Normal view MARC view

Entry Personal Name

Number of records used in: 5

001 - CONTROL NUMBER

  • control field: 1041430

003 - CONTROL NUMBER IDENTIFIER

  • control field: OCoLC

005 - DATE AND TIME OF LATEST TRANSACTION

  • control field: 20221031155327.0

008 - FIXED-LENGTH DATA ELEMENTS

  • fixed length control field: 850429n| azannaabn |n aaa

010 ## - LIBRARY OF CONGRESS CONTROL NUMBER

  • LC control number: n 85111035

035 ## - SYSTEM CONTROL NUMBER

  • System control number: (OCoLC)oca01322992

040 ## - CATALOGING SOURCE

  • Original cataloging agency: DLC
  • Language of cataloging: eng
  • Description conventions: rda
  • Transcribing agency: DLC
  • Modifying agency: DLC
  • Modifying agency: UPB
  • Subject heading/thesaurus conventions: lcna

046 ## - SPECIAL CODED DATES

  • Birth date: 1954-04-21
  • Source of date scheme: edtf

100 1# - HEADING--PERSONAL NAME

  • Personal name: Jones, Caroline A.

373 ## - ASSOCIATED GROUP

  • Associated group: Fogg Art Museum
  • Source of term: naf

373 ## - ASSOCIATED GROUP

  • Associated group: Massachusetts Institute of Technology
  • Source of term: naf

374 ## - OCCUPATION

  • Occupation: College teachers
  • Occupation: Authors
  • Source of term: lcsh

375 ## - GENDER

  • Gender: Females
  • Source of term: lcdgt

377 ## - ASSOCIATED LANGUAGE

  • Language code: eng

670 ## - SOURCE DATA FOUND

  • Source citation: Her Modern art at Harvard, 1985:
  • Information found: CIP t.p. (Caroline A. Jones) pub. info. (asst. dir. for curatorial aff., Fogg Art Museum)

670 ## - SOURCE DATA FOUND

  • Source citation: Picturing science, producing art, 1998:
  • Information found: CIP t.p. (Caroline A. Jones) data sheet (b. Apr. 21, 1954)

670 ## - SOURCE DATA FOUND

  • Source citation: The global work of art, 2016:
  • Information found: title page (Caroline A. Jones) page 4 of cover (Caroline A. Jones is professor in the History, Theolry, and Criticism section of the Department of Architecture at the Massachusetts Institute of Technology; she is the authors of several books, including Machine in the Studio: Constructing the Postwar American Artist and Eyesight Alone: Clement Greenberg's Modernism and the Bureaucratization of the Senses, both published by the University of Chicago Press)

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