Aesthetics and music / (Record no. 1176607)

MARC details
000 -LEADER
fixed length control field 03162cam a22003378a 4500
005 - DATE AND TIME OF LATEST TRANSACTION
control field 20221101194307.0
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION
fixed length control field 070803s2007 enk 000 0 eng d
011 ## - LINKING LIBRARY OF CONGRESS CONTROL NUMBER [OBSOLETE]
Local cataloguing issues note BIB MATCHES WORLDCAT
015 ## - NATIONAL BIBLIOGRAPHY NUMBER
National bibliography number GBA698691
Source bnb
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 9780826485182 (hbk.) :
Terms of availability £55.00
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 0826485189 (hbk.) :
Terms of availability £55.00
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 9780826485199 (pbk.) :
Terms of availability £14.99
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 0826485197 (pbk.) :
Terms of availability £14.99
035 ## - SYSTEM CONTROL NUMBER
System control number (ATU)b11238100
035 ## - SYSTEM CONTROL NUMBER
System control number (OCoLC)76798496
040 ## - CATALOGING SOURCE
Original cataloging agency BNB
082 04 - DEWEY DECIMAL CLASSIFICATION NUMBER
Classification number 781.17
Edition number 22
100 1# - MAIN ENTRY--PERSONAL NAME
Personal name Hamilton, Andrew.
9 (RLIN) 1063100
245 10 - TITLE STATEMENT
Title Aesthetics and music /
Statement of responsibility, etc. Andrew Hamilton.
263 ## - PROJECTED PUBLICATION DATE
Projected publication date 200703
264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE
Place of production, publication, distribution, manufacture London :
Name of producer, publisher, distributor, manufacturer Continuum,
Date of production, publication, distribution, manufacture, or copyright notice 2007.
300 ## - PHYSICAL DESCRIPTION
Extent vii,246 p.
490 1# - SERIES STATEMENT
Series statement Continuum aesthetics
505 00 - FORMATTED CONTENTS NOTE
Miscellaneous information 1.
Title Aesthetics and music in ancient Greece --
-- Music and mousike, art and techne --
-- The Pythagorean and Platonic-Pythagorean mathematical conception --
-- The ethical conception, and Plato's more empirically-minded successors Aristotle and Aristoxenus --
-- The separation of the value spheres --
-- Medieval and Renaissance musical thought --
Miscellaneous information 2.
Title The concept of music --
-- The possibility of non-musical aural or sound-art --
-- The concept of music --
-- Sounds, tones and sound-art --
Miscellaneous information 3.
Title The aesthetics of form, the aesthetics of expression and 'absolute music' : aesthetics of music in the late eighteenth and nineteenth centuries --
-- The Romantic metaphysics of music --
-- Kant and formalism --
-- Hegel : historicism and truth-content --
-- Schopenhauer and Wagner : absolute music --
-- Nietzsche : the Apollonian and the Dionysian --
-- Hanslick and formalism --
-- Expression, form and absolute music --
Miscellaneous information 4.
Title The sound of music --
-- The acousmatic experience of sound --
-- Pythagoras and musique concrete --
-- A broader definition of 'acousmatic' --
-- Objections to the acousmatic thesis --
-- The twofold thesis --
-- A humanistic conception of music versus more abstract conceptions --
Miscellaneous information 5.
Title Rhythm and time --
-- Music as an art of time --
-- The universality of rhythm --
-- A Platonic, organic definition --
-- Rhythm and metre --
-- Rhythm and accent --
-- Rhythm and movement --
Miscellaneous information 6.
Title Adorno and modernism : music as autonomous and 'social fact' --
-- The advent of modernism --
-- Adorno's aesthetics of modernism --
-- Adorno and Kant : art as autonomous and purposeless --
-- Adorno and Hegel : dialectic, historicism and truth-content --
-- Adorno and Marx : art as commodity or social fact --
-- The culture industry --
-- Music of the avant-garde : Adorno's limited grounds for optimism --
-- Dialectics and the autonomy of art --
Miscellaneous information 7.
Title Improvisation and composition --
-- The aesthetics of perfection and imperfection --
-- The concept of improvisation and 'improvised feel' --
-- Spontaneity and the aesthetics of perfection --
-- Free improvisers, interpreters and 'improvisation as a compositional method'.
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name entry element Music
General subdivision Philosophy and aesthetics
9 (RLIN) 321199
830 #0 - SERIES ADDED ENTRY--UNIFORM TITLE
Uniform title Continuum aesthetics.
9 (RLIN) 1062410
907 ## - LOCAL DATA ELEMENT G, LDG (RLIN)
a .b11238100
b 03-10-17
c 27-10-15
942 ## - ADDED ENTRY ELEMENTS (KOHA)
Koha item type Book
945 ## - LOCAL PROCESSING INFORMATION (OCLC)
a 781.17 HAM
g 1
i A373543B
j 0
l cmain
o -
p $134.27
q -
r -
s -
t 0
u 12
v 14
w 0
x 3
y .i12605074
z 29-10-15
998 ## - LOCAL CONTROL INFORMATION (RLIN)
-- (2)b
-- (2)c
Operator's initials, OID (RLIN) 06-04-16
Cataloger's initials, CIN (RLIN) m
First date, FD (RLIN) a
-- eng
-- enk
-- 0
Holdings
Withdrawn status Lost status Damaged status Not for loan Home library Current library Shelving location Date acquired Cost, normal purchase price Inventory number Total Checkouts Total Renewals Full call number Barcode Date last seen Date last checked out Copy number Cost, replacement price Price effective from Koha item type
        City Campus City Campus City Campus Main Collection 29/10/2015 134.27 i12605074 13 16 781.17 HAM A373543B 03/04/2024 11/01/2024 1 134.27 31/10/2021 Book

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