MARC details
000 -LEADER |
fixed length control field |
03106cam a2200445 i 4500 |
005 - DATE AND TIME OF LATEST TRANSACTION |
control field |
20221101190001.0 |
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
fixed length control field |
060220s2005 enk b 001 0 eng d |
010 ## - LIBRARY OF CONGRESS CONTROL NUMBER |
LC control number |
2004099430 |
011 ## - LINKING LIBRARY OF CONGRESS CONTROL NUMBER [OBSOLETE] |
Local cataloguing issues note |
BIB MATCHES WORLDCAT |
020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
International Standard Book Number |
0761944907 |
Qualifying information |
cased |
020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
International Standard Book Number |
9780761944904 |
Qualifying information |
cased |
035 ## - SYSTEM CONTROL NUMBER |
System control number |
(ATU)b1111731x |
035 ## - SYSTEM CONTROL NUMBER |
System control number |
(OCoLC)58053615 |
040 ## - CATALOGING SOURCE |
Original cataloging agency |
UKM |
Language of cataloging |
eng |
Description conventions |
rda |
Transcribing agency |
YUS |
Modifying agency |
UKM |
-- |
DLC |
-- |
STF |
-- |
BAKER |
-- |
YLS |
-- |
COO |
-- |
NLGGC |
-- |
YDXCP |
-- |
BTCTA |
-- |
IG# |
-- |
ATU |
042 ## - AUTHENTICATION CODE |
Authentication code |
pcc |
050 #4 - LIBRARY OF CONGRESS CALL NUMBER |
Classification number |
K1457.15 |
Item number |
.M37 2005 |
082 04 - DEWEY DECIMAL CLASSIFICATION NUMBER |
Classification number |
306.4842 |
Edition number |
22 |
100 1# - MAIN ENTRY--PERSONAL NAME |
Personal name |
Marshall, Lee, |
Relator term |
author. |
9 (RLIN) |
1058297 |
245 10 - TITLE STATEMENT |
Title |
Bootlegging : |
Remainder of title |
romanticism and copyright in the music industry / |
Statement of responsibility, etc. |
Lee Marshall. |
246 30 - VARYING FORM OF TITLE |
Title proper/short title |
Romanticism and copyright in the music industry |
264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE |
Place of production, publication, distribution, manufacture |
London ; |
-- |
Thousand Oaks, Calif. : |
Name of producer, publisher, distributor, manufacturer |
SAGE, |
Date of production, publication, distribution, manufacture, or copyright notice |
2005. |
300 ## - PHYSICAL DESCRIPTION |
Extent |
viii, 169 pages ; |
Dimensions |
24 cm. |
336 ## - CONTENT TYPE |
Content type term |
text |
Content type code |
txt |
Source |
rdacontent |
337 ## - MEDIA TYPE |
Media type term |
unmediated |
Media type code |
n |
Source |
rdamedia |
338 ## - CARRIER TYPE |
Carrier type term |
volume |
Carrier type code |
nc |
Source |
rdacarrier |
490 1# - SERIES STATEMENT |
Series statement |
Theory, culture & society |
504 ## - BIBLIOGRAPHY, ETC. NOTE |
Bibliography, etc. note |
Includes bibliographical references (pages 160-167) and index. |
505 00 - FORMATTED CONTENTS NOTE |
Miscellaneous information |
1. |
Title |
Lessons from history -- |
Miscellaneous information |
2. |
Title |
Copyright and the Romantic author -- |
Miscellaneous information |
3. |
Title |
Romanticism and popular music -- |
Miscellaneous information |
4. |
Title |
Romanticism, copyright and piracy -- |
Miscellaneous information |
5. |
Title |
Problems and alternatives -- |
Miscellaneous information |
6. |
Title |
Introduction to bootlegging -- |
Miscellaneous information |
7. |
Title |
An overview of bootlegging -- |
Miscellaneous information |
8. |
Title |
The impact of bootlegging on the record industry and the industry's response -- |
Miscellaneous information |
9. |
Title |
The dialectic of romanticism and the symbolic significance of bootlegging. |
520 1# - SUMMARY, ETC. |
Summary, etc. |
"Bootlegs - live concert recordings or studio outtakes reproduced without the permission of the rights holder - hold a prominent position in the pantheon of popular music. They are also much misrepresented and this fascinating book constitutes the first full length academic treatment of the subject." "By examining the centrality of Romantic authorship to both copyright and the music industry, the author highlights the mutual dependence of capitalism and Romanticism, which situates the individual as the key creative force while challenging the commodification of art and self." "Marshall reveals how the desire for bootlegs is driven by the same ideals of authenticity employed by the legitimate industry in its copyright rhetoric and practice and demonstrates how bootlegs exist as an antagonistic but necessary component of an industry that does much to prevent them." "This book will be of great interest to researchers and students in the sociology of culture, social theory, cultural studies and law."--BOOK JACKET. |
588 ## - SOURCE OF DESCRIPTION NOTE |
Source of description note |
Machine converted from AACR2 source record. |
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
Topical term or geographic name entry element |
Sound recordings |
General subdivision |
Pirated editions |
-- |
Social aspects. |
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
Topical term or geographic name entry element |
Copyright |
General subdivision |
Music |
9 (RLIN) |
316199 |
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
Topical term or geographic name entry element |
Copyright |
General subdivision |
Music |
-- |
Social aspects. |
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
Topical term or geographic name entry element |
Romanticism |
9 (RLIN) |
323489 |
830 #0 - SERIES ADDED ENTRY--UNIFORM TITLE |
Uniform title |
Theory, culture & society (Unnumbered). |
9 (RLIN) |
238345 |
907 ## - LOCAL DATA ELEMENT G, LDG (RLIN) |
a |
.b1111731x |
b |
23-03-18 |
c |
27-10-15 |
942 ## - ADDED ENTRY ELEMENTS (KOHA) |
Koha item type |
Book |
945 ## - LOCAL PROCESSING INFORMATION (OCLC) |
a |
306.4842 MAR |
g |
1 |
i |
A370803B |
j |
0 |
l |
cmain |
o |
- |
p |
$179.90 |
q |
- |
r |
- |
s |
- |
t |
0 |
u |
9 |
v |
0 |
w |
0 |
x |
0 |
y |
.i1241444x |
z |
29-10-15 |
998 ## - LOCAL CONTROL INFORMATION (RLIN) |
-- |
b |
-- |
c |
Operator's initials, OID (RLIN) |
23-03-18 |
Cataloger's initials, CIN (RLIN) |
m |
First date, FD (RLIN) |
a |
-- |
eng |
-- |
enk |
-- |
0 |