MARC details
000 -LEADER |
fixed length control field |
03665cam a22004098a 4500 |
005 - DATE AND TIME OF LATEST TRANSACTION |
control field |
20221101191407.0 |
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
fixed length control field |
060602s2006 mnu b s001 0 eng |
010 ## - LIBRARY OF CONGRESS CONTROL NUMBER |
LC control number |
2005035679 |
011 ## - LINKING LIBRARY OF CONGRESS CONTROL NUMBER [OBSOLETE] |
Local cataloguing issues note |
BIB MATCHES WORLDCAT |
020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
International Standard Book Number |
0816645175 (hc : alk. paper) |
020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
International Standard Book Number |
0816645183 (pb : alk. paper) |
024 ## - OTHER STANDARD IDENTIFIER |
Standard number or code |
VL116956 |
035 ## - SYSTEM CONTROL NUMBER |
System control number |
(ATU)b11156892 |
035 ## - SYSTEM CONTROL NUMBER |
System control number |
(DLC) 2005035679 |
035 ## - SYSTEM CONTROL NUMBER |
System control number |
(OCoLC)62535993 |
040 ## - CATALOGING SOURCE |
Original cataloging agency |
DLC |
042 ## - AUTHENTICATION CODE |
Authentication code |
pcc |
043 ## - GEOGRAPHIC AREA CODE |
Geographic area code |
n-us--- |
050 00 - LIBRARY OF CONGRESS CALL NUMBER |
Classification number |
ML3790 |
Item number |
.A63 2006 |
082 00 - DEWEY DECIMAL CLASSIFICATION NUMBER |
Classification number |
781.490973 |
Edition number |
22 |
100 1# - MAIN ENTRY--PERSONAL NAME |
Personal name |
Anderson, Tim J. |
9 (RLIN) |
1059833 |
245 10 - TITLE STATEMENT |
Title |
Making easy listening : |
Remainder of title |
material culture and postwar American recording / |
Statement of responsibility, etc. |
Tim J. Anderson. |
264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE |
Place of production, publication, distribution, manufacture |
Minneapolis : |
Name of producer, publisher, distributor, manufacturer |
University of Minnesota Press, |
Date of production, publication, distribution, manufacture, or copyright notice |
2006. |
300 ## - PHYSICAL DESCRIPTION |
Extent |
xliv, 236 p. |
490 1# - SERIES STATEMENT |
Series statement |
Commerce and mass culture series |
504 ## - BIBLIOGRAPHY, ETC. NOTE |
Bibliography, etc. note |
Includes bibliographical references and index. |
505 00 - FORMATTED CONTENTS NOTE |
Title |
Introduction : opening tracks -- |
Miscellaneous information |
Pt. I. |
Title |
Managing the recording process and rethinking the recording bans -- |
Miscellaneous information |
1. |
Title |
Buried under the fecundity of his own creations : the first strike of the American federation of musicians -- |
Miscellaneous information |
2. |
Title |
Counterreform and resignation : the second strike of the American federation of musicians -- |
Miscellaneous information |
Pt. II. |
Title |
Production, reproduction, and the case of my fair lady -- |
Miscellaneous information |
3. |
Title |
Which voice best becomes the property? Stitching the intertext of My Fair Lady -- |
Miscellaneous information |
4. |
Title |
Listening to my My Fair Lady : versioning and the recorded music object -- |
Miscellaneous information |
Pt. III. |
Title |
Stereo, hi-fi, and the modern pleasures of easy listening -- |
Miscellaneous information |
5. |
Title |
A tale of two ears : the concert hall aesthetic and stereo -- |
Miscellaneous information |
6. |
Title |
Space, the pliable frontier : stereo as the new spatial palette of audio -- |
-- |
Conclusion : the flip side (and a few concluding thoughts). |
520 ## - SUMMARY, ETC. |
Summary, etc. |
The period between the Second World War and the mid-1960s saw the American music industry engaged in a fundamental transformation in how music was produced and experienced. Tim Anderson analyzes three sites of this music revolution: the change from a business centered around live performances to one based on selling records, the custom of simultaneously bringing out multiple versions of the same song, and the arrival of in-home high-fidelity stereo systems. Making Easy Listening presents a social and cultural history of the contentious, diverse, and experimental culture of musical production and enjoyment that aims to understand how recording technologies fit into and influence musicians', as well as listeners', lives. With attention to the details of what it means to play a particular record in a distinct cultural context, Anderson connects neglected genres of the musical canon - classical and easy listening music, Broadway musicals, and sound effects records - with the development of sound aesthetics and technical music practices that leave an indelible imprint on individuals. Tracing the countless impacts that this period of innovation exacted on the mass media, Anderson reveals how an examination of this historical era - and recorded music as an object - furthers a deeper understanding of the present-day American music industry. |
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
Topical term or geographic name entry element |
Popular culture |
Geographic subdivision |
United States |
General subdivision |
History |
Chronological subdivision |
20th century |
9 (RLIN) |
370602 |
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
Topical term or geographic name entry element |
Sound recording industry |
Geographic subdivision |
United States |
General subdivision |
History |
9 (RLIN) |
686571 |
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
Topical term or geographic name entry element |
Sound recordings |
General subdivision |
Production and direction |
Geographic subdivision |
United States |
9 (RLIN) |
687013 |
830 #0 - SERIES ADDED ENTRY--UNIFORM TITLE |
Uniform title |
Commerce and mass culture series. |
9 (RLIN) |
241750 |
907 ## - LOCAL DATA ELEMENT G, LDG (RLIN) |
a |
.b11156892 |
b |
27-07-21 |
c |
27-10-15 |
942 ## - ADDED ENTRY ELEMENTS (KOHA) |
Koha item type |
Book |
945 ## - LOCAL PROCESSING INFORMATION (OCLC) |
a |
781.490973 AND |
g |
1 |
i |
A406871B |
j |
0 |
l |
cmain |
o |
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p |
$32.32 |
q |
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0 |
u |
2 |
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0 |
w |
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x |
0 |
y |
.i12477801 |
z |
29-10-15 |
998 ## - LOCAL CONTROL INFORMATION (RLIN) |
-- |
(2)b |
-- |
(2)c |
Operator's initials, OID (RLIN) |
06-04-16 |
Cataloger's initials, CIN (RLIN) |
m |
First date, FD (RLIN) |
a |
-- |
eng |
-- |
mnu |
-- |
0 |