The sleep of reason : primitivism in modern European art and aesthetics, 1725-1907 / Frances S. Connelly.
Material type:
TextPublisher: University Park, Pa. : Pennsylvania State University Press, [1995]Copyright date: ©1995Description: xii, 154 pages : illustrations ; 24 cmContent type: - text
- unmediated
- volume
- 0271013052
- 9780271013053
- 709.03
- N6754. C63 1995
Contents:
List of Illustrations -- Preface -- Introduction: Framing the Question -- 1. The Sleep of Reason: "Primitive" Art as the Inverse of Classicism -- 2. Poetic Monsters and Nature Hieroglyphics: The Precocious Primitivism of Philipp Otto Runge -- 3. "Primitive" Ornament and the Arabesque: Paul Gauguin's Decorative Art -- 4. Grotesque and Monstrous Idols: Meryon's Stryge and Picasso's Demoiselles -- Conclusion: Modernist Appropriations of "Primitive" Arts -- Notes -- Selected Bibliography -- Index.
| Item type | Current library | Call number | Copy number | Status | Date due | Barcode | |
|---|---|---|---|---|---|---|---|
| Book | City Campus City Campus Main Collection | 709.03 CON (Browse shelf(Opens below)) | 1 | Available | A195768B |
Browsing City Campus shelves, Shelving location: City Campus Main Collection Close shelf browser (Hides shelf browser)
| 709.024 RIC Locating Renaissance art / | 709.024 VIE Viewing Renaissance art / | 709.03 CHA The studios and styles of the Renaissance : Italy 1460-1500. / | 709.03 CON The sleep of reason : primitivism in modern European art and aesthetics, 1725-1907 / | 709.03 GOM Symbolic images : studies in the art of the Renaissance. | 709.03 GOO A history of the future / | 709.03 HAR Women artists, 1550-1950 / |
Includes bibliographical references (pages 133-149) and index.
List of Illustrations -- Preface -- Introduction: Framing the Question -- 1. The Sleep of Reason: "Primitive" Art as the Inverse of Classicism -- 2. Poetic Monsters and Nature Hieroglyphics: The Precocious Primitivism of Philipp Otto Runge -- 3. "Primitive" Ornament and the Arabesque: Paul Gauguin's Decorative Art -- 4. Grotesque and Monstrous Idols: Meryon's Stryge and Picasso's Demoiselles -- Conclusion: Modernist Appropriations of "Primitive" Arts -- Notes -- Selected Bibliography -- Index.
Machine converted from AACR2 source record.
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