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Eva Hesse / Lucy R. Lippard.

By: Material type: TextTextPublisher: New York : Da Capo Press, 1992Edition: First Da Capo Press editionDescription: 249 pages : illustrations ; 29 cmContent type:
  • text
Media type:
  • unmediated
Carrier type:
  • volume
ISBN:
  • 0306804840
  • 9780306804847
Subject(s): DDC classification:
  • 709.2 20
LOC classification:
  • N6537.H4 L56 1992
Online resources: Summary: "As Lippard points out, Hesse’s use of obsessive repetition in her works served to increase and exaggerate the absurdity she saw in her life. In many ways, her works were ”psychic models,” as Robert Smithson has said, of ”a very interior person.” In pioneering the use of ”soft” materials, her sculptures betrayed her awareness of the manner in which her experience as a woman altered her art and career. Although she died before feminism affected the art world to any great extent, her major works have since become talismans for succeeding generations of women artists.Eva Hesse was designed by Hesse’s friends and colleagues Sol LeWitt and Pat Stier; her sculptures, drawings, and paintings are reproduced and discussed; and the text includes numerous quotations from her diaries. First published in 1976 but long out-of-print, this classic text is both an insightful critical analysis and a tribute to an artist whose genius has become increasingly apparent with the passage of time."--Publisher description.
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Holdings
Item type Current library Call number Copy number Status Date due Barcode
Book City Campus City Campus Main Collection 709.2 HES (Browse shelf(Opens below)) 1 Available A246259B

Originally published: New York : New York University Press, 1976.

Includes bibliographical references (pages 234-241) and index.

"As Lippard points out, Hesse’s use of obsessive repetition in her works served to increase and exaggerate the absurdity she saw in her life. In many ways, her works were ”psychic models,” as Robert Smithson has said, of ”a very interior person.” In pioneering the use of ”soft” materials, her sculptures betrayed her awareness of the manner in which her experience as a woman altered her art and career. Although she died before feminism affected the art world to any great extent, her major works have since become talismans for succeeding generations of women artists.Eva Hesse was designed by Hesse’s friends and colleagues Sol LeWitt and Pat Stier; her sculptures, drawings, and paintings are reproduced and discussed; and the text includes numerous quotations from her diaries. First published in 1976 but long out-of-print, this classic text is both an insightful critical analysis and a tribute to an artist whose genius has become increasingly apparent with the passage of time."--Publisher description.

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