MARC details
| 000 -LEADER |
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| fixed length control field |
11764cam a2200409 i 4500 |
| 005 - DATE AND TIME OF LATEST TRANSACTION |
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| control field |
20221102163552.0 |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
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| fixed length control field |
130107s2014 maua bf 001 0 eng d |
| 010 ## - LIBRARY OF CONGRESS CONTROL NUMBER |
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| LC control number |
2012047543 |
| 011 ## - LINKING LIBRARY OF CONGRESS CONTROL NUMBER [OBSOLETE] |
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| Local cataloguing issues note |
BIB MATCHES WORLDCAT |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
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| International Standard Book Number |
1449688098 |
| Qualifying information |
pbk. |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
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| International Standard Book Number |
9781449688097 |
| Qualifying information |
pbk. |
| 035 ## - SYSTEM CONTROL NUMBER |
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| System control number |
(ATU)b12960366 |
| 035 ## - SYSTEM CONTROL NUMBER |
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| System control number |
(OCoLC)823742103 |
| 040 ## - CATALOGING SOURCE |
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| Original cataloging agency |
DLC |
| Language of cataloging |
eng |
| Description conventions |
rda |
| Transcribing agency |
DLC |
| Modifying agency |
YDX |
| -- |
OCLCO |
| -- |
YDXCP |
| -- |
OCLCQ |
| -- |
BWX |
| -- |
ATU |
| 042 ## - AUTHENTICATION CODE |
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| Authentication code |
pcc |
| 050 00 - LIBRARY OF CONGRESS CALL NUMBER |
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| Classification number |
QA76.76.C672 |
| Item number |
C446 2014 |
| 082 00 - DEWEY DECIMAL CLASSIFICATION NUMBER |
|---|
| Classification number |
794.81526 |
| Edition number |
23 |
| 100 1# - MAIN ENTRY--PERSONAL NAME |
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| Personal name |
Chandler, Heather Maxwell, |
| Relator term |
author. |
| 9 (RLIN) |
830222 |
| 245 14 - TITLE STATEMENT |
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| Title |
The game production handbook / |
| Statement of responsibility, etc. |
Heather Maxwell Chandler. |
| 250 ## - EDITION STATEMENT |
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| Edition statement |
Third edition. |
| 264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE |
|---|
| Place of production, publication, distribution, manufacture |
Burlington, Mass. : |
| Name of producer, publisher, distributor, manufacturer |
Jones & Bartlett Learning, |
| Date of production, publication, distribution, manufacture, or copyright notice |
2014. |
| 300 ## - PHYSICAL DESCRIPTION |
|---|
| Extent |
xix, 462 pages : |
| Other physical details |
illustrations ; |
| Dimensions |
23 cm. |
| 336 ## - CONTENT TYPE |
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| Content type term |
text |
| Content type code |
txt |
| Source |
rdacontent |
| 337 ## - MEDIA TYPE |
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| Media type term |
unmediated |
| Media type code |
n |
| Source |
rdamedia |
| 338 ## - CARRIER TYPE |
|---|
| Carrier type term |
volume |
| Carrier type code |
nc |
| Source |
rdacarrier |
| 490 1# - SERIES STATEMENT |
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| Series statement |
Foundations of game development |
| 504 ## - BIBLIOGRAPHY, ETC. NOTE |
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| Bibliography, etc. note |
Includes bibliographical references and index. |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
Machine generated contents note: pt. I General Production Overview -- ch. 1 Game Production Overview -- 1.1.Introduction -- 1.2.Production Cycle -- 1.3.Preproduction -- Game Concept -- Game Requirements -- Game Plan -- Preproduction Checklist -- 1.4.Production -- Plan Implementation -- Tracking Progress -- Task Completion -- Production Checklist -- 1.5.Testing -- Plan Validation -- Code Release -- Testing Checklist -- 1.6.Postproduction -- Learning from Experience -- Archiving the Plan -- Postproduction Checklist -- 1.7.Chapter Summary -- ch. 2 Roles on the Team -- 2.1.Introduction -- 2.2.Production -- Executive Producer -- Producer -- Associate Producer -- Background and Training -- 2.3.Art -- Art Director -- Lead Artist -- Concept Artist -- World Builder or Level Designer -- Asset Artist -- Animator -- Technical Artist -- Marketing Artist -- Background and Training -- 2.4.Engineering -- Technical Director -- Lead Engineer -- Engineer -- Background and Training -- 2.5.Design -- Creative Director -- Lead Designer -- Designer -- Writer -- Background and Training -- 2.6.Audio -- Sound Designer -- Composer -- Background and Training -- 2.7.Quality Assurance Testing -- Lead QA Tester -- QA Tester -- Background and Training -- 2.8.Team Organization -- 2.9.Corporate -- Marketing and Public Relations -- Creative Services -- Sales -- 2.10.Chapter Summary -- ch. 3 Project Management Methods -- 3.1.Introduction -- 3.2.Pros and Cons -- 3.3.Personal Software Process (PSP) -- 3.4.Scrum -- 3.5.Project Management Institute (PMI) -- 3.6.Chapter Summary -- pt. II Business Information -- ch. 4 Legal Information -- 4.1.Introduction -- 4.2.Intellectual Property Rights -- Legal Information -- Copyrights -- Trademarks -- Trade Secrets -- Patents -- 4.3.Legal Agreements -- Employee-Consultant Agreements -- Work for Hire -- Nondisclosure Agreements (NDAs) -- Development Contracts -- End User License Agreements (EULAs) -- Terms of Service (TOS) -- 4.4.Licenses -- 4.5.Chapter Summary -- ch. 5 Developer and Publisher Relationships -- 5.1.Introduction -- 5.2.Pitching a Game to a Publisher -- 5.3.Financing Options -- 5.4.Managing the Developer-Publisher Relationship -- Independent Developer -- Publisher-Owned Developer -- 5.5.Third-Party Game Approvals -- 5.6.Chapter Summary -- pt. III Managing People -- ch. 6 Hiring and Retaining Talent -- 6.1.Introduction -- 6.2.Hiring Talent -- Screening Resumes -- Interviewing Talent -- Providing Feedback -- 6.3.Retaining Talent -- 6.4.Training -- Game Development Resources -- Organizations -- Conferences and Trade Shows -- General Game Industry Information -- 6.5.Chapter Summary -- ch. 7 Teams -- 7.1.Introduction -- 7.2.Project Leadership -- 7.3.Picking Leads -- 7.4.Team Building -- Getting to Know Each Other -- Role Definition -- Cross-Training -- Seating Arrangements -- Team Meetings -- Team Website -- 7.5.Team Buy-In and Motivation -- Warning Signs -- Addressing the Warning Signs -- Showing Appreciation -- Sharing Vision -- Team Survey -- 7.6.Quality of Life -- 7.7.Chapter Summary -- ch. 8 Effective Communication -- 8.1.Introduction -- 8.2.Written Communication -- 8.3.Oral Communication -- 8.4.Nonverbal Communication -- 8.5.Establishing Communication Norms -- 8.6.Communication Challenges -- Resolving Conflict -- Consensus -- Delivering Bad News -- Giving Effective Feedback -- 8.7.Chapter Summary -- pt. IV Preproduction -- ch. 9 Game Concept -- 9.1.Introduction -- 9.2.Beginning the Process -- Brainstorming -- Initial Concept -- Genre -- Platform -- Revenue Model -- SWOT Analysis -- Competitive Analysis -- Approval -- 9.3.Define Concept -- Mission Statement -- Game Setting -- Gameplay Mechanics -- Story Synopsis -- Concept Art -- Audio Elements -- 9.4.Prototyping -- 9.5.Risk Analysis -- 9.6.Pitch Idea -- 9.7.Project Kick-Off -- 9.8.Concept Outline -- 9.9.Chapter Summary -- ch. 10 Game Requirements -- 10.1.Introduction -- 10.2.Define Game Features -- 10.3.Define Milestones and Deliverables -- 10.4.Evaluate Technology -- 10.5.Define Tools and Pipeline -- 10.6.Documentation -- Design -- Art -- Technical -- 10.7.Risk Analysis -- 10.8.Approval -- 10.9.Game Requirements Outline -- 10.10.Chapter Summary -- ch. 11 Game Plan -- 11.1.Introduction -- 11.2.Dependencies -- 11.3.Schedules -- Creating a Schedule -- Initial Schedule -- Work Breakdown Structure -- Detailed Schedule -- Tracking Tasks -- 11.4.Staffing -- 11.5.Budgets -- Creating a Budget -- Managing a Budget -- 11.6.Outsourcing -- 11.7.Middleware -- 11.8.Game Plan Outline -- 11.9.Chapter Summary -- pt. V Production -- ch. 12 Production Cycle -- 12.1.Introduction -- 12.2.Design Production Cycle -- 12.3.Art Production Cycle -- 12.4.Engineering Production Cycle -- 12.5.Working Together -- 12.6.Chapter Summary -- ch. 13 Production Techniques -- 13.1.Introduction -- 13.2.Getting a Project Back on Track -- 13.3.Project Reviews -- Conducting a Project Review -- Benefits -- 13.4.Critical Stage Analysis -- 13.5.Weekly Status Reports -- For the Development Team -- For Management -- 13.6.Running Meetings -- 13.7.Resource Allocation -- 13.8.Preventing Feature Creep -- Prioritizing Features -- Change Requests -- 13.9.Establishing Approval Processes -- Keep it Simple -- Define and Publish -- Centralize the Tracking -- 13.10.Task Forces or Strike Teams -- 13.11.Chapter Summary -- ch. 14 Making Builds -- 14.1.Introduction -- 14.2.Build Process -- Build Schedule -- Automated Builds -- 14.3.Multilingual Builds -- 14.4.Build Notes -- For the Development Team -- For Management -- For Marketing and PR -- 14.5.Preventing Piracy -- 14.6.Chapter Summary -- pt. VI Testing -- ch. 15 Testing -- 15.1.Introduction -- 15.2.Testing Schedule -- 15.3.Test Plans -- 15.4.Testing Pipeline -- Bug-Tracking Database -- Bug Definitions -- 15.5.Testing Cycle -- Writing Bugs -- Assigning and Closing Bugs -- Checking Technical Requirements -- 15.6.External Testing -- 15.7.Chapter Summary -- ch. 16 Code Releasing -- 16.1.Introduction -- 16.2.Determining Code Release -- 16.3.Code Release Checklist -- 16.4.Gold Masters -- 16.5.Chapter Summary -- pt. VII Postproduction -- ch. 17 Postmortems -- 17.1.Introduction -- 17.2.Purpose of a Postmortem -- 17.3.Conducting a Postmortem -- Involve the Entire Team -- Prepare for the Postmortem -- Maintain Focus -- 17.4.Lessons Learned Document -- 17.5.Chapter Summary -- ch. 18 Closing Kits -- 18.1.Introduction -- 18.2.Defining Closing Kits -- 18.3.Creating Closing Kits -- Assets -- Text Assets -- Voiceover Assets -- Art Assets -- Cinematic Assets -- Localization Assets -- Packaging Assets -- Tools -- Game Code -- Documentation -- Game Documentation -- Technical Guidelines -- General Product Information -- 18.4.Organizing Content -- 18.5.Finalizing Closing Kits -- 18.6.Closing Kit Checklist -- 18.7.Chapter Summary -- ch. 19 Software Ratings -- 19.1.Introduction -- 19.2.Software Age Ratings -- 19.3.ESRB (United States) -- 19.4.PEGI (Europe) -- 19.5.USK (Germany) -- 19.6.ACB (Australia) -- 19.7.CERO (Japan) -- 19.8.KMRB (Korea) -- 19.9.Chapter Summary -- ch. 20 Localization -- 20.1.Introduction -- 20.2.Creating International Content -- 20.3.Localization-Friendly Code -- Language Assets -- Text Assets -- Art Assets -- Voiceover Assets -- International Characters and Fonts -- User Interface -- Keyboard Input -- PAL Versus NTSC -- Other Technical Considerations -- 20.4.Level of Localization -- 20.5.Localization Plan -- 20.6.Organizing Assets for Translation -- 20.7.Integrating Translated Assets -- 20.8.Testing -- Functionality Testing -- Linguistic Testing -- 20.9.Third-Party Submission -- 20.10.Localization Checklist -- 20.11.Chapter Summary -- ch. 21 Voiceover -- 21.1.Introduction -- 21.2.Planning for Voiceover -- Voiceover Design -- Technical Considerations -- 21.3.Choosing a Sound Studio -- 21.4.Bid Packages -- 21.5.Casting Actors -- Union Versus Nonunion -- Celebrity Voices -- Preparing Character Descriptions -- Auditions -- Selecting and Booking Actors -- 21.6.Recording Voiceover -- Preparing for a Recording Session -- Directing Actors -- Selecting Takes -- Audio Deliverables -- 21.7.Voiceover Checklist -- 21.8.Chapter Summary -- ch. 22 Music -- 22.1.Introduction -- 22.2.Planning for Music -- Music Design -- Technical Considerations -- Schedule and Staffing -- Bid Packages -- 22.3.Working with a Composer -- 22.4.Licensing Music -- 22.5.Chapter Summary -- ch. 23 Motion Capture -- 23.1.Introduction -- 23.2.Planning for Motion Capture -- Motion Capture Requirements -- Motion Capture Shot List -- Schedule -- 23.3.Working with a Motion Capture Studio -- 23.4.Bid Packages -- 23.5.Preparing for a Motion Capture Shoot -- 23.6.Motion Capture Checklist -- 23.7.Chapter Summary -- ch. 24 Marketing and Public Relations -- 24.1.Introduction -- 24.2.Working with Marketing -- Development Milestone Schedule -- Game Documentation -- Focus Groups -- 24.3.Packaging -- Manuals -- Box Art -- Keyboard Reference Cards -- 24.4.Demos -- Planning for a Demo -- Console Demos -- Localized Demos -- 24.5.Marketing Assets -- 24.6.Game Builds -- Working with Public Relations -- Press Tours -- Interviews -- Developer Diaries -- Tradeshows -- 24.7.Asset Deliverable Checklist -- 24.8.Chapter Summary -- Appendix A Case Study -- Game Production Cycle -- A.1.Introduction -- A.2.Preproduction Phase -- A.2.1.Concept -- A.2.2.Define Concept -- A.2.3.Define Requirements -- A.2.4.Create Game Plan -- A.2.5.Completing Preproduction -- A.3.Technical Production -- A.3.1.Voiceover -- A.3.2.Music -- A.3.3.Motion Capture -- A.3.4.Marketing and PR -- A.4.Production -- A.4.1.Production Cycle -- A.4.2.Build Process -- A.4.3.Localization -- A.4.4.Production Scenarios -- A.4.5.Completing Production -- A.5.Testing Phase -- A.5.1.Testing -- A.5.2.Code Release Candidate -- A.5.3.Completing Testing -- A.6.Postproduction Phase -- A.6.1.Postmortem -- A.6.2.Closing Kit -- A.6.3.Completing Postproduction -- Appendix B Glossary -- Appendix C Resources -- Books -- Articles -- Websites -- Appendix D Biographies -- |
| 505 0# - FORMATTED CONTENTS NOTE |
|---|
| Formatted contents note |
Note continued: James Barrell -- Tom Buscaglia -- Melanie Cambron -- Carey Chico -- Don Daglow -- Stephanie O'Malley Deming -- Tracy Fullerton -- Karin Groepper -- Lee Jacobson -- Clinton Keith -- Jeff Matsushita -- Jay Powell -- Amanda Rubright -- Tobi Saulnier -- Tom Sloper -- Wade Tinney. |
| 588 ## - SOURCE OF DESCRIPTION NOTE |
|---|
| Source of description note |
Machine converted from AACR2 source record. |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Topical term or geographic name entry element |
Computer games |
| General subdivision |
Programming |
| Form subdivision |
Handbooks, manuals, etc. |
| 9 (RLIN) |
617882 |
| 830 #0 - SERIES ADDED ENTRY--UNIFORM TITLE |
|---|
| Uniform title |
Foundations of game development. |
| 9 (RLIN) |
830226 |
| 907 ## - LOCAL DATA ELEMENT G, LDG (RLIN) |
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| a |
.b12960366 |
| b |
11-07-17 |
| c |
28-10-15 |
| 942 ## - ADDED ENTRY ELEMENTS (KOHA) |
|---|
| Koha item type |
Book |
| 945 ## - LOCAL PROCESSING INFORMATION (OCLC) |
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| a |
794.81526 CHA |
| g |
1 |
| i |
A480362B |
| j |
0 |
| l |
cmain |
| o |
- |
| p |
$90.27 |
| q |
- |
| r |
- |
| s |
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| t |
0 |
| u |
5 |
| v |
1 |
| w |
0 |
| x |
1 |
| y |
.i13328967 |
| z |
29-10-15 |
| 998 ## - LOCAL CONTROL INFORMATION (RLIN) |
|---|
| -- |
b |
| -- |
c |
| Operator's initials, OID (RLIN) |
06-04-16 |
| Cataloger's initials, CIN (RLIN) |
m |
| First date, FD (RLIN) |
a |
| -- |
eng |
| -- |
mau |
| -- |
4 |
