MARC details
| 000 -LEADER |
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| fixed length control field |
06126cam a2200397 i 4500 |
| 005 - DATE AND TIME OF LATEST TRANSACTION |
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| control field |
20230526151125.0 |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
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| fixed length control field |
100620s2010 nyua b 001 0 eng d |
| 010 ## - LIBRARY OF CONGRESS CONTROL NUMBER |
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| LC control number |
2008026092 |
| 011 ## - LINKING LIBRARY OF CONGRESS CONTROL NUMBER [OBSOLETE] |
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| Local cataloguing issues note |
BIB MATCHES WORLDCAT |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
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| International Standard Book Number |
0195374436 |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
|---|
| International Standard Book Number |
9780195374438 |
| 035 ## - SYSTEM CONTROL NUMBER |
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| System control number |
(ATU)b11712144 |
| 035 ## - SYSTEM CONTROL NUMBER |
|---|
| System control number |
(OCoLC)231834546 |
| 040 ## - CATALOGING SOURCE |
|---|
| Original cataloging agency |
DLC |
| Language of cataloging |
eng |
| Description conventions |
rda |
| Transcribing agency |
DLC |
| Modifying agency |
BTCTA |
| -- |
CDX |
| -- |
YDXCP |
| -- |
C#P |
| -- |
BWX |
| -- |
SOI |
| -- |
CHVBK |
| -- |
ATU |
| 050 00 - LIBRARY OF CONGRESS CALL NUMBER |
|---|
| Classification number |
PN1995.9.D6 |
| Item number |
H49 2010 |
| 082 00 - DEWEY DECIMAL CLASSIFICATION NUMBER |
|---|
| Classification number |
070.18 |
| Edition number |
22 |
| 100 1# - MAIN ENTRY--PERSONAL NAME |
|---|
| Personal name |
Hewitt, John, |
| Dates associated with a name |
1943- |
| Relator term |
author. |
| 9 (RLIN) |
449081 |
| 245 10 - TITLE STATEMENT |
|---|
| Title |
Documentary filmmaking : |
| Remainder of title |
a contemporary field guide / |
| Statement of responsibility, etc. |
John Hewitt, Gustavo Vazquez. |
| 264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE |
|---|
| Place of production, publication, distribution, manufacture |
New York : |
| Name of producer, publisher, distributor, manufacturer |
Oxford University Press, |
| Date of production, publication, distribution, manufacture, or copyright notice |
[2010] |
| 264 #4 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE |
|---|
| Date of production, publication, distribution, manufacture, or copyright notice |
©2010 |
| 300 ## - PHYSICAL DESCRIPTION |
|---|
| Extent |
xii, 243 pages : |
| Other physical details |
illustrations ; |
| Dimensions |
24 cm |
| 336 ## - CONTENT TYPE |
|---|
| Content type term |
text |
| Content type code |
txt |
| Source |
rdacontent |
| 337 ## - MEDIA TYPE |
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| Media type term |
unmediated |
| Media type code |
n |
| Source |
rdamedia |
| 338 ## - CARRIER TYPE |
|---|
| Carrier type term |
volume |
| Carrier type code |
nc |
| Source |
rdacarrier |
| 504 ## - BIBLIOGRAPHY, ETC. NOTE |
|---|
| Bibliography, etc. note |
Includes bibliographical references and index. |
| 505 00 - FORMATTED CONTENTS NOTE |
|---|
| Title |
Getting Started -- |
| Miscellaneous information |
1. |
| Title |
Developing Your Idea and Doing the Research -- |
| -- |
The Role of the Producer -- |
| -- |
Testing the Waters -- |
| -- |
Narrative Structures -- |
| -- |
Doing the Research -- |
| -- |
Gaining Access to Sources -- |
| -- |
The Long-term Project and You -- |
| Miscellaneous information |
2. |
| Title |
Building Characters and the Visual Story -- |
| -- |
The Interplay of Characters and Sequences -- |
| -- |
Subjects as Personalities -- |
| -- |
Capturing Visual Sequences -- |
| -- |
Visual Style Decisions -- |
| -- |
Ethics and Visuals -- |
| Miscellaneous information |
3. |
| Title |
Preparing for Collaboration -- |
| -- |
Friendly Collaboration -- |
| -- |
Participants -- |
| -- |
Outside Collaborators -- |
| -- |
Choosing Collaborators -- |
| -- |
Contracts -- |
| Miscellaneous information |
4. |
| Title |
Proposals, Budgets, and Fundraising -- |
| -- |
Preparing for Fundraising -- |
| -- |
Sources of Money -- |
| -- |
Grants -- |
| -- |
Co-productions and Pre-sales -- |
| -- |
Proposals and Budgets -- |
| -- |
Sample Treatment -- |
| -- |
Preproduction -- |
| Miscellaneous information |
5. |
| Title |
Preparation for the Long Haul -- |
| -- |
Office Needs -- |
| -- |
Access Problems -- |
| -- |
Shooting Abroad -- |
| -- |
Scripting in Advance -- |
| -- |
Legal Issues -- |
| -- |
Equipment and Crews -- |
| -- |
Production -- |
| Miscellaneous information |
6. |
| Title |
Planning for Interviews -- |
| -- |
Priorities -- |
| -- |
The Art of Conversational Inquiry -- |
| -- |
Planning a Visual Style -- |
| -- |
At the Interview Location -- |
| -- |
During the Interview -- |
| Miscellaneous information |
7. |
| Title |
Sound Considerations -- |
| -- |
The Value of Good Audio -- |
| -- |
The Sound Recordist -- |
| -- |
The Types of Location Sound -- |
| -- |
The Cinematographer Alone -- |
| -- |
Audio Basics -- |
| -- |
Legal Issues -- |
| Miscellaneous information |
8. |
| Title |
Natural or Portable Lighting -- |
| -- |
Light and Cameras -- |
| -- |
Using Natural Light -- |
| -- |
Light Basics -- |
| -- |
Portable Lights -- |
| -- |
Safety Issues -- |
| Miscellaneous information |
9. |
| Title |
Production: Shooting the Documentary -- |
| -- |
The Art of Cinematography -- |
| -- |
The Director and the Cinematographer -- |
| -- |
Production Crews -- |
| -- |
Visual Grammar -- |
| -- |
Framing Shots with Intention -- |
| -- |
Schedules and Preparation -- |
| -- |
Selecting Additional Equipment -- |
| Miscellaneous information |
10. |
| Title |
Internet and Small Screen Video -- |
| -- |
The Internet'sPromise -- |
| -- |
Trailers and Web Buzz -- |
| -- |
User Generated Sites -- |
| -- |
Aesthetics of the Small Screen -- |
| -- |
Copyrights and Pirating -- |
| -- |
Postproduction -- |
| Miscellaneous information |
11. |
| Title |
Using Music in Your Documentary -- |
| -- |
Choosing the Music -- |
| -- |
Pre-recorded Music and Licenses -- |
| -- |
Original Music -- |
| Miscellaneous information |
12. |
| Title |
The Producer's Search for Structure -- |
| -- |
Overall Organizing Strategies -- |
| -- |
Finding the Story in the Edit Room -- |
| -- |
Structural Models -- |
| -- |
Paper Edit -- |
| -- |
Scripts -- |
| -- |
Writing for the Ear -- |
| Miscellaneous information |
13. |
| Title |
Practicing the Editor's Art -- |
| -- |
The Relationship of the Producer and Editor -- |
| -- |
Finding Structure -- |
| -- |
Preparation for the Edit Process -- |
| -- |
Beginning Post -- |
| -- |
With and Without Scripts -- |
| -- |
The Timeline of Editing -- |
| Miscellaneous information |
14. |
| Title |
Exposure, Publicity, Distribution, and Festivals -- |
| -- |
Publicity Exposure and Deals -- |
| -- |
Deliverables, Screeners, and Press Kits -- |
| -- |
Website Types -- |
| -- |
Rights -- |
| -- |
Film Festivals and Film markets -- |
| -- |
Broadcast and Educational Markets -- |
| -- |
Screenings and Local Display -- |
| Miscellaneous information |
Appendix 1. |
| Title |
Documentaries to See. |
| 520 ## - SUMMARY, ETC. |
|---|
| Summary, etc. |
"Documentary Filmmaking: A Contemporary Field Guide is a skills-oriented, step-by-step portable guide to creating documentary films, from the initial idea phase to postproduction processes and distribution. An indispensable resource on site or in the studio, this compact handbook offers something for all types of students: documentary recommendations (for the film buff); illustrations and examples from working documentary makers, producers, editors, and distributors (for the more grounded, visual learner); the latest trends in Internet video and other forms of new media (for the more "techie" documentarian); and even practical financial tips, fundraising ideas, and legal considerations (for the more idealistic--and not always realistic--visionary). Organized by the chronological structure of documentary film creation, the book opens with ideas, motives, access, and preproduction questions. It then moves on to research, crew considerations, legal issues, production planning, film shoots, and interviewing issues, before wrapping up with postproduction organization, publicity, distribution, and festivals. Offering a strong focus on practical advice and ethics, Documentary Filmmaking is an ideal text for undergraduate- and graduate-level documentary film courses. FEATURES Step-by-step information for producing documentaries, including many useful checklists Detailed hands-on advice and class-tested instructional organization backed by the authors' combined forty years of teaching experience--and by their combined sixty years of independent documentary work An up-to-date and careful look at the latest distribution market structure and innovative media for distribution Brief structure and compact size that encourages portability Unique chapters covering Internet video, the use of music, and publicity and distribution"--Publisher description. |
| 588 ## - SOURCE OF DESCRIPTION NOTE |
|---|
| Source of description note |
Machine converted from AACR2 source record. |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Topical term or geographic name entry element |
Documentary films |
| General subdivision |
Production and direction |
| 9 (RLIN) |
321142 |
| 700 1# - ADDED ENTRY--PERSONAL NAME |
|---|
| Personal name |
Vazquez, Gustavo |
| Relator term |
author. |
| 9 (RLIN) |
1078974 |
| 856 42 - ELECTRONIC LOCATION AND ACCESS |
|---|
| Materials specified |
Contributor biographical information |
| Uniform Resource Identifier |
<a href="http://www.loc.gov/catdir/enhancements/fy0907/2008026092-b.html">http://www.loc.gov/catdir/enhancements/fy0907/2008026092-b.html</a> |
| 907 ## - LOCAL DATA ELEMENT G, LDG (RLIN) |
|---|
| a |
.b11712144 |
| b |
10-06-19 |
| c |
27-10-15 |
| 942 ## - ADDED ENTRY ELEMENTS (KOHA) |
|---|
| Koha item type |
Book |
| 945 ## - LOCAL PROCESSING INFORMATION (OCLC) |
|---|
| a |
070.18 HEW |
| g |
1 |
| i |
A453925B |
| j |
0 |
| l |
cmain |
| o |
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| p |
$28.81 |
| q |
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25 |
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29-10-15 |
| 998 ## - LOCAL CONTROL INFORMATION (RLIN) |
|---|
| -- |
(2)b |
| -- |
(2)c |
| Operator's initials, OID (RLIN) |
20-03-18 |
| Cataloger's initials, CIN (RLIN) |
m |
| First date, FD (RLIN) |
a |
| -- |
eng |
| -- |
nyu |
| -- |
0 |
