MARC details
000 -LEADER |
fixed length control field |
04170cam a2200433 i 4500 |
003 - CONTROL NUMBER IDENTIFIER |
control field |
OCoLC |
005 - DATE AND TIME OF LATEST TRANSACTION |
control field |
20221101225810.0 |
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
fixed length control field |
140429t20142014enka e b 001 0 eng d |
010 ## - LIBRARY OF CONGRESS CONTROL NUMBER |
LC control number |
2014932798 |
011 ## - LINKING LIBRARY OF CONGRESS CONTROL NUMBER [OBSOLETE] |
Local cataloguing issues note |
MARC Score : 11150(21900) : OK |
011 ## - LINKING LIBRARY OF CONGRESS CONTROL NUMBER [OBSOLETE] |
Local cataloguing issues note |
Direct Search Result |
011 ## - LINKING LIBRARY OF CONGRESS CONTROL NUMBER [OBSOLETE] |
Local cataloguing issues note |
BIB MATCHES WORLDCAT |
020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
International Standard Book Number |
0500291578 |
Qualifying information |
paperback |
020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
International Standard Book Number |
9780500291573 |
Qualifying information |
paperback |
035 ## - SYSTEM CONTROL NUMBER |
System control number |
(ATU)b14918250 |
035 ## - SYSTEM CONTROL NUMBER |
System control number |
(OCoLC)890828965 |
040 ## - CATALOGING SOURCE |
Original cataloging agency |
AU@ |
Language of cataloging |
eng |
Description conventions |
rda |
Transcribing agency |
AU@ |
Modifying agency |
OCLCO |
-- |
UKMGB |
-- |
BDX |
-- |
CDX |
-- |
UAB |
-- |
YDXCP |
-- |
NDD |
-- |
ERASA |
-- |
IUL |
-- |
VP@ |
-- |
NLGGC |
-- |
BKL |
-- |
YNK |
-- |
OCLCF |
-- |
JQM |
-- |
DLC |
-- |
CHVBK |
-- |
OCLCQ |
-- |
ATU |
050 #4 - LIBRARY OF CONGRESS CALL NUMBER |
Classification number |
N7476 |
Item number |
.W544 2014 |
082 04 - DEWEY DECIMAL CLASSIFICATION NUMBER |
Classification number |
808.066 |
Edition number |
23 |
099 ## - LOCAL FREE-TEXT CALL NUMBER (OCLC) |
Classification number |
808.066 WIL |
100 1# - MAIN ENTRY--PERSONAL NAME |
Personal name |
Williams, Gilda, |
Relator term |
author. |
9 (RLIN) |
1037241 |
245 10 - TITLE STATEMENT |
Title |
How to write about contemporary art / |
Statement of responsibility, etc. |
Gilda Williams. |
264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE |
Place of production, publication, distribution, manufacture |
London : |
Name of producer, publisher, distributor, manufacturer |
Thames & Hudson, |
Date of production, publication, distribution, manufacture, or copyright notice |
2014. |
264 #4 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE |
Date of production, publication, distribution, manufacture, or copyright notice |
©2014 |
300 ## - PHYSICAL DESCRIPTION |
Extent |
264 pages : |
Other physical details |
illustrations ; |
Dimensions |
21 cm |
336 ## - CONTENT TYPE |
Content type term |
text |
Content type code |
txt |
Source |
rdacontent |
337 ## - MEDIA TYPE |
Media type term |
unmediated |
Media type code |
n |
Source |
rdamedia |
338 ## - CARRIER TYPE |
Carrier type term |
volume |
Carrier type code |
nc |
Source |
rdacarrier |
500 ## - GENERAL NOTE |
General note |
"34 illustrations and 64 source texts." -- Title page. |
504 ## - BIBLIOGRAPHY, ETC. NOTE |
Bibliography, etc. note |
Includes bibliographical references and index. |
505 00 - FORMATTED CONTENTS NOTE |
Formatted contents note |
|
Title |
Introduction -- |
Miscellaneous information |
1. |
Title |
There is no single 'best' way to write about art -- |
Miscellaneous information |
2. |
Title |
'International Art English' -- |
Miscellaneous information |
3. |
Title |
Anyone can learn to write competently about art -- |
-- |
Section One: The job, why write about contemporary art? -- |
Miscellaneous information |
1. |
Title |
Explaining v. evaluating -- |
Miscellaneous information |
2. |
Title |
Art-words and artworks -- |
Miscellaneous information |
3. |
Title |
Artist/dealer/curator/critic/blogger/'Kunstworker'/journalist/historian -- |
Miscellaneous information |
4. |
Title |
Out of the blue: where art-criticism came from -- |
Miscellaneous information |
5. |
Title |
Art-writing sans frontières -- |
-- |
Section Two: The practice, how to write about contemporary art -- |
Miscellaneous information |
1. |
Title |
'Fear is the root of bad writing' -- |
Miscellaneous information |
2. |
Title |
How to substantiate your ideas -- |
Miscellaneous information |
3. |
Title |
The audience: grounding specialists and non-specialists -- |
Miscellaneous information |
4. |
Title |
Practical 'how-to's -- |
-- |
Section Three: The ropes, how to write contemporary art formats -- |
Miscellaneous information |
1. |
Title |
How to write an academic essay -- |
Miscellaneous information |
2. |
Title |
'Explaining' texts -- |
Miscellaneous information |
3. |
Title |
'Evaluating' texts -- |
Miscellaneous information |
4. |
Title |
How to write an artist's statement -- |
Miscellaneous information |
5. |
Title |
Writing formats compared: one artist, many writers -- |
-- |
Conclusion -- |
-- |
How to read about contemporary art -- |
-- |
Notes -- |
-- |
Resources. |
520 ## - SUMMARY, ETC. |
Summary, etc. |
"How to Write About Contemporary Art is the definitive guide to writing engagingly about the art of our time. Invaluable for students, arts professionals and other aspiring writers, the book first navigates readers through the key elements of style and content, from the aims and structure of a piece to its tone and language. Brimming with practical tips that range across the complete spectrum of art-writing, the second part of the book is organized around its specific forms, including academic essays; press releases and news articles; texts for auction and exhibition catalogues, gallery guides and wall labels; op-ed journalism and exhibition reviews; and writing for websites and blogs. In counselling the reader against common pitfalls such as jargon and poor structure, Gilda Williams points instead to the power of close looking and research, showing how to deploy language effectively; how to develop new ideas; and how to construct compelling texts. More than 30 illustrations throughout support closely analysed case studies of the best writing, in Source Texts by 64 authors, including Claire Bishop, Thomas Crow, T.J. Demos, Okwui Enwezor, Dave Hickey, John Kelsey, Chris Kraus, Rosalind Krauss, Stuart Morgan, Hito Steyerl, and Adam Szymczyk. Supplemented by a general bibliography, advice on the use and misuse of grammar, and tips on how to construct your own contemporary art library, How to Write About Contemporary Art is the essential handbook for all those interested in communicating about the art of today." -- Publisher's website. |
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
Topical term or geographic name entry element |
Art criticism |
General subdivision |
Authorship |
9 (RLIN) |
754235 |
776 18 - ADDITIONAL PHYSICAL FORM ENTRY |
Record control number |
(OCoLC)883461100 |
-- |
(OCoLC)888545488 |
-- |
(OCoLC)896289594 |
907 ## - LOCAL DATA ELEMENT G, LDG (RLIN) |
a |
.b14918250 |
b |
15-08-21 |
c |
11-04-16 |
942 ## - ADDED ENTRY ELEMENTS (KOHA) |
Koha item type |
Book |
945 ## - LOCAL PROCESSING INFORMATION (OCLC) |
a |
808.066 WIL |
g |
1 |
i |
A547567B |
j |
0 |
l |
cmain |
o |
- |
p |
$34.18 |
q |
- |
r |
- |
s |
- |
t |
0 |
u |
14 |
v |
11 |
w |
3 |
x |
11 |
y |
.i13494077 |
z |
10-05-16 |
998 ## - LOCAL CONTROL INFORMATION (RLIN) |
-- |
b |
-- |
c |
Operator's initials, OID (RLIN) |
10-05-16 |
Cataloger's initials, CIN (RLIN) |
m |
First date, FD (RLIN) |
a |
-- |
eng |
-- |
enk |
-- |
0 |