness for the prosecution: the writings for Coco Fusco / Jean Fisher. Agency and ambivalence: a reading of works by Coco Fusco / Caroline Vercoe.
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Holdings
Item type Current library Call number Copy number Status Date due Barcode
Book City Campus City Campus Main Collection 709.2 FUS (Browse shelf(Opens below)) 1 Available A256951B

Includes bibliographical references and index.

Sect. 1. Borne in Captivity. The bodies that were not ours. Mexarcane International: ethnic talent for export. Better Yet When Dead. The man and the myth: Roger Guenveur Smith as Huey P. Newton, an interview. Captain Shit and other allegories of black stardom: the work of Chris Ofili. Wreaking havoc on the signified: the art of David Hammons. My kind of conversation: the artwork of Daniel J. Martinez. The unbearable weightiness of beings: art in Mexico after NAFTA. Votos (vows): a performance -- Sect. 2. Fotonovelas. Paquita [gamma] Chata Se Arrebatan: a collaboration with Nao Bustamante. Pochonovela: pilot for a Chicano soap opera -- Sect. 3. Suspended in Transit. Blacks in the metropolis: Isaac Julien on Frantz Fanon, an interview. Rights of Pasage: a performance for South Africa. Stuff co-written with Nao Bustamante. Bad grrl bravado: a conversation with Tracey Moffatt. Hustling for dollars: jineteras in Cuba. Bridge over troubled waters: and view from the bridge four years on. El Ultimo Deseo (the last wish): a performance for Cuba. El Evento Suspendido (the postponed event): a performance for Cuba. Mamas, sistahs and auntie men: Hilton Als and The Women, an interview. Sudaca Enterprises: a collaboration with Juan Pablo Ballester and Maria Elena Escalona. Modernity deferred: the work of Luis Molina-Pantin. At your service: Latin women in the global information network. The Incredible Disappearing Woman: a play in one act -- Sect. 4. Other Perspectives. Witness for the prosecution: the writings for Coco Fusco / Jean Fisher. Agency and ambivalence: a reading of works by Coco Fusco / Caroline Vercoe.

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