Normal view
MARC view
Entry Personal Name
001 - CONTROL NUMBER
- control field: 1072626
003 - CONTROL NUMBER IDENTIFIER
- control field: OCoLC
005 - DATE AND TIME OF LATEST TRANSACTION
- control field: 20221109212633.0
008 - FIXED-LENGTH DATA ELEMENTS
- fixed length control field: 080905n| azannaabn |n aaa
010 ## - LIBRARY OF CONGRESS CONTROL NUMBER
- LC control number: n 2008060861
035 ## - SYSTEM CONTROL NUMBER
- System control number: (OCoLC)oca07870975
040 ## - CATALOGING SOURCE
- Original cataloging agency: DLC
- Language of cataloging: eng
- Description conventions: rda
- Transcribing agency: DLC
- Modifying agency: UPB
- Subject heading/thesaurus conventions: lcna
046 ## - SPECIAL CODED DATES
- Birth date: 1972-03-17
- Source of date scheme: edtf
100 1# - HEADING--PERSONAL NAME
- Personal name: Shannon, Joshua,
- Dates associated with a name: 1972-
372 ## - FIELD OF ACTIVITY
- Field of activity: Art--History
- Source of term: lcsh
373 ## - ASSOCIATED GROUP
- Associated group: University of Maryland, College Park
- Source of term: naf
- Start period: 2005
374 ## - OCCUPATION
- Occupation: College teachers
- Source of term: lcsh
375 ## - GENDER
- Gender: Males
- Source of term: lcdgt
377 ## - ASSOCIATED LANGUAGE
- Language code: eng
670 ## - SOURCE DATA FOUND
- Source citation: Shannon, Joshua. The disappearance of objects, 2009:
- Information found: CIP t.p. (Joshua Shannon) data sheet (b. March 17, 1972)
670 ## - SOURCE DATA FOUND
- Source citation: The recording machine, 2017:
- Information found: title page (Joshua Shannon) page 4 of jacket (Joshua Shannon is associate professor of contemporary art history and theory at the University of Maryland)
670 ## - SOURCE DATA FOUND
- Source citation: University of Maryland, via WWW, July 19, 2017
- Information found: (Joshua Shannon, Associate Professor, Contemporary Art History & Theory, and Director of Graduate Studies, University of Maryland, College Park; Joshua Shannon is a specialist in the history and theory of art since 1945; his areas of research and teaching interest include photography, art and the city, the landscape, modernist realism, and contemporary visual culture; he is the author of The Recording Machine: Art and Fact during the Cold War (Yale University Press, 2017) and The Disappearance of Objects: New York Art and the Rise of the Postmodern City (Yale University Press, 2009); he earned his Ph. D. in the history of art at the University of California, Berkeley in 2003 and joined the University of Maryland faculty in 2005)