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Seams : art as a philosophical context / essays by Stephen Melville ; edited and introduced by Jeremy Gilbert-Rolfe.

By: Contributor(s): Material type: TextTextSeries: Critical voices in art, theory and culturePublisher: Amsterdam : G+B Arts International, [1996]Copyright date: ©1996Description: xi, 239 pages ; 23 cmContent type:
  • text
Media type:
  • unmediated
Carrier type:
  • volume
ISBN:
  • 9057010313
  • 9789057010316
  • 9057010216
  • 9789057010217
Subject(s): DDC classification:
  • 700.1
Contents:
Introduction to the Series -- Preface -- Introduction: Stephen Melville and Art's Philosophical Attitude Toward History -- 1. Robert Smithson: "A Literalist of the Imagination" -- 2. Description -- 3. Aesthetic Detachment: Review of Jacques Derrida, The Truth in Painting -- 4. Positionality, Objectivity, Judgment -- 5. Psychoanalysis and the Place of Jouissance -- 6. Division of the Gaze, or Remarks on the Color and Tenor of Contemporary "Theory" -- 7. Color Has Not Yet Been Named: Objectivity in Deconstruction -- 8. Notes on the Reemergence of Allegory, the Forgetting of Modernism, the Necessity of Rhetoric, and the Conditions of Publicity in Art and Criticism -- 9. Compelling Acts, Haunting Convictions -- 10. Painting Put Asunder: Moments Lucid and Opaque Like Turner's Sun and Cindy Sherman's Face -- 11. Postscript -- Notes.
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Holdings
Item type Current library Call number Copy number Status Date due Barcode
Book City Campus City Campus Main Collection 700.1 MEL (Browse shelf(Opens below)) 1 Available A162287B

Introduction to the Series -- Preface -- Introduction: Stephen Melville and Art's Philosophical Attitude Toward History -- 1. Robert Smithson: "A Literalist of the Imagination" -- 2. Description -- 3. Aesthetic Detachment: Review of Jacques Derrida, The Truth in Painting -- 4. Positionality, Objectivity, Judgment -- 5. Psychoanalysis and the Place of Jouissance -- 6. Division of the Gaze, or Remarks on the Color and Tenor of Contemporary "Theory" -- 7. Color Has Not Yet Been Named: Objectivity in Deconstruction -- 8. Notes on the Reemergence of Allegory, the Forgetting of Modernism, the Necessity of Rhetoric, and the Conditions of Publicity in Art and Criticism -- 9. Compelling Acts, Haunting Convictions -- 10. Painting Put Asunder: Moments Lucid and Opaque Like Turner's Sun and Cindy Sherman's Face -- 11. Postscript -- Notes.

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