MARC details
000 -LEADER |
fixed length control field |
03141cam a22004574i 4500 |
005 - DATE AND TIME OF LATEST TRANSACTION |
control field |
20221109231926.0 |
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
fixed length control field |
060403s2007 ilua b 000 0 eng d |
010 ## - LIBRARY OF CONGRESS CONTROL NUMBER |
LC control number |
2006011163 |
011 ## - LINKING LIBRARY OF CONGRESS CONTROL NUMBER [OBSOLETE] |
Local cataloguing issues note |
BIB MATCHES WORLDCAT |
020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
International Standard Book Number |
0226415325 |
Qualifying information |
hardcover (alk. paper) |
020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
International Standard Book Number |
9780226415321 |
Qualifying information |
hardcover (alk. paper) |
035 ## - SYSTEM CONTROL NUMBER |
System control number |
(ATU)b1331564x |
035 ## - SYSTEM CONTROL NUMBER |
System control number |
(OCoLC)66392845 |
040 ## - CATALOGING SOURCE |
Original cataloging agency |
DLC |
Language of cataloging |
eng |
Description conventions |
rda |
Transcribing agency |
DLC |
Modifying agency |
BAKER |
-- |
UKM |
-- |
BTCTA |
-- |
C#P |
-- |
YDX |
-- |
YDXCP |
-- |
YUS |
-- |
IXA |
-- |
PUL |
-- |
COO |
-- |
OCLCG |
-- |
IG# |
-- |
VRC |
-- |
I8H |
-- |
OCLCQ |
-- |
ZWZ |
-- |
UKMGB |
-- |
OCLCF |
-- |
ATU |
041 1# - LANGUAGE CODE |
Language code of text/sound track or separate title |
eng |
Language code of original |
fre |
042 ## - AUTHENTICATION CODE |
Authentication code |
pcc |
050 00 - LIBRARY OF CONGRESS CALL NUMBER |
Classification number |
BJ1500.N8 |
Item number |
J8513 2007 |
082 00 - DEWEY DECIMAL CLASSIFICATION NUMBER |
Classification number |
704.9421 |
Edition number |
22 |
100 1# - MAIN ENTRY--PERSONAL NAME |
Personal name |
Jullien, François, |
Dates associated with a name |
1951- |
Relator term |
author. |
9 (RLIN) |
389309 |
240 10 - UNIFORM TITLE |
Uniform title |
De l'essence ou du nu. |
Language of a work |
English |
245 14 - TITLE STATEMENT |
Title |
The impossible nude : |
Remainder of title |
Chinese art and western aesthetics / |
Statement of responsibility, etc. |
by François Jullien ; translated by Maev de la Guardia ; with photographs by Ralph Gibson. |
264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE |
Place of production, publication, distribution, manufacture |
Chicago : |
Name of producer, publisher, distributor, manufacturer |
University of Chicago Press, |
Date of production, publication, distribution, manufacture, or copyright notice |
2007. |
264 #4 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE |
Date of production, publication, distribution, manufacture, or copyright notice |
©2007 |
300 ## - PHYSICAL DESCRIPTION |
Extent |
vii, 136 pages : |
Other physical details |
illustrations (some colour) ; |
Dimensions |
22 cm |
336 ## - CONTENT TYPE |
Content type term |
text |
Content type code |
txt |
Source |
rdacontent |
337 ## - MEDIA TYPE |
Media type term |
unmediated |
Media type code |
n |
Source |
rdamedia |
338 ## - CARRIER TYPE |
Carrier type term |
volume |
Carrier type code |
nc |
Source |
rdacarrier |
500 ## - GENERAL NOTE |
General note |
Translated from the French. |
504 ## - BIBLIOGRAPHY, ETC. NOTE |
Bibliography, etc. note |
Includes bibliographical references (pages 133-134). |
505 0# - FORMATTED CONTENTS NOTE |
Formatted contents note |
Preface -- A history of being : for an ontology of the photographic nude -- The impossible nude. |
520 ## - SUMMARY, ETC. |
Summary, etc. |
The undraped human form is ubiquitous in Western art and even appears in the art of India and Japan. Only in China, François Jullien argues, is the nude completely absent. In this enthralling extended essay, he explores the different conceptions of the human body that underlie this provocative disparity. Contrasting nakedness (which implies a diminished state) with nudity (which represents a complete presence), Jullien explores the traditional European vision of the nude as a fixed point of fusion where form joins truth. He then shows that the absence of the nude in Chinese art evinces an understanding of the human body as changeable and transitory. Viewed in light of each other, these differing concepts allow for a new way of thinking about form, the ideal, and beauty, enabling us to delve deeper into the relationship between art and the ideas that lie at its roots. Beautifully illustrated and gracefully translated into English for the first time, The Impossible Nude will fascinate anyone interested in art history, Chinese art, or aesthetics. |
546 ## - LANGUAGE NOTE |
Language note |
Translated from the French. |
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
Topical term or geographic name entry element |
Nudity. |
9 (RLIN) |
332246 |
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
Topical term or geographic name entry element |
Photography of the nude. |
9 (RLIN) |
322282 |
776 08 - ADDITIONAL PHYSICAL FORM ENTRY |
Relationship information |
Online version: |
Main entry heading |
Jullien, François, 1951- |
Uniform title |
De l'essence ou du nu. English. |
Title |
Impossible nude. |
Place, publisher, and date of publication |
Chicago : University of Chicago Press, 2007 |
Record control number |
(OCoLC)608402256 |
856 42 - ELECTRONIC LOCATION AND ACCESS |
Materials specified |
Contributor biographical information |
Uniform Resource Identifier |
<a href="http://catdir.loc.gov/catdir/enhancements/fy0666/2006011163-b.html">http://catdir.loc.gov/catdir/enhancements/fy0666/2006011163-b.html</a> |
907 ## - LOCAL DATA ELEMENT G, LDG (RLIN) |
a |
.b1331564x |
b |
10-06-19 |
c |
28-10-15 |
998 ## - LOCAL CONTROL INFORMATION (RLIN) |
-- |
(2)b |
-- |
(2)c |
Operator's initials, OID (RLIN) |
11-05-18 |
Cataloger's initials, CIN (RLIN) |
m |
First date, FD (RLIN) |
a |
-- |
eng |
-- |
ilu |
-- |
4 |
945 ## - LOCAL PROCESSING INFORMATION (OCLC) |
a |
704.9421 JUL |
g |
1 |
i |
A480145B |
j |
0 |
l |
cmain |
o |
- |
p |
$53.22 |
q |
- |
r |
- |
s |
- |
t |
0 |
u |
4 |
v |
0 |
w |
0 |
x |
3 |
y |
.i13368710 |
z |
29-10-15 |
942 ## - ADDED ENTRY ELEMENTS (KOHA) |
Koha item type |
Book |