Music and politics / (Record no. 1229684)

MARC details
000 -LEADER
fixed length control field 03202cam a2200385 i 4500
005 - DATE AND TIME OF LATEST TRANSACTION
control field 20230526151158.0
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION
fixed length control field 111108s2012 enk b 001 0 eng d
011 ## - LINKING LIBRARY OF CONGRESS CONTROL NUMBER [OBSOLETE]
Local cataloguing issues note BIB MATCHES WORLDCAT
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 0745635431
Qualifying information hbk.
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 9780745635439
Qualifying information hbk.
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 074563544X
Qualifying information pbk.
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 9780745635446
Qualifying information pbk.
035 ## - SYSTEM CONTROL NUMBER
System control number (ATU)b12211564
035 ## - SYSTEM CONTROL NUMBER
System control number (OCoLC)759168106
040 ## - CATALOGING SOURCE
Original cataloging agency ATU
Language of cataloging eng
Description conventions rda
Transcribing agency ATU
Modifying agency ATU
082 0# - DEWEY DECIMAL CLASSIFICATION NUMBER
Classification number 306.4842
Edition number 23
100 1# - MAIN ENTRY--PERSONAL NAME
Personal name Street, John,
Dates associated with a name 1952-
Relator term author.
9 (RLIN) 389178
245 10 - TITLE STATEMENT
Title Music and politics /
Statement of responsibility, etc. John Street.
246 34 - VARYING FORM OF TITLE
Title proper/short title Music & politics
264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE
Place of production, publication, distribution, manufacture Cambridge :
Name of producer, publisher, distributor, manufacturer Polity Press,
Date of production, publication, distribution, manufacture, or copyright notice [2012]
264 #4 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE
Date of production, publication, distribution, manufacture, or copyright notice ©2012
300 ## - PHYSICAL DESCRIPTION
Extent vii, 195 pages ;
Dimensions 24 cm
336 ## - CONTENT TYPE
Content type term text
Content type code txt
Source rdacontent
337 ## - MEDIA TYPE
Media type term unmediated
Media type code n
Source rdamedia
338 ## - CARRIER TYPE
Carrier type term volume
Carrier type code nc
Source rdacarrier
504 ## - BIBLIOGRAPHY, ETC. NOTE
Bibliography, etc. note Includes bibliographical references and index.
505 00 - FORMATTED CONTENTS NOTE
Title Introduction Making connections --
Miscellaneous information 1.
Title Sound barriers: censoring music --
Miscellaneous information 2.
Title Falling on deaf ears? Music policy --
Miscellaneous information 3.
Title Striking a chord: from political communication to political representation --
Miscellaneous information 4.
Title All together now: music as political participation --
Miscellaneous information 5.
Title Fight the power: music as mobilisation --
Miscellaneous information 6.
Title Invisible republics: making music, making history --
Miscellaneous information 7.
Title Sounding good: the politics of taste --
Miscellaneous information 8.
Title Politics as music: the sound of ideas and ideology --
Miscellaneous information 9.
Title One more time with feeling: music as political experience --
-- Conclusion Repeat and fade.
520 ## - SUMMARY, ETC.
Summary, etc. "It is common to hear talk of how music can inspire crowds, move individuals and mobilise movements. We know too of how governments can live in fear of its effects, censor its sounds and imprison its creators. At the same time, there are other governments that use music for propaganda or for torture. All of these examples speak to the idea of music's political importance. But while we may share these assumptions about music's power, we rarely stop to analyse what it is about organised sound - about notes and rhythms - that has the effects attributed to it. This is the first book to examine systematically music's political power. It shows how music has been at the heart of accounts of political order, at how musicians from Bono to Lily Allen have claimed to speak for peoples and political causes. It looks too at the emergence of music as an object of public policy, whether in the classroom or in the copyright courts, whether as focus of national pride or employment opportunities. The book brings together a vast array of ideas about music's political significance (from Aristotle to Rousseau, from Adorno to Deleuze) and new empirical data to tell a story of the extraordinary potency of music across time and space. At the heart of the book lies the argument that music and politics are inseparably linked, and that each animates the other."--Publisher's website.
588 ## - SOURCE OF DESCRIPTION NOTE
Source of description note Machine converted from AACR2 source record.
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name entry element Music
General subdivision Political aspects
9 (RLIN) 775435
907 ## - LOCAL DATA ELEMENT G, LDG (RLIN)
a .b12211564
b 11-07-17
c 28-10-15
998 ## - LOCAL CONTROL INFORMATION (RLIN)
-- (2)b
-- (2)c
Operator's initials, OID (RLIN) 06-04-16
Cataloger's initials, CIN (RLIN) m
First date, FD (RLIN) a
-- eng
-- enk
-- 0
945 ## - LOCAL PROCESSING INFORMATION (OCLC)
a 306.4842 STR
g 1
i A506599B
j 0
l cmain
o -
p $61.61
q -
r -
s -
t 0
u 8
v 3
w 1
x 3
y .i13204531
z 29-10-15
942 ## - ADDED ENTRY ELEMENTS (KOHA)
Koha item type Book
Holdings
Withdrawn status Lost status Damaged status Not for loan Home library Current library Shelving location Date acquired Cost, normal purchase price Inventory number Total Checkouts Total Renewals Full call number Barcode Date last seen Date last checked out Copy number Cost, replacement price Price effective from Koha item type
        City Campus City Campus City Campus Main Collection 29/10/2015 61.61 i13204531 8 3 306.4842 STR A506599B 28/06/2021 28/05/2021 1 61.61 31/10/2021 Book

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