Montage and modern life, 1919-1942 / exhibition curators, Maud Lavin [and others] ; editor, Matthew Teitelbaum.
Material type:
TextPublisher: Cambridge, Mass. : Boston : MIT Press ; Institute of Contemporary Art, [1992]Copyright date: ©1992Description: 208 pages : illustrations ; 27 cmContent type: - text
- unmediated
- volume
- 0262200910
- 9780262200912
- 0262700506
- 9780262700504
- Montage and modern life, nineteen nineteen-nineteen forty two
- Montage and modern life, 1919 to 1942
- 779.0904074
- TR685. M65 1992
| Item type | Current library | Call number | Copy number | Status | Date due | Barcode | |
|---|---|---|---|---|---|---|---|
| Book | City Campus City Campus Main Collection | 779.0904074 MON (Browse shelf(Opens below)) | 1 | Available | A245733B |
Browsing City Campus shelves, Shelving location: City Campus Main Collection Close shelf browser (Hides shelf browser)
Catalog of exhibition at the Institute of Contemporary Art, Boston, Ap. 7-June 7, 1992; Vancouver Art Gallery, Canada, Aug. 19-Oct. 18, 1992; Les Expositions du Palais des Beaux-Arts/De Tentoonstellingen van het Paleis voor Schone Kensten, Brussels, Nov. 3, 1992-Jan 3, 1993.
Includes bibliographical references.
Preface -- Introduction -- Photomontage, Mass Culture, and Modernity: Utopianism in the Circle of New Advertising Designers -- The Wings of Hypothesis: On Montage and the Theory of the Interval -- From the Politics of Montage to the Montage of Politics: Soviet Practice 1919 through 1937 -- "Good fences make good neighbors": American resistance to photomontage between the wars -- Selected Bibliography -- Checklist to the Exhibition -- Lenders to the Exhibition.
Machine converted from AACR2 source record.
There are no comments on this title.