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MARC view
Entry Personal Name
001 - CONTROL NUMBER
- control field: 1022934
003 - CONTROL NUMBER IDENTIFIER
- control field: OCoLC
005 - DATE AND TIME OF LATEST TRANSACTION
- control field: 20221031152030.0
008 - FIXED-LENGTH DATA ELEMENTS
- fixed length control field: 800514n| azannaabn |b aaa
010 ## - LIBRARY OF CONGRESS CONTROL NUMBER
- LC control number: n 80057250
035 ## - SYSTEM CONTROL NUMBER
- System control number: (OCoLC)oca00438991
040 ## - CATALOGING SOURCE
- Original cataloging agency: DLC
- Language of cataloging: eng
- Description conventions: rda
- Transcribing agency: DLC
- Modifying agency: DLC
- Modifying agency: UPB
- Modifying agency: CSt-HC
- Modifying agency: DLC
- Modifying agency: PU-HC
- Modifying agency: WaU
- Subject heading/thesaurus conventions: lcna
046 ## - SPECIAL CODED DATES
- Birth date: 1888-03-19
- Death date: 1976-03-25
- Source of date scheme: edtf
100 1# - HEADING--PERSONAL NAME
- Personal name: Albers, Josef
368 ## - OTHER ATTRIBUTES OF PERSON OR CORPORATE BODY
- Other designation: German Americans
- Other designation: Americans
- Source: lcdgt
370 ## - ASSOCIATED PLACE
- Place of birth: Bottrop (Germany)
- Associated country: Germany
- Associated country: United States
- Source of term: naf
370 ## - ASSOCIATED PLACE
- Place of residence/headquarters: New Haven (Conn.)
- Source of term: naf
372 ## - FIELD OF ACTIVITY
- Field of activity: Art
- Source of term: lcgft
373 ## - ASSOCIATED GROUP
- Associated group: Black Mountain College (Black Mountain, N.C.)
- Source of term: naf
- Start period: 1933
- End period: 1949
373 ## - ASSOCIATED GROUP
- Associated group: Yale University
- Source of term: naf
374 ## - OCCUPATION
- Occupation: Artists
- Occupation: Art teachers
- Occupation: University and college faculty members
- Source of term: lcdgt
375 ## - GENDER
- Gender: Males
- Source of term: lcdgt
400 1# - SEE FROM TRACING--PERSONAL NAME
- Personal name: Albers, Yozef
400 1# - SEE FROM TRACING--PERSONAL NAME
- Personal name: אלברס, יוזף
670 ## - SOURCE DATA FOUND
- Source citation: Zeichnungen, 1956.
670 ## - SOURCE DATA FOUND
- Source citation: Josef Albers, c1992:
- Information found: p. 127-128 (b. Mar. 19, 1888, Bottrop; d. Mar. 25, 1976)
670 ## - SOURCE DATA FOUND
- Source citation: Albers Foundation website, viewed Sept. 20, 2013
- Information found: (Josef Albers; German-born American artist, educator, and author; on faculty at the Bauhaus, 1925-33; emigrated to the USA, 1933; faculty at Black Mountain College, near Asheville, North Carolina, 1933-49; chairman of the Department of Design at the Yale University School of Art, 1950-58)
670 ## - SOURCE DATA FOUND
- Source citation: Obyeḳṭiv, 2014:
- Information found: title page (יוזף אלברס = Yozef Albers) added title page (Josef Albers [in rom.])
670 ## - SOURCE DATA FOUND
- Source citation: Union list of artist names, via WWW, March 26, 2019
- Information found: (Albers, Josef (German-American painter and theorist, 1888-1976). Born 19 March 1888; died 25 March 1976. Albers trained as an art teacher at Königliche Kunstschule in Berlin, Germany, from 1913 to 1915. From 1916 to 1919 he began his work as a printmaker at the Kunstgewerbschule in nearby Essen, Germany. In 1919 he went to Munich, Germany, to study at the Königliche Bayerische Akademie der Bildenden Kunst, where he was a pupil of Max Doerner and Frank Stuck. In 1920 he attended the preliminary course (Vorkurs) at the Bauhaus in Weimar, Germany, and was appointed a master in 1923 or 1925. In 1925 Albers moved with the Bauhaus to Dessau, Germany, where he was named master. From 1928 to 1930 he was also in charge of the furniture workshop. In 1932 he moved with the Bauhaus to Berlin. From 1933, after the closure of the Bauhaus in Berlin, until 1949, Albers taught at Black Mountain College in North Carolina. From 1948 to 1950 or from 1950 to 1958, Albers was professor and chairman of the Department of Design at Yale University, New Haven, Connecticut. He remained there as a visiting professor until 1960. After his retirement from Yale University, Albers continued to live in New Haven and to paint, monitor his own exhibitions and publications, write, lecture and work on large commissioned sculptures for architectural settings. He was highly regarded as a teacher and is considered influential for the generation of artists emerging in the 1950s and 1960s)