Celebrating Moore : works from the collection of the Henry Moore Foundation / selected by David Mitchinson ; introduction by David Mitchinson ; foreword by Alan Bowness ; contributions from Julian Andrews [and others].
Material type: TextPublisher: Berkeley : University of California Press, [1998]Copyright date: ©1998Description: 360 pages : colour illustrations ; 32 cmContent type:- text
- unmediated
- volume
- 0520216709
- 9780520216709
- Works from the collection of the Henry Moore Foundation
- 709.2 22
- N6797.M57 A4 1998
- Q730.92 MOORE
Item type | Current library | Call number | Copy number | Status | Date due | Barcode | |
---|---|---|---|---|---|---|---|
Book | City Campus City Campus Main Collection | 709.2 MOO (Browse shelf(Opens below)) | 1 | Available | A276843B |
Includes bibliographical references and index.
"This book is a celebration of The Henry Moore Foundation's collection--the most important and comprehensive single group of Moore's drawings, graphics, and sculpture.More than 300 of Moore's acclaimed works are reproduced in full color, and extensive captions are provided by distinguished sculptors, art critics, and art historians, many of whom knew and worked with Moore. Their fresh insights and personal anecdotes provide a detailed and compelling analysis of Moore's artistry.David Mitchinson's introductory essay traces the formation of The Henry Moore Foundation's collection, a fascinating story that has never been told before. He explains Moore's somewhat haphazard way of working, the confused ownership between the Foundation and its trading company, the strengths and weaknesses of the Collection itself, and the evolution of the Foundation's property at Perry Green in Hertfordshire. With a foreword by Sir Alan Bowness, Celebrating Moore will be a welcome addition to the study and appreciation of Henry Moore for years to come.From the Foreword:"Henry Moore talked well and liked talking about sculpture, but he rarely gave any verbal explanation of his own works. That was for others to do: He was the man who had made the piece and put it out in the world. This is the form that the catalogue takes--twenty-five sculptors, art historians, critics, curators, and film makers write about sculptures and drawings that particularly interest them.""--Publisher description.
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