MARC details
000 -LEADER |
fixed length control field |
03845cam a2200433 i 4500 |
005 - DATE AND TIME OF LATEST TRANSACTION |
control field |
20211102074322.0 |
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
fixed length control field |
071026s2007 mnua b s001 0 eng d |
010 ## - LIBRARY OF CONGRESS CONTROL NUMBER |
LC control number |
2007020869 |
011 ## - LINKING LIBRARY OF CONGRESS CONTROL NUMBER [OBSOLETE] |
Local cataloguing issues note |
BIB MATCHES WORLDCAT |
020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
International Standard Book Number |
0816647755 |
Qualifying information |
hc |
-- |
alk. paper |
020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
International Standard Book Number |
9780816647750 |
Qualifying information |
hc |
-- |
alk. paper |
020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
International Standard Book Number |
0816647763 |
Qualifying information |
pbk. (alk. paper) |
020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
International Standard Book Number |
9780816647767 |
Qualifying information |
pbk. (alk. paper) |
035 ## - SYSTEM CONTROL NUMBER |
System control number |
(ATU)b11392204 |
035 ## - SYSTEM CONTROL NUMBER |
System control number |
(OCoLC)137246016 |
040 ## - CATALOGING SOURCE |
Original cataloging agency |
DLC |
Language of cataloging |
eng |
Description conventions |
rda |
Transcribing agency |
DLC |
Modifying agency |
BAKER |
-- |
BTCTA |
-- |
UKM |
-- |
C#P |
-- |
YDXCP |
-- |
TOZ |
-- |
CDX |
-- |
ATU |
043 ## - GEOGRAPHIC AREA CODE |
Geographic area code |
n-us--- |
050 00 - LIBRARY OF CONGRESS CALL NUMBER |
Classification number |
GV1783 |
Item number |
.S46 2007 |
082 00 - DEWEY DECIMAL CLASSIFICATION NUMBER |
Classification number |
792.8 |
Edition number |
22 |
100 1# - MAIN ENTRY--PERSONAL NAME |
Personal name |
Shea Murphy, Jacqueline, |
Dates associated with a name |
1964- |
9 (RLIN) |
247091 |
245 14 - TITLE STATEMENT |
Title |
The people have never stopped dancing : |
Remainder of title |
Native American modern dance histories / |
Statement of responsibility, etc. |
Jacqueline Shea Murphy. |
246 30 - VARYING FORM OF TITLE |
Title proper/short title |
Native American modern dance histories |
264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE |
Place of production, publication, distribution, manufacture |
Minneapolis : |
Name of producer, publisher, distributor, manufacturer |
University of Minnesota Press, |
Date of production, publication, distribution, manufacture, or copyright notice |
[2007] |
264 #4 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE |
Date of production, publication, distribution, manufacture, or copyright notice |
©2007 |
300 ## - PHYSICAL DESCRIPTION |
Extent |
320 pages : |
Other physical details |
illustrations ; |
Dimensions |
26 cm |
336 ## - CONTENT TYPE |
Content type term |
text |
Content type code |
txt |
Source |
rdacontent |
337 ## - MEDIA TYPE |
Media type term |
unmediated |
Media type code |
n |
Source |
rdamedia |
338 ## - CARRIER TYPE |
Carrier type term |
volume |
Carrier type code |
nc |
Source |
rdacarrier |
504 ## - BIBLIOGRAPHY, ETC. NOTE |
Bibliography, etc. note |
Includes bibliographical references (pages 269-308) and index. |
505 00 - FORMATTED CONTENTS NOTE |
Title |
Have they a right? : nineteenth-century Indian dance practices and federal policy -- |
-- |
Theatricalizing dancing and policing authenticity -- |
-- |
Antidance rhetoric and American Indian arts in the 1920s -- |
-- |
Authentic themes : modern dancers and American Indians in the 1920s and 1930s -- |
-- |
Her point of view : Martha Graham and absent Indians -- |
-- |
Held in reserve : José Limón, Tom Two Arrows, and American Indian dance in the 1950s -- |
-- |
The emergence of a visible Native American stage dance -- |
-- |
Aboriginal land claims and aboriginal dance at the end of the twentieth century -- |
-- |
We're dancing : indigenous stage dance in the twenty-first century. |
520 ## - SUMMARY, ETC. |
Summary, etc. |
"During the past thirty years, Native American dance has emerged as a visible force on concert stages throughout North America. In this first major study of contemporary Native American dance, Jacqueline Shea Murphy shows how these performances are at once diverse and connected by common influences. Demonstrating the complex relationship between Native and modern dance choreography, Shea Murphy delves first into U.S. and Canadian federal policies toward Native performance from the late nineteenth through the early twentieth centuries, revealing the ways in which government sought to curtail authentic ceremonial dancing while actually encouraging staged spectacles, such as those in Buffalo Bill's Wild West shows. She then engages the innovative work of Ted Shawn, Lester Horton, and Martha Graham, highlighting the influence of Native American dance on modern dance in the twentieth century. Shea Murphy moves on to discuss contemporary concert dance initiatives, including Canada's Aboriginal Dance Program and the American Indian Dance Theatre. Illustrating how Native dance enacts, rather than represents, cultural connections to land, ancestors, and animals, as well as spiritual and political concerns, Shea Murphy challenges stereotypes about American Indian dance and offers new ways of recognizing the agency of bodies on stage. Jacqueline Shea Murphy is associate professor of dance studies at the University of California, Riverside, and coeditor of Bodies of the Text: Dance as Theory, Literature as Dance."--Publisher description. |
588 ## - SOURCE OF DESCRIPTION NOTE |
Source of description note |
Machine converted from AACR2 source record. |
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
Topical term or geographic name entry element |
Modern dance |
Geographic subdivision |
United States |
General subdivision |
History |
Chronological subdivision |
20th century. |
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
Topical term or geographic name entry element |
Indian dance |
Geographic subdivision |
United States |
General subdivision |
History |
Chronological subdivision |
20th century. |
907 ## - LOCAL DATA ELEMENT G, LDG (RLIN) |
a |
.b11392204 |
b |
26-03-18 |
c |
27-10-15 |
998 ## - LOCAL CONTROL INFORMATION (RLIN) |
-- |
b |
-- |
c |
Operator's initials, OID (RLIN) |
06-04-16 |
Cataloger's initials, CIN (RLIN) |
m |
First date, FD (RLIN) |
a |
-- |
eng |
-- |
mnu |
-- |
4 |
945 ## - LOCAL PROCESSING INFORMATION (OCLC) |
a |
792.8 SHE |
g |
1 |
i |
A445401B |
j |
0 |
l |
cmain |
o |
- |
p |
$31.52 |
q |
- |
r |
- |
s |
- |
t |
0 |
u |
2 |
v |
9 |
w |
0 |
x |
1 |
y |
.i1278719x |
z |
29-10-15 |
942 ## - ADDED ENTRY ELEMENTS (KOHA) |
Koha item type |
Book |