Entry Personal Name

Number of records used in: 1

001 - CONTROL NUMBER

• control field: 404676

003 - CONTROL NUMBER IDENTIFIER

• control field: OCoLC

005 - DATE AND TIME OF LATEST TRANSACTION

• control field: 20221109155200.0

008 - FIXED-LENGTH DATA ELEMENTS

• fixed length control field: 800408n| azannaabn |a aaa

010 ## - LIBRARY OF CONGRESS CONTROL NUMBER

• LC control number: n 50013257

035 ## - SYSTEM CONTROL NUMBER

• System control number: (OCoLC)oca00048740

040 ## - CATALOGING SOURCE

• Original cataloging agency: DLC
• Language of cataloging: eng
• Description conventions: rda
• Transcribing agency: DLC
• Modifying agency: DLC
• Modifying agency: SaPrNL
• Subject heading/thesaurus conventions: lcna

046 ## - SPECIAL CODED DATES

• Birth date: 1931-10-27
• Death date: 2016-04-15
• Source of date scheme: edtf

100 1# - HEADING--PERSONAL NAME

• Personal name: Smith, Richard,
• Dates associated with a name: 1931-2016

370 ## - ASSOCIATED PLACE

• Place of birth: Letchworth (England)
• Place of death: Patchogue (N.Y.)
• Associated country: Great Britain
• Source of term: naf

372 ## - FIELD OF ACTIVITY

• Field of activity: Pop art
• Field of activity: Color-field painting
• Source of term: lcsh

374 ## - OCCUPATION

• Occupation: Painters
• Source of term: lcsh

375 ## - GENDER

• Gender: Males
• Source of term: lcdgt

378 ## - FULLER FORM OF PERSONAL NAME

• Fuller form of personal name: Charles Richard

400 1# - SEE FROM TRACING--PERSONAL NAME

• Personal name: Smith, Charles Richard,
• Dates associated with a name: 1931-2016

670 ## - SOURCE DATA FOUND

• Source citation: His Paintings, 1958-1966, 1966.

670 ## - SOURCE DATA FOUND

• Source citation: New York times WWW site, viewed Apr. 28, 2016
• Information found: (in obituary published Apr. 18: Richard Smith; b. Charles Richard Smith, Oct. 27, 1931, Letchworth, Hertfordshire; d. Friday [Apr. 15, 2016], Patchogue, N.Y., aged 84; British painter whose idiosyncratic explorations of form and color embraced both Pop Art and Color Field painting, making him one of the most distinctive, indefinable artists of the 1960s and '70s)