Art apart : art institutions and ideology across England and North America / edited by Marcia Pointon.
Material type: TextPublisher: Manchester ; New York : Manchester University Press, [1994]Distributor: New York : Distributed exclusively in the USA and Canada by St. Martin's Press Copyright date: ©1994Description: x, 292 pages : illustrations ; 25 cmContent type:- text
- unmediated
- volume
- 0719039177
- 9780719039171
- 0719039185
- 9780719039188
- 708.0068 20
- N1020 .A78 1994
Item type | Current library | Call number | Copy number | Status | Date due | Barcode | |
---|---|---|---|---|---|---|---|
Book | City Campus City Campus Main Collection | 708.0068 ART (Browse shelf(Opens below)) | 1 | Available | A125407B |
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708.001 INS Institutional Critique and after / | 708.001 INS Institutional critique : an anthology of artists' writings / | 708.0068 ART Art in museums / | 708.0068 ART Art apart : art institutions and ideology across England and North America / | 708.0068 DEW Post critical museology : theory and practice in the art museum / | 708.00688 KIN C/id : visual identity and branding for the arts / | 708.0071 CUR Curating and the educational turn / |
Includes bibliographical references and index.
List of illustrations -- Introduction -- 1. From Penitentiary to 'Temple of Art': Early Metaphors of Improvement at the Millbank Tate -- 2. Culture, Class, City: The National Gallery, London and the Spaces of Education, 1822-57 -- 3. 1968 and All That: The Founding of the National Portrait Gallery, Washington DC -- 4. South Kensington Museum: The Building of the House of Henry Cole -- 5. The Battle Over 'the West as America', 1991 -- 6. Blinded by 'Science': Ethnography at the British Museum -- 7. The Politics of Display: A 'Literary and Historical' Definition of Quebec of 1830s British North America -- 8. Norman Rockwell and the Saturday Evening Post: Advertising, Iconography and Mass Production 1897-1929 -- 9. Cultured Into Crisis: The Arts Council of Great Britain -- 10. The Politics of Presentation: The Museum of Modern Art, New York -- 11. Inside-Out: Assumptions of 'English' Modernism in the Whitechapel Art Gallery, London, 1914 -- 12. The Frightening Freedom of the Brush: The Boston Institute of Contemporary Art and Modern Art -- 13. Questioning the Structure: The Museum Context as Content -- 14. The Museum of Contemporary Art, Los Angeles: An Account of the Collaboration between Artists, Trustees and an Architect -- Notes on contributors -- Index.
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