MARC details
| 000 -LEADER |
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| fixed length control field |
04788cam a2200445 i 4500 |
| 005 - DATE AND TIME OF LATEST TRANSACTION |
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| control field |
20221101230905.0 |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
|---|
| fixed length control field |
080704s2008 ne a b 101 0 eng d |
| 011 ## - LINKING LIBRARY OF CONGRESS CONTROL NUMBER [OBSOLETE] |
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| Local cataloguing issues note |
BIB MATCHES WORLDCAT |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
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| International Standard Book Number |
9053565167 |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
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| International Standard Book Number |
9789053565162 |
| 035 ## - SYSTEM CONTROL NUMBER |
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| System control number |
(ATU)b1139027x |
| 035 ## - SYSTEM CONTROL NUMBER |
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| System control number |
(OCoLC)234085176 |
| 040 ## - CATALOGING SOURCE |
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| Original cataloging agency |
TEF |
| Language of cataloging |
eng |
| Description conventions |
rda |
| Transcribing agency |
TEF |
| Modifying agency |
IXA |
| -- |
CDX |
| -- |
BAKER |
| -- |
COD |
| -- |
ATU |
| 050 #4 - LIBRARY OF CONGRESS CALL NUMBER |
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| Classification number |
PN2039 |
| Item number |
.A53 2008 |
| 082 04 - DEWEY DECIMAL CLASSIFICATION NUMBER |
|---|
| Classification number |
792.01 |
| Edition number |
22 |
| 245 00 - TITLE STATEMENT |
|---|
| Title |
Anatomy live : |
| Remainder of title |
performance and the operating theatre / |
| Statement of responsibility, etc. |
edited by Maaike Bleeker. |
| 264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE |
|---|
| Place of production, publication, distribution, manufacture |
[Amsterdam] : |
| Name of producer, publisher, distributor, manufacturer |
Amsterdam University Press, |
| Date of production, publication, distribution, manufacture, or copyright notice |
[2008] |
| 264 #4 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE |
|---|
| Date of production, publication, distribution, manufacture, or copyright notice |
©2008 |
| 300 ## - PHYSICAL DESCRIPTION |
|---|
| Extent |
270 pages : |
| Other physical details |
illustrations ; |
| Dimensions |
24 cm. |
| 336 ## - CONTENT TYPE |
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| Content type term |
text |
| Content type code |
txt |
| Source |
rdacontent |
| 337 ## - MEDIA TYPE |
|---|
| Media type term |
unmediated |
| Media type code |
n |
| Source |
rdamedia |
| 338 ## - CARRIER TYPE |
|---|
| Carrier type term |
volume |
| Carrier type code |
nc |
| Source |
rdacarrier |
| 490 1# - SERIES STATEMENT |
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| Series statement |
MediaMatters |
| 500 ## - GENERAL NOTE |
|---|
| General note |
Selected papers presented at the conference "The Anatomical Theatre Revisited" in 2006. |
| 504 ## - BIBLIOGRAPHY, ETC. NOTE |
|---|
| Bibliography, etc. note |
Includes bibliographical references and index. |
| 505 00 - FORMATTED CONTENTS NOTE |
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| Title |
Acknowledgements -- |
| -- |
Prologue - Men with Glass Bodies / |
| Statement of responsibility |
Francis Barker -- |
| Title |
Introduction / |
| Statement of responsibility |
Maaike Bleeker -- |
| Title |
Performance Documentation 1: Holoman, Digital Cadaver (Mike Tyler) -- |
| -- |
Digital Cadavers and Virtual Dissection / |
| Statement of responsibility |
Jose van Dijck -- |
| Title |
'Who Were You?': The Visible and the Visceral / |
| Statement of responsibility |
Ian Maxwell -- |
| Title |
Performance Documentation 2: Excavations: Fresh but Rotten (Marijs Boulogne) -- |
| -- |
The Anatomy Lesson of Professor Moxham / |
| Statement of responsibility |
Karen Ingham -- |
| Title |
'Be not faithless but believing': Illusion and Doubt in the Anatomy Theatre / |
| Statement of responsibility |
Gianna Bouchard -- |
| Title |
Performance Documentation 3: De Anatomische Les (Glen Tetley) -- |
| -- |
Of Dissection and Technologies of Culture in Actor Training Programs - an Example from 1960s West Germany / |
| Statement of responsibility |
Anja Klock -- |
| Title |
Ocular Anatomy, Chiasm, and Theatre Architecture as a Material Phenomenology in Early Modern Europe / |
| Statement of responsibility |
Pannill Camp -- |
| Title |
Performance Documentation 4: Camillo - Memo 4.0: The Cabinet of Memories - A Tear Donnor Session (Emil Hrvatin) -- |
| -- |
Martin, Massumi, and The Matrix / |
| Statement of responsibility |
Maaike Bleeker -- |
| Title |
Performance Documentation 5: sensing presence no 1: performing a hyperlink system (Copraij, Jenniches, Kunzmann) -- |
| -- |
'Where Are You Now?': Locating the Body in Contemporary Performance / |
| Statement of responsibility |
Susan Leigh Foster -- |
| Title |
Performance Documentation 6: Under My Skin (Ivana Muller) -- |
| -- |
Anatomies of Live Art / |
| Statement of responsibility |
Sally Jane Norman -- |
| Title |
Performance Documentation 7: Crash (Eric Joris /CREW) -- |
| -- |
Restaging the Monstrous / |
| Statement of responsibility |
Bojana Kunst -- |
| Title |
Delirium of the Flesh: 'All theDead Voices' in the Space of the Now / |
| Statement of responsibility |
Michal Kobialka -- |
| Title |
Performance Documentation 8: Korper (Sasha Waltz) -- |
| -- |
Operating Theatres: Body-bits and a Post-apartheid Aesthetics / |
| Statement of responsibility |
Rachel Fensham. |
| 520 ## - SUMMARY, ETC. |
|---|
| Summary, etc. |
"Gross anatomy, the study of anatomical structures that can be seen by unassisted vision, has long been a subject of fascination for artists. For most modern viewers, however, the anatomy lesson - the technically precise province of clinical surgeons and medical faculties - hardly seems the proper breeding ground for the hybrid workings of art and theory. We forget that, in its early stages, anatomy pursued the highly theatrical spirit of Renaissance science, as painters such as Rembrandt and Da Vinci and medical instructors like Fabricius of Aquapendente shared audiences devoted to the workings of the human body. Anatomy Alive: Performance and the Operating Theatre, a remarkable consideration of new developments on the stage, as well as in contemporary writings of theorists such as Donna Haraway and Brian Massumi, turns our modern notions of the dissecting table on its head - using anatomical theatre as a means of obtaining a fresh perspective on representations of the body, conceptions of subjectivity, and own knowledge about science and the stage. Critically dissecting well-known exhibitions like Body Worlds and The Visible Human Project and featuring contributions from a number of diverse scholars on such subjects as the construction of spectatorship and the implications of anatomical history, Anatomy Alive is not to be missed by anyone with an interest in this engaging intersection of science and artistic practice."--Publisher. |
| 588 ## - SOURCE OF DESCRIPTION NOTE |
|---|
| Source of description note |
Machine converted from AACR2 source record. |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Topical term or geographic name entry element |
Theater |
| General subdivision |
Philosophy |
| Form subdivision |
Congresses |
| 9 (RLIN) |
729761 |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Topical term or geographic name entry element |
Theater |
| General subdivision |
History |
| Form subdivision |
Congresses |
| 9 (RLIN) |
661146 |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Topical term or geographic name entry element |
Performance art |
| Form subdivision |
Congresses |
| 9 (RLIN) |
738160 |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Topical term or geographic name entry element |
Medicine and art |
| Form subdivision |
Congresses |
| 9 (RLIN) |
738164 |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Topical term or geographic name entry element |
Anatomy, Artistic |
| Form subdivision |
Congresses |
| 9 (RLIN) |
738169 |
| 700 1# - ADDED ENTRY--PERSONAL NAME |
|---|
| Personal name |
Bleeker, Maaike, |
| Relator term |
editor. |
| 9 (RLIN) |
1070483 |
| 830 #0 - SERIES ADDED ENTRY--UNIFORM TITLE |
|---|
| Uniform title |
MediaMatters. |
| 9 (RLIN) |
274533 |
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| 942 ## - ADDED ENTRY ELEMENTS (KOHA) |
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| Koha item type |
Book |
| 945 ## - LOCAL PROCESSING INFORMATION (OCLC) |
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| Operator's initials, OID (RLIN) |
06-04-16 |
| Cataloger's initials, CIN (RLIN) |
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eng |
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