MARC details
000 -LEADER |
fixed length control field |
04878cam a2200397 i 4500 |
005 - DATE AND TIME OF LATEST TRANSACTION |
control field |
20211103131447.0 |
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
fixed length control field |
061103s2007 ne a b 001 0 eng d |
010 ## - LIBRARY OF CONGRESS CONTROL NUMBER |
LC control number |
2006024506 |
011 ## - LINKING LIBRARY OF CONGRESS CONTROL NUMBER [OBSOLETE] |
Local cataloguing issues note |
BIB MATCHES WORLDCAT |
020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
International Standard Book Number |
0240808053 |
Qualifying information |
alk. paper |
020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
International Standard Book Number |
9780240808055 |
Qualifying information |
alk. paper |
035 ## - SYSTEM CONTROL NUMBER |
System control number |
(ATU)b11181011 |
035 ## - SYSTEM CONTROL NUMBER |
System control number |
(OCoLC)70707976 |
040 ## - CATALOGING SOURCE |
Original cataloging agency |
DLC |
Language of cataloging |
eng |
Description conventions |
rda |
Transcribing agency |
DLC |
Modifying agency |
BAKER |
-- |
C#P |
-- |
YDXCP |
-- |
BUR |
-- |
OCLCQ |
-- |
ATU |
043 ## - GEOGRAPHIC AREA CODE |
Geographic area code |
n-us--- |
050 00 - LIBRARY OF CONGRESS CALL NUMBER |
Classification number |
NC1002.S85 |
Item number |
S56 2007 |
082 00 - DEWEY DECIMAL CLASSIFICATION NUMBER |
Classification number |
741.58 |
Edition number |
22 |
100 1# - MAIN ENTRY--PERSONAL NAME |
Personal name |
Simon, Mark, |
Dates associated with a name |
1964- |
Relator term |
author. |
9 (RLIN) |
394057 |
245 10 - TITLE STATEMENT |
Title |
Storyboards : |
Remainder of title |
motion in art / |
Statement of responsibility, etc. |
Mark Simon. |
250 ## - EDITION STATEMENT |
Edition statement |
Third edition. |
264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE |
Place of production, publication, distribution, manufacture |
Amsterdam ; |
-- |
Boston : |
Name of producer, publisher, distributor, manufacturer |
Focal Press, |
Date of production, publication, distribution, manufacture, or copyright notice |
[2007] |
264 #4 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE |
Date of production, publication, distribution, manufacture, or copyright notice |
©2007 |
300 ## - PHYSICAL DESCRIPTION |
Extent |
xiv, 434 pages : |
Other physical details |
illustrations (some colour) ; |
Dimensions |
28 cm |
336 ## - CONTENT TYPE |
Content type term |
text |
Content type code |
txt |
Source |
rdacontent |
337 ## - MEDIA TYPE |
Media type term |
unmediated |
Media type code |
n |
Source |
rdamedia |
338 ## - CARRIER TYPE |
Carrier type term |
volume |
Carrier type code |
nc |
Source |
rdacarrier |
504 ## - BIBLIOGRAPHY, ETC. NOTE |
Bibliography, etc. note |
Includes bibliographical references (pages 376-385) and index. |
505 00 - FORMATTED CONTENTS NOTE |
Miscellaneous information |
Ch. 1. |
Title |
What are storyboards? -- |
Miscellaneous information |
Ch. 2. |
Title |
Getting started -- |
Miscellaneous information |
Ch. 3. |
Title |
What it takes to be a storyboard artist -- |
Miscellaneous information |
Ch. 4. |
Title |
Education -- |
Miscellaneous information |
Ch. 5. |
Title |
Materials -- |
Miscellaneous information |
Ch. 6. |
Title |
Benefits to production -- |
Miscellaneous information |
Ch. 7. |
Title |
Drawing quick thumbnail storyboards -- |
Miscellaneous information |
Ch. 8. |
Title |
Sketching perspective -- |
Miscellaneous information |
Ch. 9. |
Title |
Final storyboard art and clean-up -- |
Miscellaneous information |
Ch. 10. |
Title |
Storyboard coloring -- |
Miscellaneous information |
Ch. 11. |
Title |
Presentation boards versus production boards -- |
Miscellaneous information |
Ch. 12. |
Title |
Live-action boards -- |
Miscellaneous information |
Ch. 13. |
Title |
Animation boards -- |
Miscellaneous information |
Ch. 14. |
Title |
Gaming and multimedia boards -- |
Miscellaneous information |
Ch. 15. |
Title |
Live-event and theme-park boards -- |
Miscellaneous information |
Ch. 16. |
Title |
Laser-show boards -- |
Miscellaneous information |
Ch. 17. |
Title |
Comps -- |
Miscellaneous information |
Ch. 18. |
Title |
Animatics -- |
Miscellaneous information |
Ch. 19. |
Title |
Previz -- |
Miscellaneous information |
Ch. 20. |
Title |
Styles -- |
Miscellaneous information |
Ch. 21. |
Title |
Directing shots -- |
Miscellaneous information |
Ch. 22. |
Title |
Working with directors -- |
Miscellaneous information |
Ch. 23. |
Title |
Screen direction -- |
Miscellaneous information |
Ch. 24. |
Title |
Staging and composition -- |
Miscellaneous information |
Ch. 25. |
Title |
References and research -- |
Miscellaneous information |
Ch. 26. |
Title |
Illustrated camera techniques -- |
Miscellaneous information |
Ch. 27. |
Title |
Numbering -- |
Miscellaneous information |
Ch. 28. |
Title |
Contrast and mood -- |
Miscellaneous information |
Ch. 29. |
Title |
Special effects -- |
Miscellaneous information |
Ch. 30. |
Title |
Conceptual illustration -- |
Miscellaneous information |
Ch. 31. |
Title |
Computers and software -- |
Miscellaneous information |
Ch. 32. |
Title |
Tricks of the trade -- |
Miscellaneous information |
Ch. 33. |
Title |
Presentation and delivery -- |
Miscellaneous information |
Ch. 34. |
Title |
Resumes -- |
Miscellaneous information |
Ch. 35. |
Title |
Portfolios -- |
Miscellaneous information |
Ch. 36. |
Title |
Education and skills -- |
Miscellaneous information |
Ch. 37. |
Title |
How I got started -- |
Miscellaneous information |
Ch. 38. |
Title |
Who hires storyboard artists? -- |
Miscellaneous information |
Ch. 39. |
Title |
Finding a job -- |
Miscellaneous information |
Ch. 40. |
Title |
Prepping for each job -- |
Miscellaneous information |
Ch. 41. |
Title |
How productions work -- |
Miscellaneous information |
Ch. 42. |
Title |
What producers look for -- |
Miscellaneous information |
Ch. 43. |
Title |
Pricing -- |
Miscellaneous information |
Ch. 44. |
Title |
Estimating -- |
Miscellaneous information |
Ch. 45. |
Title |
Billing practices -- |
Miscellaneous information |
Ch. 46. |
Title |
Licensing -- |
Miscellaneous information |
Ch. 47. |
Title |
Trade practices -- |
Miscellaneous information |
Ch. 48. |
Title |
Format -- |
Miscellaneous information |
Ch. 49. |
Title |
Agents and artist representatives -- |
Miscellaneous information |
Ch. 50. |
Title |
Unions -- |
Miscellaneous information |
Ch. 51. |
Title |
Business aspects -- |
-- |
Interviews -- |
Miscellaneous information |
Ch. 52. |
Title |
Alex Saviuk, storyboard and comic book artist -- |
Miscellaneous information |
Ch. 53. |
Title |
Mark Moore, vice president and senior executive in charge of production at ILM and former storyboard artist -- |
Miscellaneous information |
Ch. 54. |
Title |
Sean Cushing, executive producer at Pixel Liberation Front and Previz Specialist -- |
Miscellaneous information |
Ch. 55. |
Title |
Josh Hayes, director, producer, storyboard artist, and art director -- |
Miscellaneous information |
Ch. 56. |
Title |
Tim Burgard, storyboard artist -- |
Miscellaneous information |
Ch. 57. |
Title |
Woody Woodman, animated feature film storyboard artist -- |
Miscellaneous information |
Ch. 58. |
Title |
Lyle Grant, commercial storyboard artist -- |
Miscellaneous information |
Ch. 59. |
Title |
Jeff Dates, creative director of Janimantion -- |
Miscellaneous information |
Ch. 60. |
Title |
Exercise 1 : dogfight -- |
Miscellaneous information |
Ch. 61. |
Title |
Exercise 2 : high fall -- |
Miscellaneous information |
Ch. 62. |
Title |
Exercise 3 : outlines -- |
Miscellaneous information |
Ch. 63. |
Title |
Exercise 4 : special effects matte shots -- |
Miscellaneous information |
Ch. 64. |
Title |
Exercise 5 : TV western -- |
Miscellaneous information |
Ch. 65. |
Title |
Exercise 6 : commercial -- |
Miscellaneous information |
Ch. 66. |
Title |
Exercise 7 : animation and cartoons -- |
Miscellaneous information |
Ch. 67. |
Title |
A storyboarding experiment -- |
-- |
Storyboard samples. |
520 ## - SUMMARY, ETC. |
Summary, etc. |
The storyboard is the visual blueprint of a film or television project before it is shot. The director's vision is illustrated in the manner of a comic strip and handed on to the crew for purposes of budgeting, design, and communication. Using exercises, real-life examples of working in the entertainment industry, interviews with people in the industry, and sample storyboard drawing, this book will teach you how to: develop and improve your boards; work with directors; develop your resume and your portfolio; market your talent; create and improve a storyboard using computers. New to this edition: full color; feature samples from top storyboard artists; 20 new chapters reflecting latest industry knowledge; more information on the artistic side of storyboarding; and brand new art throughout, including storyboards from The Simpsons, The West Wing, Captain Scarlet, seaQuest DSV, and The Matrix.--From publisher description. |
588 ## - SOURCE OF DESCRIPTION NOTE |
Source of description note |
Machine converted from AACR2 source record. |
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
Topical term or geographic name entry element |
Storyboards |
9 (RLIN) |
328057 |
907 ## - LOCAL DATA ELEMENT G, LDG (RLIN) |
a |
.b11181011 |
b |
14-08-18 |
c |
27-10-15 |
998 ## - LOCAL CONTROL INFORMATION (RLIN) |
-- |
b |
-- |
c |
Operator's initials, OID (RLIN) |
23-03-18 |
Cataloger's initials, CIN (RLIN) |
m |
First date, FD (RLIN) |
a |
-- |
eng |
-- |
ne |
-- |
0 |
945 ## - LOCAL PROCESSING INFORMATION (OCLC) |
a |
741.58 SIM |
g |
1 |
i |
A407395B |
j |
0 |
l |
cmain |
o |
- |
p |
$46.22 |
q |
- |
r |
- |
s |
- |
t |
0 |
u |
36 |
v |
6 |
w |
0 |
x |
3 |
y |
.i12523094 |
z |
29-10-15 |
942 ## - ADDED ENTRY ELEMENTS (KOHA) |
Koha item type |
Book |