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A sourcebook of feminist theatre and performance : on and beyond the stage / edited by Carol Martin.

Contributor(s): Material type: TextTextSeries: Worlds of performancePublisher: London ; New York : Routledge, 1996Description: xix, 311 pages : illustrations ; 24 cmContent type:
  • text
Media type:
  • unmediated
Carrier type:
  • volume
ISBN:
  • 0415106443
  • 9780415106443
  • 0415106451
  • 9780415106450
Subject(s): DDC classification:
  • 792.082 20
LOC classification:
  • PN2270.F45 S68 1996
Contents:
Part I: History. Art versus business: the role of women in American theatre / Helen Krich Chinoy -- Women for women / Charlotte Rea -- The WOW cafe / Alisa Solomon -- Notes on lesbian theatre / Emily L. Sisley -- Women at the helm: in leadership posts once reserved for men, they're challenging our assumptions about sex and power / Misha Berson -- Part II: Theory. Bearing witness: Anna Deavere Smith from community to theatre to mass media / Carol Martin -- In defense of the discourse: materialist feminism, postmodernism, poststructuralism ... and theory / Jill Dolan -- Motherhood according to Karen Finley: The Theory of total blame / Lynda Hart -- Brechtian theory/feminist theory: toward a gestic feminist criticism / Elin Diamond -- Reading past the heterosexual imperative: Dress suits to hire / Kate Davy -- Feminist theory, poststructuralism, and performance / Peggy Phelan -- Part III: Interviews. Anna Deavere Smith: the word becomes you / Carol Martin -- Robbie McCauley: Obsessing in public / Vivian Patraka -- Holly Hughes: polymorphous perversity and the lesbian scientist / Rebecca Schneider -- Karen Finley: a constant state of becoming / Richard Schechner -- Part IV: Texts. Dress suits to hire / Holly Hughes, Lois Weaver, Peggy Shaw -- The Constant state of desire / Karen Finley.
Summary: A Sourcebook of Feminist Theatre and Performance brings together key articles first published in The Drama Review (TDR), to provide an intriguing overview of the development of feminist theatre and performance. Divided into the categories of "history," "theory," "interviews," and "text," the materials in this collection allow the reader to consider the developments of feminist theatre through a variety of perspectives. This book contains the seminal texts of theorists.Summary: such as Elin Diamond, Peggy Phelan, and Lynda Hart, interviews with performance artists including Anna Deveare Smith and Robbie McCauley, and the full performance texts of Holly Hughes' Dress Suits to Hire and Karen Finley's The Constant State of Desire. The outstanding diversity of this collection makes for an invaluable sourcebook.
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Includes bibliographical references and index.

Part I: History. Art versus business: the role of women in American theatre / Helen Krich Chinoy -- Women for women / Charlotte Rea -- The WOW cafe / Alisa Solomon -- Notes on lesbian theatre / Emily L. Sisley -- Women at the helm: in leadership posts once reserved for men, they're challenging our assumptions about sex and power / Misha Berson -- Part II: Theory. Bearing witness: Anna Deavere Smith from community to theatre to mass media / Carol Martin -- In defense of the discourse: materialist feminism, postmodernism, poststructuralism ... and theory / Jill Dolan -- Motherhood according to Karen Finley: The Theory of total blame / Lynda Hart -- Brechtian theory/feminist theory: toward a gestic feminist criticism / Elin Diamond -- Reading past the heterosexual imperative: Dress suits to hire / Kate Davy -- Feminist theory, poststructuralism, and performance / Peggy Phelan -- Part III: Interviews. Anna Deavere Smith: the word becomes you / Carol Martin -- Robbie McCauley: Obsessing in public / Vivian Patraka -- Holly Hughes: polymorphous perversity and the lesbian scientist / Rebecca Schneider -- Karen Finley: a constant state of becoming / Richard Schechner -- Part IV: Texts. Dress suits to hire / Holly Hughes, Lois Weaver, Peggy Shaw -- The Constant state of desire / Karen Finley.

A Sourcebook of Feminist Theatre and Performance brings together key articles first published in The Drama Review (TDR), to provide an intriguing overview of the development of feminist theatre and performance. Divided into the categories of "history," "theory," "interviews," and "text," the materials in this collection allow the reader to consider the developments of feminist theatre through a variety of perspectives. This book contains the seminal texts of theorists.

such as Elin Diamond, Peggy Phelan, and Lynda Hart, interviews with performance artists including Anna Deveare Smith and Robbie McCauley, and the full performance texts of Holly Hughes' Dress Suits to Hire and Karen Finley's The Constant State of Desire. The outstanding diversity of this collection makes for an invaluable sourcebook.

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