More contemporary cinematographers on their art / Pauline B. Rogers.

Preface -- Mike Benson (on second unit and.) -- The Bone Collector (Columbia/Universal) (2nd Unit DP) -- Broken Arrow (20th Century Fox) (2nd Unit DP) -- Clear and Present Danger (Paramount) (2nd Unit DP) -- The Champ (MGM) (operator) -- Kung Fu (Warner Television) (operator) -- No Way Out (Orion) (operator) -- Rocky (United Artists) (operator) -- The Saint (Paramount) (2nd Unit operator) -- Sliver (Paramount) (2nd Unit DP) -- Terminator 2: Judgment Day (TriStar/Lightstorm) (2nd Unit DP) -- Universal Soldier: The Return (Columbia/TriStar) (1st Unit DP) -- Virus (Universal) (2nd Unit DP) -- Volcano (20th Century Fox) (2nd Unit DP) -- Peter James, A.S.C. -- Alive (Paramount) -- The Black Robe (Samuel Goldwyn) -- Caddie -- The De Niro Boys -- Diabolique (Morgan Creek/Warner Bros.) -- Double Jeopardy (Paramount) -- Driving Miss Daisy (Warner) -- The Irishman -- The Last Dance (Touchstone) -- Mister Johnson (Avenue Pictures) -- My Life (Columbia) -- The Newton Boys (20th Century Fox) -- Paradise Road (20th Century Fox) -- Rich in Love (MGM) -- Silent Fall (Morgan Creek) -- The Wild Duck -- Willy Willy -- Daryn Okada -- A Child's Name (CBS mini-series) -- Airborne (Warner Bros.) -- Anna Karenina (Warner Bros.) -- Big Bully (Morgan Creek/Warner Bros.) -- Black Sheep (Paramount) -- Captain Ron (Touchstone/Buena Vista) -- Elvis--The Early Years (ABC Television) -- Falling in Love Again (add'l photography) -- Lake Placid (20th Century Fox) -- My Father, The Hero (Touchstone/Buena Vista) -- Senseless (Miramax) -- Texas Rangers (Dimension/Miramax) -- Wild Hearts Can't Be Broken (Disney/Buena Vista) -- Neil Roach (on television/cable movies and.) -- Alex, the Life of a Child (Leonard Goldberg) -- Almost Golden (ABC Television) -- Country (Disney) -- Dallas, The Early Years (Lorimar) -- Early Edition (Columbia/Tristar series) -- Four Diamonds (Buena Vista) -- Goodbye, Miss Fourth of July (Disney Channel) -- Hiroshima (NBC) -- House of Frankenstein (Universal) -- Houston Nights (Columbia series) -- The Image (HBO) -- Into Thin Air Columbia/TriStar) -- The Island (Universal) -- The Mississippi (Warner Bros. series) -- My Name Is Bill W (ABC/Hallmark Hall of Fame) -- Of Mice and Men (NBC) -- Skyward (NBC) -- The Substitute Wife (The Pierce Company) -- To Dance With the White Dog (Hallmark Hall of Fame) -- Ward Russell (on commercials and.) -- Blackwood: The X-Files Movie (20th Century Fox) -- Days of Thunder (Paramount) -- The Last Boy Scout (Warner Bros.) -- Nancy Schreiber, A.S.C. -- Amnesty International World Tour -- Blair Witch-Hunt -- Buying the Cow (Destination Films) -- Chain of Desire Distant Horizons) -- Lush Life (Chanticleer) -- Middletown -- Nevada (Storm Entertainment) -- The Other Half of the Sky -- Possum Living -- Reaching Normal -- Scorpion Springs -- Shadow Magic -- Trapped -- Your Friends and Neighbors (Gramercy/Propaganda) -- John Schwartzman, A.S.C. -- Airheads (20th Century Fox) -- Armageddon (Touchstone) -- Benny and Joon (MGM) -- The Conspiracy Theory (Warner Bros.) -- EDTv (Universal) -- Mr. Wrong (Touchstone) -- Pearl Harbor (Touchstone) -- The Rock (Hollywood/Buena Vista) -- You Can't Hurry Love (Lightning Pictures) -- Dean Semler, A.S.C. -- The Bone Collector (Universal/Columbia TriStar) -- City Slickers (Columbia) -- The Cowboy Way (Universal/Imagine) -- D-Tox (Universal/Imagine) -- Dances With Wolves (Orion/Tig) -- Dead Calm (Warner Bros.) -- Farewell to the King (Orion) -- K-9 (Universal) -- Kitty and the Bagman (Forest Home) -- Let the Balloon Go (Film Australia) -- Lonesome Dove (2nd unit/mini-series) -- Mad Max 2: The Road Warrior (Kennedy/Miller) -- Mad Max: Beyond Thunderdome (Kennedy/Miller) -- Nutty 2: The Klumps (Universal/Imagine) -- The Power of One (Warner/Regency) -- Razorback (Western Films) -- The Three Musketeers (Disney) -- Waterworld (Universal) -- Young Guns 1 and 2 (Fox/Morgan Creek) -- Dante Spinotti, A.S.C. -- Beaches (Touchstone) -- Blink (New Line) -- The Comfort of Strangers (Sovereign Pictures) -- Crimes of the Heart (DeLaurentiis) -- Goodbye, Lover (Regency/Warner Bros.) -- Heat (Regency/Warner Bros.) -- Ill Minestrone -- The Insider (Touchstone) -- L.A. Confidential (Regency/Warner Bros.) -- The Last of the Mohicans (20th Century Fox) -- Manhunter -- Nell (20th Century Fox) -- The Other Sister (Touchstone) -- The Quick and the Dead (Columbia/TriStar) -- True Colors (Paramount) -- The Wonder Boys (Paramount) -- Ueli Steiger -- Austin Powers: The Spy Who Shagged Me (Buena Vista) -- Bowfinger (Universal/Imagine) -- Godzilla (TriStar) -- The Hot Spot (Orion) -- House Arrest (MGM) -- Promised Land (Vestron) -- Singles (Warner Bros.) -- Soapdish (Paramount) -- Some Girls (MGM) -- The Visitor -- Vilmos Zsigmond, A.S.C. -- Assassins (Warner Bros.) -- Blow Out (Filmways) -- The Bonfire of the Vanities (Warner Bros.) -- Cinderella Liberty (Fox) -- Close Encounters of the Third Kind (Columbia) -- The Crossing Guard (Miramax) -- The Deer Hunter (Universal) -- Deliverance (Warner Bros.) -- Fat Man and Little Boy (Paramount) -- The Ghost and the Darkness (Paramount) -- Hired Hand (Universal) -- Heaven's Gate (United Artists) -- Intersection (Paramount) -- The Long Goodbye (United Artists) -- Maverick (Warner Bros.) -- McCabe and Mrs. Miller (Warner Bros.) -- Obsession (Columbia) -- Playing by Heart (Miramax) -- The River (Universal) -- The Rose (Fox) -- Sliver (Paramount) -- Stalin (HBO Television) -- Two Jakes (Paramount) -- The Witches of Eastwick (Warner Bros.).

"This sequel to Contemporary Cinematographers on Their Art offers in-depth conversations with some of the most important cinematographers working in film, television and commercials today. It includes younger cinematographers who have recently made their mark as well as icons of this craft. The conversations cover all aspects of cinematography from pre-production planning to post-production, special effects, underwater photography, and second unit. Each interview gives a behind-the-scenes look at how some of the most popular shots in films and television were lit and captured.; Like its predecessor, this book explores the tools, trends, personalities, and professional achievements of contemporary cinematographers, highlighting the behind-the-scenes struggles of the business of making motion pictures. Each chapter delves into the personal challenges, political proprieties, inter-departmental interactions, and artistic achievements of the artists who bring scripts to life through their choice of cameras, lights, lenses, filters, gels, and other supporting equipment.Interviews with prominent, award-winning cinematographersInsight into some of the most popular and innovative movies todayCovers all aspects of cinematography, including post-production and special effects"--Publisher description.

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