MARC details
| 000 -LEADER |
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| fixed length control field |
04237cam a22003974i 4500 |
| 005 - DATE AND TIME OF LATEST TRANSACTION |
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| control field |
20221101221312.0 |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
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| fixed length control field |
081031s2009 nyua b 001 0 eng d |
| 010 ## - LIBRARY OF CONGRESS CONTROL NUMBER |
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| LC control number |
2007053033 |
| 011 ## - LINKING LIBRARY OF CONGRESS CONTROL NUMBER [OBSOLETE] |
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| Local cataloguing issues note |
BIB MATCHES WORLDCAT |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
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| International Standard Book Number |
0415954088 |
| Qualifying information |
alk. paper |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
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| International Standard Book Number |
9780415954082 |
| Qualifying information |
alk. paper |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
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| International Standard Book Number |
0415954096 |
| Qualifying information |
alk. paper |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
|---|
| International Standard Book Number |
9780415954099 |
| Qualifying information |
alk. paper |
| 035 ## - SYSTEM CONTROL NUMBER |
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| System control number |
(ATU)b1146091x |
| 035 ## - SYSTEM CONTROL NUMBER |
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| System control number |
(OCoLC)187417742 |
| 040 ## - CATALOGING SOURCE |
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| Original cataloging agency |
DLC |
| Language of cataloging |
eng |
| Description conventions |
rda |
| Transcribing agency |
DLC |
| Modifying agency |
BAKER |
| -- |
BTCTA |
| -- |
C#P |
| -- |
YDXCP |
| -- |
BWX |
| -- |
CDX |
| -- |
OCLCA |
| -- |
ATU |
| 043 ## - GEOGRAPHIC AREA CODE |
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| Geographic area code |
n-us--- |
| 050 00 - LIBRARY OF CONGRESS CALL NUMBER |
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| Classification number |
ML3918.P67 |
| Item number |
K67 2009 |
| 082 00 - DEWEY DECIMAL CLASSIFICATION NUMBER |
|---|
| Classification number |
306.48424 |
| Edition number |
22 |
| 100 1# - MAIN ENTRY--PERSONAL NAME |
|---|
| Personal name |
Kotarba, Joseph A. |
| 9 (RLIN) |
1073977 |
| 245 10 - TITLE STATEMENT |
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| Title |
Understanding society through popular music / |
| Statement of responsibility, etc. |
Joseph Kortaba and Phillip Vannini. |
| 264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE |
|---|
| Place of production, publication, distribution, manufacture |
New York : |
| Name of producer, publisher, distributor, manufacturer |
Routledge, |
| Date of production, publication, distribution, manufacture, or copyright notice |
2009. |
| 300 ## - PHYSICAL DESCRIPTION |
|---|
| Extent |
xvi, 172 pages : |
| Other physical details |
illustrations ; |
| Dimensions |
24 cm |
| 336 ## - CONTENT TYPE |
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| Content type term |
text |
| Content type code |
txt |
| Source |
rdacontent |
| 337 ## - MEDIA TYPE |
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| Media type term |
unmediated |
| Media type code |
n |
| Source |
rdamedia |
| 338 ## - CARRIER TYPE |
|---|
| Carrier type term |
volume |
| Carrier type code |
nc |
| Source |
rdacarrier |
| 504 ## - BIBLIOGRAPHY, ETC. NOTE |
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| Bibliography, etc. note |
Includes bibliographical references (pages 159-166) and index. |
| 505 00 - FORMATTED CONTENTS NOTE |
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| Title |
PREFACE -- |
| -- |
Introduction: the Sociology of Pop Music -- |
| -- |
Constructionist Theoretical Perspectives in the Sociology of Pop Music -- |
| -- |
Music and Culture -- |
| -- |
A Very Brief History of the Study of Pop Music in Sociology -- |
| -- |
Conclusion: Cultivating a Musical and Sociological Imagination -- |
| -- |
Chapter One: the Family -- |
| -- |
Rock 'n' Roll as a Feature of Children's Culture -- |
| -- |
Adolescents as Children -- |
| -- |
Children as Children -- |
| -- |
Adults as Children -- |
| -- |
Adults as Parents -- |
| -- |
Mother and Daughter Bonding -- |
| -- |
Father and Son Bonding -- |
| -- |
Family Leisure Activities -- |
| -- |
Religious Socialization -- |
| -- |
Moral Socialization -- |
| -- |
Historical Socialization -- |
| -- |
Discussion and Conclusion -- |
| -- |
Chapter Two: Deviance -- |
| -- |
The Relationship of Popular Music and Illegal Drug Use -- |
| -- |
Music and Drug Discourse -- |
| -- |
Studying Drugmusictalk -- |
| -- |
Traditional DRUGMUSICTALK Themes -- |
| -- |
Sharing aesthetic drug-music experiences -- |
| -- |
Discussing the fit between particular drugs and styles of music -- |
| -- |
Sharing affective aspects (e --g |
| -- |
Sexual) of drug-music experiences -- |
| -- |
Discussing economic and/or ideological aspects of drug-music experiences -- |
| -- |
Discussing personal tastes in music -- |
| -- |
The Internet Allows People to Create and Perform Situational Identities -- |
| -- |
The Connoisseurs Speak -- |
| -- |
Summary -- |
| -- |
Chapter Three: the Economy -- |
| -- |
Oligopoly and its Consequences -- |
| -- |
Love and Commodification: The Case of Teen Pop -- |
| -- |
Conspicuous Consumption -- |
| -- |
Hot Topic and the Retailing of Musical Material Culture -- |
| -- |
Music as a Commercial Technology -- |
| -- |
Music and the Sound of the Cash Register -- |
| -- |
Conclusion -- |
| -- |
Chapter Four: the Community and the Polity -- |
| -- |
Ideology -- |
| -- |
Politics, Technology, and Indie Music -- |
| -- |
Institution -- |
| -- |
American Idol: Rock the Vote (but not too loud)! -- |
| -- |
Community -- |
| -- |
Dora and the Constitution of Community -- |
| -- |
Conclusion -- |
| -- |
Chapter Five: Race, Class, and Gender -- |
| -- |
Doing Gender -- |
| -- |
Becoming a Prima Donna -- |
| -- |
Doing Race: Performing the Wigger -- |
| -- |
Doing Class: Is Avril Lavigne Punk? -- |
| -- |
Conclusion -- |
| -- |
Chapter Six: the Self and the Life Course -- |
| -- |
The Becoming of Self -- |
| -- |
The E-Self -- |
| -- |
The Self as Lover -- |
| -- |
The Self as Parent -- |
| -- |
The Self as Believer -- |
| -- |
The Self as Political Actor -- |
| -- |
Conclusion -- |
| -- |
Chapter Seven: Globalization -- |
| -- |
Music, Culture, and Globalization -- |
| -- |
World Music Flows -- |
| -- |
Popular Music and the Emergence of the "Teenager" in Poland -- |
| -- |
A Brief History of Popular Music and Youth in Poland Before 1989 -- |
| -- |
Popular Music in Poland Since 1989 -- |
| -- |
Working Class Teenagers: Life Beyond Heavy Metal -- |
| -- |
Middle Class Teens: Freedom to Taste the Market -- |
| -- |
Discussion -- |
| -- |
Rock en Espanol -- |
| -- |
The Scene -- |
| -- |
A History of the Rock en Espanol Movement in Houston -- |
| -- |
Rock en Espanol as a Feature of Postmodernization -- |
| -- |
Discussion -- |
| -- |
Conclusion -- |
| -- |
References. |
| 588 ## - SOURCE OF DESCRIPTION NOTE |
|---|
| Source of description note |
Machine converted from AACR2 source record. |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Topical term or geographic name entry element |
Popular music |
| General subdivision |
Social aspects |
| Geographic subdivision |
United States |
| 9 (RLIN) |
793437 |
| 700 1# - ADDED ENTRY--PERSONAL NAME |
|---|
| Personal name |
Vannini, Phillip, |
| Relator term |
author. |
| 9 (RLIN) |
1073978 |
| 907 ## - LOCAL DATA ELEMENT G, LDG (RLIN) |
|---|
| a |
.b1146091x |
| b |
20-03-18 |
| c |
27-10-15 |
| 942 ## - ADDED ENTRY ELEMENTS (KOHA) |
|---|
| Koha item type |
Book |
| 945 ## - LOCAL PROCESSING INFORMATION (OCLC) |
|---|
| a |
306.48424 KOR |
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1 |
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A468272B |
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cmain |
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$36.61 |
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29-10-15 |
| 998 ## - LOCAL CONTROL INFORMATION (RLIN) |
|---|
| -- |
b |
| -- |
c |
| Operator's initials, OID (RLIN) |
20-03-18 |
| Cataloger's initials, CIN (RLIN) |
m |
| First date, FD (RLIN) |
a |
| -- |
eng |
| -- |
nyu |
| -- |
0 |
