MARC details
| 000 -LEADER |
|---|
| fixed length control field |
04296cam a2200421 i 4500 |
| 005 - DATE AND TIME OF LATEST TRANSACTION |
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| control field |
20221101222101.0 |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
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| fixed length control field |
130917t20142014enka b 001 0 eng d |
| 010 ## - LIBRARY OF CONGRESS CONTROL NUMBER |
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| LC control number |
2013036010 |
| 011 ## - LINKING LIBRARY OF CONGRESS CONTROL NUMBER [OBSOLETE] |
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| Local cataloguing issues note |
BIB MATCHES WORLDCAT |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
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| International Standard Book Number |
1472521900 |
| Qualifying information |
pbk. |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
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| International Standard Book Number |
9781472521903 |
| Qualifying information |
pbk. |
| 035 ## - SYSTEM CONTROL NUMBER |
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| System control number |
(ATU)b14144517 |
| 035 ## - SYSTEM CONTROL NUMBER |
|---|
| System control number |
(OCoLC)857981373 |
| 040 ## - CATALOGING SOURCE |
|---|
| Original cataloging agency |
DLC |
| Language of cataloging |
eng |
| Description conventions |
rda |
| Transcribing agency |
DLC |
| Modifying agency |
BTCTA |
| -- |
UKMGB |
| -- |
OCLCF |
| -- |
YDXCP |
| -- |
CHVBK |
| -- |
CIA |
| -- |
IAC |
| -- |
CLE |
| -- |
AU@ |
| -- |
ATU |
| 042 ## - AUTHENTICATION CODE |
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| Authentication code |
pcc |
| 050 00 - LIBRARY OF CONGRESS CALL NUMBER |
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| Classification number |
TR897.6 |
| Item number |
.P87 2014 |
| 082 00 - DEWEY DECIMAL CLASSIFICATION NUMBER |
|---|
| Classification number |
777.7 |
| Edition number |
23 |
| 100 1# - MAIN ENTRY--PERSONAL NAME |
|---|
| Personal name |
Purves, Barry, |
| Relator term |
author. |
| 9 (RLIN) |
1065180 |
| 245 10 - TITLE STATEMENT |
|---|
| Title |
Stop-motion animation : |
| Remainder of title |
frame by frame film-making with puppets and models / |
| Statement of responsibility, etc. |
Barry J C Purves. |
| 250 ## - EDITION STATEMENT |
|---|
| Edition statement |
Second edition. |
| 264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE |
|---|
| Place of production, publication, distribution, manufacture |
London : |
| Name of producer, publisher, distributor, manufacturer |
Fairchild Books, an imprint of Bloomsbury Publishing Plc, |
| Date of production, publication, distribution, manufacture, or copyright notice |
2014. |
| 264 #4 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE |
|---|
| Date of production, publication, distribution, manufacture, or copyright notice |
©2014 |
| 300 ## - PHYSICAL DESCRIPTION |
|---|
| Extent |
227 pages : |
| Other physical details |
illustrations ; |
| Dimensions |
24 cm. |
| 336 ## - CONTENT TYPE |
|---|
| Content type term |
text |
| Content type code |
txt |
| Source |
rdacontent |
| 337 ## - MEDIA TYPE |
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| Media type term |
unmediated |
| Media type code |
n |
| Source |
rdamedia |
| 338 ## - CARRIER TYPE |
|---|
| Carrier type term |
volume |
| Carrier type code |
nc |
| Source |
rdacarrier |
| 490 1# - SERIES STATEMENT |
|---|
| Series statement |
Basics animation |
| 504 ## - BIBLIOGRAPHY, ETC. NOTE |
|---|
| Bibliography, etc. note |
Includes bibliographical references and index. |
| 505 0# - FORMATTED CONTENTS NOTE |
|---|
| Formatted contents note |
1. What is stop-motion? -- 2. Focusing the idea -- 3. The puppets -- 4. Preparations -- 5. Tools and techniques -- 6. Movement and performance -- -- |
| 505 0# - FORMATTED CONTENTS NOTE |
|---|
| Title |
Introduction -- -- |
| Miscellaneous information |
1. |
| Title |
What is stop-motion? -- |
| -- |
The beginnings -- |
| -- |
The illusion of movement -- |
| -- |
Physicality -- |
| -- |
A continuous performance -- |
| -- |
Special effects -- |
| -- |
Wholly animated films -- |
| -- |
A one-minute film: The story -- -- |
| Miscellaneous information |
2. |
| Title |
Focusing the idea -- |
| -- |
Art and truth -- |
| -- |
Externalizing internal thoughts -- |
| -- |
Stories and themes -- |
| -- |
Them and us -- |
| -- |
Approaching the story -- |
| -- |
A change of perspective -- |
| -- |
Out of the mouths of... talking umbrellas? -- |
| -- |
Economics -- |
| -- |
A one-minute film: Who and where? -- -- |
| Miscellaneous information |
3. |
| Title |
The puppets -- |
| -- |
Telling the story with puppets -- |
| -- |
The physical puppet -- |
| -- |
Telling characteristics -- |
| -- |
Stylized movement -- |
| -- |
Heads and replacements -- |
| -- |
Eyes -- |
| -- |
Hands -- |
| -- |
Puppet size -- |
| -- |
Clay -- |
| -- |
Other techniques -- |
| -- |
A one-minute film: Getting ready -- -- |
| Miscellaneous information |
4. |
| Title |
Preparations -- |
| -- |
Working with others -- |
| -- |
Storyboards -- |
| -- |
Sets -- |
| -- |
Costume -- |
| -- |
Colour -- |
| -- |
A one-minute film: Practical puppets -- -- |
| Miscellaneous information |
5. |
| Title |
Tools and techniques -- |
| -- |
Practicalities -- |
| -- |
Lighting -- |
| -- |
Sound -- |
| -- |
Dialogue -- |
| -- |
On-set effects -- |
| -- |
Editing -- |
| -- |
A one-minute film: Filming -- -- |
| Miscellaneous information |
6. |
| Title |
Movement and performance -- |
| -- |
Animating on the set -- |
| -- |
Puppet design and movement -- |
| -- |
Helping the movement -- |
| -- |
Performance -- |
| -- |
A one-minute film: Putting it together -- |
| -- |
Conclusion -- |
| -- |
A brief history of stop-motion. |
| 520 ## - SUMMARY, ETC. |
|---|
| Summary, etc. |
"Stop-motion Animation teaches the skills required to develop as a creative stop-motion animator. It explores how all the elements of film-making - camera work, design, colour, lighting, editing, music and storytelling - come together in this unique art form. With advice on how to use the particular types of movement, characters and stories that typify stop-motion, this book is packed with tips and suggestions to help you get the most out of your stop-motion films, accompanied by illustrations and case studies demonstrating how film-making masters through the years have used it in feature films, short films and television. This second edition also introduces and explores two of the biggest innovations of recent years - at opposite ends of the industry. At the top-end, for film-makers with serious budgets, there is 3D printing in the creation of replacement parts for stop-motion characters while at the amateur/student end of the industry there are a variety of cheap, but effective, apps that can turn turn a smartphone into a mini stop-motion studio. The new edition also includes an extended project in each chapter, covering storytelling techniques, selecting an appropriate style, developing a character, set building and lighting, creating a performance and adding music. These projects combine to lead you through the creation of your first one-minute stop-motion animation"-- |
| Assigning source |
Provided by publisher. |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Topical term or geographic name entry element |
Stop-motion animation films |
| 9 (RLIN) |
352382 |
| 830 #0 - SERIES ADDED ENTRY--UNIFORM TITLE |
|---|
| Uniform title |
Basics animation. |
| 9 (RLIN) |
1071768 |
| 907 ## - LOCAL DATA ELEMENT G, LDG (RLIN) |
|---|
| a |
.b14144517 |
| b |
11-07-17 |
| c |
28-10-15 |
| 942 ## - ADDED ENTRY ELEMENTS (KOHA) |
|---|
| Koha item type |
Book |
| 945 ## - LOCAL PROCESSING INFORMATION (OCLC) |
|---|
| a |
777.7 PUR |
| g |
1 |
| i |
A556359B |
| j |
0 |
| l |
cmain |
| o |
- |
| p |
$56.82 |
| q |
- |
| r |
- |
| s |
- |
| t |
0 |
| u |
6 |
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5 |
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2 |
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1 |
| y |
.i13441322 |
| z |
29-10-15 |
| 998 ## - LOCAL CONTROL INFORMATION (RLIN) |
|---|
| -- |
b |
| -- |
c |
| Operator's initials, OID (RLIN) |
06-04-16 |
| Cataloger's initials, CIN (RLIN) |
m |
| First date, FD (RLIN) |
a |
| -- |
eng |
| -- |
enk |
| -- |
0 |
