MARC details
000 -LEADER |
fixed length control field |
03595cam a22004694i 4500 |
005 - DATE AND TIME OF LATEST TRANSACTION |
control field |
20221109173712.0 |
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
fixed length control field |
060213s2005 enk b 001 0 eng d |
010 ## - LIBRARY OF CONGRESS CONTROL NUMBER |
LC control number |
2005017941 |
011 ## - LINKING LIBRARY OF CONGRESS CONTROL NUMBER [OBSOLETE] |
Local cataloguing issues note |
BIB MATCHES WORLDCAT |
020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
International Standard Book Number |
0521856582 |
020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
International Standard Book Number |
9780521856584 |
035 ## - SYSTEM CONTROL NUMBER |
System control number |
(ATU)b11089702 |
035 ## - SYSTEM CONTROL NUMBER |
System control number |
(OCoLC)60715264 |
035 ## - SYSTEM CONTROL NUMBER |
System control number |
(DLC) 2005017941 |
040 ## - CATALOGING SOURCE |
Original cataloging agency |
DLC |
Language of cataloging |
eng |
Description conventions |
rda |
Modifying agency |
ATU |
041 1# - LANGUAGE CODE |
Language code of text/sound track or separate title |
eng |
Language code of original |
fre |
042 ## - AUTHENTICATION CODE |
Authentication code |
pcc |
043 ## - GEOGRAPHIC AREA CODE |
Geographic area code |
e-fr--- |
050 00 - LIBRARY OF CONGRESS CALL NUMBER |
Classification number |
N6848 |
Item number |
.S27 2005 |
082 00 - DEWEY DECIMAL CLASSIFICATION NUMBER |
Classification number |
709.4409041 |
Edition number |
22 |
100 1# - MAIN ENTRY--PERSONAL NAME |
Personal name |
Salmon, André, |
Dates associated with a name |
1881-1969 |
9 (RLIN) |
426872 |
240 10 - UNIFORM TITLE |
Uniform title |
Jeune peinture française. |
Language of a work |
English |
245 10 - TITLE STATEMENT |
Title |
André Salmon on French modern art / |
Statement of responsibility, etc. |
translated and annotated by Beth S. Gersh-Nešić. |
264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE |
Place of production, publication, distribution, manufacture |
Cambridge ; |
-- |
New York : |
Name of producer, publisher, distributor, manufacturer |
Cambridge University Press, |
Date of production, publication, distribution, manufacture, or copyright notice |
2005. |
300 ## - PHYSICAL DESCRIPTION |
Extent |
xii, 214 pages ; |
Dimensions |
24 cm |
336 ## - CONTENT TYPE |
Content type term |
text |
Content type code |
txt |
Source |
rdacontent |
337 ## - MEDIA TYPE |
Media type term |
unmediated |
Media type code |
n |
Source |
rdamedia |
338 ## - CARRIER TYPE |
Carrier type term |
volume |
Carrier type code |
nc |
Source |
rdacarrier |
504 ## - BIBLIOGRAPHY, ETC. NOTE |
Bibliography, etc. note |
Includes bibliographical references (pages 185-192) and index. |
505 0# - FORMATTED CONTENTS NOTE |
Formatted contents note |
La jeune peinture française. Foreword -- The fauves -- Anecdotal history of cubism -- Contemporary art -- A rebirth of French landscape painting -- Twentieth century women painters -- La jeune sculpture française. Foreword -- The fable of the little tin fish -- Doctrine -- Under the gates of hell -- The west -- Figurative sculptors -- Sculptresses -- Humanism -- Cannibalism -- El guitare -- |
505 0# - FORMATTED CONTENTS NOTE |
Formatted contents note |
La jeune peinture française. Foreword -- The fauves -- An anecdotal history of cubism -- Contemporary art -- A rebirth of French landscape painting -- Twentieth-century women painters -- La jeune sculpture française. Foreword -- The fable of the little tin fish -- Doctrine -- Under the gates of hell -- The west -- Figurative sculptors -- Sculptresses -- Humanism -- Cannibalism -- El guitare. |
520 1# - SUMMARY, ETC. |
Summary, etc. |
"Andre Salmon was one of the premier art critics of his day and the author of two important eyewitness accounts of early twentieth-century art in France, La jeune peinture francaise and La jeune sculpture francaise. These works capture the revolutionary spirit of the period and include references to and jokes from a small coterie of artists and poets that included Picasso, Guillaume Apollinaire, Max Jacob, Georges Braque, and Salmon himself. This is the first English-language translation of Salmon's first two books, which serve as the primary sources of the Fauves, the Cubists, and their avant-garde contemporaries. Beth Gersh-Nesic's translation includes annotations that expand upon the period, most notably the literary references that came so naturally to Salmon. His rapport with his peers becomes transparent, providing insight into the studio banter that gave rise to some of the artwork of that era, particularly Picasso's collages. The introduction calls attention to Salmon's main criteria as a critic and offers an understanding of his personal aesthetics, through which we gain a better sense of his ideas and prejudices."--BOOK JACKET. |
546 ## - LANGUAGE NOTE |
Language note |
The first English translation of Salmon's first two books. |
588 ## - SOURCE OF DESCRIPTION NOTE |
Source of description note |
Machine converted from AACR2 source record. |
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
Topical term or geographic name entry element |
Art, French |
Chronological subdivision |
20th century |
9 (RLIN) |
314055 |
700 1# - ADDED ENTRY--PERSONAL NAME |
Personal name |
Gersh-Nešić, Beth S. |
9 (RLIN) |
256482 |
700 12 - ADDED ENTRY--PERSONAL NAME |
Personal name |
Salmon, André, |
Dates associated with a name |
1881-1969 |
Title of a work |
Jeune sculpture française. |
Language of a work |
English. |
907 ## - LOCAL DATA ELEMENT G, LDG (RLIN) |
a |
.b11089702 |
b |
11-05-18 |
c |
27-10-15 |
998 ## - LOCAL CONTROL INFORMATION (RLIN) |
-- |
b |
-- |
c |
Operator's initials, OID (RLIN) |
11-05-18 |
Cataloger's initials, CIN (RLIN) |
m |
First date, FD (RLIN) |
a |
-- |
eng |
-- |
enk |
-- |
0 |
945 ## - LOCAL PROCESSING INFORMATION (OCLC) |
a |
709.4409041 SAL |
g |
1 |
i |
A370210B |
j |
0 |
l |
cmain |
o |
- |
p |
$98.64 |
q |
- |
r |
- |
s |
- |
t |
0 |
u |
2 |
v |
0 |
w |
0 |
x |
0 |
y |
.i12390379 |
z |
29-10-15 |
942 ## - ADDED ENTRY ELEMENTS (KOHA) |
Koha item type |
Book |