Beyond reason : art and psychosis : works from the Prinzhorn Collection / Bettina Brand-Claussen, Inge Jádi, Caroline Douglas.

By:

Brand-Claussen, Bettina

Contributor(s):

Material type: Text

text

Media type:

unmediated

Carrier type:

volume

ISBN:

1853321583
9781853321580
0520217403
9780520217409

Other title:

Art and psychosis

Subject(s):

DDC classification:

704.0824 21

LOC classification:

N71.5 .B73 1996

Online resources:

Contributor biographical information

Summary: "In the early 1920s the German art historian and psychiatrist, Hans Prinzhorn (1886-1933), amassed a remarkable collection of some 5,000 paintings, drawings, objects, and collages made by patients in European psychiatric institutions. His interest, unique at the time, was twofold: to assess the art as creative work, and to use it as a way of studying mental illness. Prinzhorn's Collection attracted the attention of many artists, including Paul Klee and Oskar Schlemmer, but by the 1930s, when the Nazis declared such work "degenerate," the Collection fell into disrepair. Only in recent decades has it been properly restored and made available for a wider public.This catalog accompanied the first exhibition in Britain to foreground the Prinzhorn Collection as a whole. The works represented in these pages defy simple categorization: The range is extraordinary and the art's startling sophistication, inventiveness, and beauty inevitably prompt comparison with such artists as Max Ernst and the Surrealists and with Jean Dubuffet.Three texts are immensely helpful in providing an understanding of the Collection's importance: Bettina Brand-Claussen deals with the Collection's origins within the changing culture of postwar Europe; Inge Jadi offers a meditation on the ethical, interpretative, and aesthetic questions in presenting the Collection; and Caroline Douglas sets Prinzhorn's endeavor within a broader historical and intellectual context.Questions surrounding art and madness are endlessly fascinating, no more so than today, as science moves to unlock the mysteries of the mind. The Prinzhorn Collection will do much to inspire continuing debate on the links between creativity, rationality, and illness."--Publisher description.

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Holdings
Item type	Current library	Call number	Copy number	Status	Date due	Barcode
Book	City Campus City Campus Main Collection	704.0824 BEY (Browse shelf(Opens below))	1	Available		A163362B

Published on the occasion of the exhibition, 5 December 1996 - 23 February 1997, organised by the Hayward Gallery.

The exhibition was originally shown (slightly modified) in Charleroi, Belgium, in the winter of 1995/96, under the title: La beauté insenseé.

The Prinzhorn Collection is kept by the Psychiatric Institute of the University of Heidelberg, Germany.

Includes bibliographical references (page 195).

"In the early 1920s the German art historian and psychiatrist, Hans Prinzhorn (1886-1933), amassed a remarkable collection of some 5,000 paintings, drawings, objects, and collages made by patients in European psychiatric institutions. His interest, unique at the time, was twofold: to assess the art as creative work, and to use it as a way of studying mental illness. Prinzhorn's Collection attracted the attention of many artists, including Paul Klee and Oskar Schlemmer, but by the 1930s, when the Nazis declared such work "degenerate," the Collection fell into disrepair. Only in recent decades has it been properly restored and made available for a wider public.This catalog accompanied the first exhibition in Britain to foreground the Prinzhorn Collection as a whole. The works represented in these pages defy simple categorization: The range is extraordinary and the art's startling sophistication, inventiveness, and beauty inevitably prompt comparison with such artists as Max Ernst and the Surrealists and with Jean Dubuffet.Three texts are immensely helpful in providing an understanding of the Collection's importance: Bettina Brand-Claussen deals with the Collection's origins within the changing culture of postwar Europe; Inge Jadi offers a meditation on the ethical, interpretative, and aesthetic questions in presenting the Collection; and Caroline Douglas sets Prinzhorn's endeavor within a broader historical and intellectual context.Questions surrounding art and madness are endlessly fascinating, no more so than today, as science moves to unlock the mysteries of the mind. The Prinzhorn Collection will do much to inspire continuing debate on the links between creativity, rationality, and illness."--Publisher description.

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