MARC details
000 -LEADER |
fixed length control field |
04425cam a2200421 i 4500 |
005 - DATE AND TIME OF LATEST TRANSACTION |
control field |
20221109182411.0 |
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
fixed length control field |
071228s2008 caua b 001 0 eng d |
010 ## - LIBRARY OF CONGRESS CONTROL NUMBER |
LC control number |
2006938425 |
011 ## - LINKING LIBRARY OF CONGRESS CONTROL NUMBER [OBSOLETE] |
Local cataloguing issues note |
BIB MATCHES WORLDCAT |
020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
International Standard Book Number |
1412930456 |
Qualifying information |
hbk. |
020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
International Standard Book Number |
9781412930451 |
Qualifying information |
hbk. |
020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
International Standard Book Number |
1412930464 |
Qualifying information |
pbk. |
020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
International Standard Book Number |
9781412930468 |
Qualifying information |
pbk. |
035 ## - SYSTEM CONTROL NUMBER |
System control number |
(ATU)b11289648 |
035 ## - SYSTEM CONTROL NUMBER |
System control number |
(OCoLC)85691625 |
040 ## - CATALOGING SOURCE |
Original cataloging agency |
UKM |
Language of cataloging |
eng |
Description conventions |
rda |
Transcribing agency |
UKM |
Modifying agency |
BAKER |
-- |
BTCTA |
-- |
BWKUK |
-- |
BWK |
-- |
YDXCP |
-- |
NLGGC |
-- |
DLC |
-- |
ATU |
050 00 - LIBRARY OF CONGRESS CALL NUMBER |
Classification number |
NK1390 |
Item number |
.J848 2008 |
082 04 - DEWEY DECIMAL CLASSIFICATION NUMBER |
Classification number |
745.2 |
Edition number |
22 |
100 1# - MAIN ENTRY--PERSONAL NAME |
Personal name |
Julier, Guy |
Relator term |
author. |
9 (RLIN) |
1025230 |
245 14 - TITLE STATEMENT |
Title |
The culture of design / |
Statement of responsibility, etc. |
Guy Julier. |
250 ## - EDITION STATEMENT |
Edition statement |
Second edition. |
264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE |
Place of production, publication, distribution, manufacture |
Los Angeles ; |
-- |
London : |
Name of producer, publisher, distributor, manufacturer |
SAGE, |
Date of production, publication, distribution, manufacture, or copyright notice |
2008. |
300 ## - PHYSICAL DESCRIPTION |
Extent |
xv, 233 pages : |
Other physical details |
illustrations ; |
Dimensions |
24 cm |
336 ## - CONTENT TYPE |
Content type term |
text |
Content type code |
txt |
Source |
rdacontent |
337 ## - MEDIA TYPE |
Media type term |
unmediated |
Media type code |
n |
Source |
rdamedia |
338 ## - CARRIER TYPE |
Carrier type term |
volume |
Carrier type code |
nc |
Source |
rdacarrier |
500 ## - GENERAL NOTE |
General note |
Previous ed.: 2000. |
504 ## - BIBLIOGRAPHY, ETC. NOTE |
Bibliography, etc. note |
Includes bibliographical references (pages 211-229) and index. |
505 00 - FORMATTED CONTENTS NOTE |
Title |
Introducing design culture -- |
-- |
Design culture as an object of study -- |
-- |
Beyond Visual Culture: Design Culture as an academic discipline -- |
-- |
Models for studying Design Culture -- |
-- |
Design Culture beyond discipline? -- |
-- |
Design production -- |
-- |
Design consultancy reaches 'critical mass': setting the scene with some statistics -- |
-- |
The establishment of design consultancy -- |
-- |
The 1980s design consultancy boom -- |
-- |
Towards a brand ethos -- |
-- |
Concurrent design -- |
-- |
The 'New Economy' -- |
-- |
Conclusion -- |
-- |
Designers and design discourse -- |
-- |
Definitions of design -- |
-- |
The professionalization debate -- |
-- |
Professionalization and differentiation -- |
-- |
Historicity and modernism in design discourse -- |
-- |
Second modernity versus design management -- |
-- |
Conclusion -- |
-- |
The consumption of design -- |
-- |
The culture of consumption -- |
-- |
Design and consumer culture -- |
-- |
Passive or sovereign consumers? -- |
-- |
De-alienation and designing -- |
-- |
The aesthetic illusion -- |
-- |
Systems of provision -- |
-- |
Circuits of culture -- |
-- |
Designers and the circuit of culture -- |
-- |
Writing about things -- |
-- |
Consumption and practice -- |
-- |
Conclusion -- |
-- |
High design -- |
-- |
Anomalous objects -- |
-- |
High design -- |
-- |
Design classics -- |
-- |
Mediating production -- |
-- |
Consuming postmodern high design: Veblen and Bourdieu -- |
-- |
Historicity -- |
-- |
Modern designers /modern consumers -- |
-- |
Designers, risk and reflexivity -- |
-- |
Conclusion -- |
-- |
Consumer goods -- |
-- |
Images -- |
-- |
Surfaces -- |
-- |
Doing the Dyson -- |
-- |
Product semantics -- |
-- |
Mood boards -- |
-- |
Lifestyles and design ethnography -- |
-- |
Back to the workshop -- |
-- |
Product semantics and flexible manufacture -- |
-- |
Designing global products -- |
-- |
Product designers and their clients -- |
-- |
Dyson stories -- |
-- |
Re-doing the Dyson -- |
-- |
The i -- |
-- |
Pod: consumption and contingency -- |
-- |
Conclusion -- |
-- |
Branded places -- |
-- |
Evaluating place: beyond architectural criticism -- |
-- |
The Barcelona paradigm -- |
-- |
Cultural economies and regeneration -- |
-- |
Responses to globalization (1): place-making of city-regions through design -- |
-- |
Responses to globalization (2): the branding of city-regions and nations -- |
-- |
Problematizing the branding of place -- |
-- |
Conclusion -- |
-- |
Branded leisure -- |
-- |
From 'Fordist' to disorganized leisure -- |
-- |
The Disney paradigm -- |
-- |
Post-tourists -- |
-- |
Naked and nowhere at Center Parcs -- |
-- |
Televisuality and designing leisure experiences -- |
-- |
Dedifferentiation /distinction -- |
-- |
Conclusion -- |
-- |
On-screen interactivity -- |
-- |
Computers and graphic design -- |
-- |
Technological development and consumer growth -- |
-- |
Professional practices -- |
-- |
Critical reflection -- |
-- |
Authorship -- |
-- |
Readership -- |
-- |
Consuming interactivity -- |
-- |
Cybernetic loss -- |
-- |
Liberation and regulation: the bigger picture -- |
-- |
Bytes and brands -- |
-- |
Conclusion -- |
-- |
Communications, management and participation -- |
-- |
Internal brand building -- |
-- |
The end of advertising -- |
-- |
Brand and communications consultancy -- |
-- |
Employees as consumers -- |
-- |
Aesthetic labour -- |
-- |
Designing for creativity -- |
-- |
Design and social participation -- |
-- |
Conclusion. |
588 ## - SOURCE OF DESCRIPTION NOTE |
Source of description note |
Machine converted from AACR2 source record. |
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
Topical term or geographic name entry element |
Industrial design |
General subdivision |
Social aspects |
9 (RLIN) |
631736 |
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
Topical term or geographic name entry element |
Communication in design |
9 (RLIN) |
315760 |
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
Topical term or geographic name entry element |
Commercial art |
General subdivision |
Social aspects |
9 (RLIN) |
632053 |
907 ## - LOCAL DATA ELEMENT G, LDG (RLIN) |
a |
.b11289648 |
b |
11-07-17 |
c |
27-10-15 |
942 ## - ADDED ENTRY ELEMENTS (KOHA) |
Koha item type |
Book |
945 ## - LOCAL PROCESSING INFORMATION (OCLC) |
a |
745.2 JUL |
g |
1 |
i |
A374777B |
j |
0 |
l |
cmain |
o |
- |
p |
$135.66 |
q |
- |
r |
- |
s |
- |
t |
0 |
u |
22 |
v |
2 |
w |
0 |
x |
5 |
y |
.i12671757 |
z |
29-10-15 |
998 ## - LOCAL CONTROL INFORMATION (RLIN) |
-- |
b |
-- |
c |
Operator's initials, OID (RLIN) |
06-04-16 |
Cataloger's initials, CIN (RLIN) |
m |
First date, FD (RLIN) |
a |
-- |
eng |
-- |
cau |
-- |
4 |