MARC details
000 -LEADER |
fixed length control field |
04103cam a22004334i 4500 |
005 - DATE AND TIME OF LATEST TRANSACTION |
control field |
20230822155755.0 |
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
fixed length control field |
000901s2001 ctua b 001 0 eng d |
010 ## - LIBRARY OF CONGRESS CONTROL NUMBER |
LC control number |
00043972 |
011 ## - LINKING LIBRARY OF CONGRESS CONTROL NUMBER [OBSOLETE] |
Local cataloguing issues note |
Z3950 Search: @attr 1=7 "9780300105902" |
011 ## - LINKING LIBRARY OF CONGRESS CONTROL NUMBER [OBSOLETE] |
Local cataloguing issues note |
Z3950 Record: 0 of 13 |
020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
International Standard Book Number |
0300081553 |
Qualifying information |
cloth ; (alk. paper) |
020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
International Standard Book Number |
9780300081558 |
Qualifying information |
cloth ; (alk. paper) |
020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
International Standard Book Number |
0300105908 |
Qualifying information |
paper |
020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
International Standard Book Number |
9780300105902 |
Qualifying information |
paper |
035 ## - SYSTEM CONTROL NUMBER |
System control number |
(OCoLC)45002105 |
037 ## - SOURCE OF ACQUISITION |
Source of stock number/acquisition |
Yale Univ Pr, C/O Triliteral Llc 100 Maple Ridge Dr, Cumberland, RI, USA, 02864-1769, (401)6584226 |
Note |
SAN 631-8126 |
040 ## - CATALOGING SOURCE |
Original cataloging agency |
DLC |
Language of cataloging |
eng |
Description conventions |
rda |
Transcribing agency |
DLC |
Modifying agency |
UKM |
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NLGGC |
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BAKER |
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BTCTA |
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YDXCP |
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HEBIS |
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EXW |
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YUS |
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CUK |
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OCLCF |
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IG# |
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OCLCQ |
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OCL |
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EUN |
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OCLCO |
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OCLCA |
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SFR |
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CSJ |
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DHA |
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CPO |
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AU@ |
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DCT |
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Z5A |
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ATU |
042 ## - AUTHENTICATION CODE |
Authentication code |
pcc |
043 ## - GEOGRAPHIC AREA CODE |
Geographic area code |
n-us--- |
050 00 - LIBRARY OF CONGRESS CALL NUMBER |
Classification number |
N6512.5.M5 |
Item number |
M49 2001 |
082 00 - DEWEY DECIMAL CLASSIFICATION NUMBER |
Classification number |
709.7309046 |
Edition number |
21 |
099 ## - LOCAL FREE-TEXT CALL NUMBER (OCLC) |
Classification number |
709.7309046 MEY |
100 1# - MAIN ENTRY--PERSONAL NAME |
Personal name |
Meyer, James Sampson, |
Dates associated with a name |
1962- |
Relator term |
author. |
9 (RLIN) |
397274 |
245 10 - TITLE STATEMENT |
Title |
Minimalism : |
Remainder of title |
art and polemics in the sixties / |
Statement of responsibility, etc. |
James Meyer. |
264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE |
Place of production, publication, distribution, manufacture |
New Haven : |
Name of producer, publisher, distributor, manufacturer |
Yale University Press, |
Date of production, publication, distribution, manufacture, or copyright notice |
[2001] |
264 #4 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE |
Date of production, publication, distribution, manufacture, or copyright notice |
©2001 |
300 ## - PHYSICAL DESCRIPTION |
Extent |
viii, 340 pages : |
Other physical details |
illustrations (some colour) ; |
Dimensions |
27 cm |
336 ## - CONTENT TYPE |
Content type term |
text |
Content type code |
txt |
Source |
rdacontent |
337 ## - MEDIA TYPE |
Media type term |
unmediated |
Media type code |
n |
Source |
rdamedia |
338 ## - CARRIER TYPE |
Carrier type term |
volume |
Carrier type code |
nc |
Source |
rdacarrier |
504 ## - BIBLIOGRAPHY, ETC. NOTE |
Bibliography, etc. note |
Includes bibliographical references and index. |
505 00 - FORMATTED CONTENTS NOTE |
Title |
A minimal field -- |
-- |
Minimal polemics -- |
-- |
Spring 1966 -- |
-- |
A tour of "Primary Structures" -- |
-- |
1959-1962 -- |
-- |
The early years -- |
-- |
1963 -- |
-- |
The emergence of Judd and Morris -- |
-- |
Truitt at Andre Emmerich -- |
-- |
1964 -- |
-- |
Introduction to the "minimal" 1: "Black, White, and Gray" -- |
-- |
Introduction to the "Minimal" 2: "Everyman's Infinite Art"; Di Suvero's Attack -- |
-- |
Introduction to the "minimal" 3: the art student's doubt -- |
-- |
Flavin, Judd, and Stella interviewed -- |
-- |
Enter Flavin; "Eleven Artists" -- |
-- |
"8 Young Artists" -- |
-- |
Morris's plywood show -- |
-- |
1965 -- |
-- |
"Shape and Structure: 1965": the fight for Stella's "Soul" -- |
-- |
Andre's styrofoam show: Sculpture-as-Place -- |
-- |
"Specific Objects" -- |
-- |
"Minimal Art" and "ABC Art": popularization of the "minimal" -- |
-- |
1966 -- |
-- |
Morris's "Notes on Sculpture" -- |
-- |
The serial attitude: Judd at Castelli, "Systemic Painting," and the Finch Shows -- |
-- |
Seriality as negation -- |
-- |
Andre's brick show -- |
-- |
LeWitt at the Dwan Gallery: displacement into conceptualism -- |
-- |
1967: The Critiques of Greenberg and Fried -- |
-- |
"Recentness of Sculpture": minimalism and "Good Design" -- |
-- |
The case for Truitt: minimalism and gender -- |
-- |
The aesthetics of doubt: "Art and Objecthood" -- |
-- |
1968: Canonization/Critique -- |
-- |
Judd's Whitney show and Battcock's anthology -- |
-- |
"The Art of the Real: USA 1948-1968" and the reception abroad -- |
-- |
"Minimal Art," "Anti Form," and the social critique of minimalism. |
520 ## - SUMMARY, ETC. |
Summary, etc. |
This volume shows how artists as diverse as Carl Andre, Donald Judd, Robert Morris, and Anne Truitt came to be designated as minimalists during a series of exhibitions in the 1960s. Minimalism describes movements in various forms of art and design where the work is stripped down to its most fundamental features. The author attempts to make sense of minimalism as an artistic moment. He points out that, at first, the term "minimalism" was derogatory, implying that the art was too reduced and abstract. In the late '60s, the label lost its stigma as the work was widely recognized by major museums, and minimalist art headed toward canonization. This work analyzes that process as well as the backlash against minimalism by leftists, especially in Europe, who associated it with American cultural imperialism. It also places minimalist art in a broader cultural context, noting the stripped-down, austere sensibility that prevailed in '60s fashion and design. |
588 ## - SOURCE OF DESCRIPTION NOTE |
Source of description note |
Machine converted from AACR2 source record. |
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
Topical term or geographic name entry element |
Minimal art |
Geographic subdivision |
United States. |
9 (RLIN) |
590853 |
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
Topical term or geographic name entry element |
Art, American |
Chronological subdivision |
20th century. |
9 (RLIN) |
314057 |
776 18 - ADDITIONAL PHYSICAL FORM ENTRY |
Record control number |
(OCoLC)45852884 |
-- |
(OCoLC)150843938 |
-- |
(OCoLC)491355587 |
-- |
(OCoLC)894130820 |
-- |
(OCoLC)898057772 |
-- |
(OCoLC)1008528982 |
942 ## - ADDED ENTRY ELEMENTS (KOHA) |
Koha item type |
Book |
Suppress in OPAC |
No |
Source of classification or shelving scheme |
Dewey Decimal Classification |