Routledge encyclopedia of narrative theory / (Record no. 1163775)

MARC details
000 -LEADER
fixed length control field 10841cam a22003498a 4500
005 - DATE AND TIME OF LATEST TRANSACTION
control field 20211104234314.0
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION
fixed length control field 050124s2004 enk be 001 0 eng
010 ## - LIBRARY OF CONGRESS CONTROL NUMBER
LC control number 2004051269
011 ## - LINKING LIBRARY OF CONGRESS CONTROL NUMBER [OBSOLETE]
Local cataloguing issues note BIB MATCHES WORLDCAT
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 0415282594 (alk. paper)
035 ## - SYSTEM CONTROL NUMBER
System control number (ATU)b11067494
035 ## - SYSTEM CONTROL NUMBER
System control number (DLC) 2004051269
035 ## - SYSTEM CONTROL NUMBER
System control number (OCoLC)56367329
040 ## - CATALOGING SOURCE
Original cataloging agency DLC
042 ## - AUTHENTICATION CODE
Authentication code pcc
050 00 - LIBRARY OF CONGRESS CALL NUMBER
Classification number PN212
Item number .R68 2004
082 00 - DEWEY DECIMAL CLASSIFICATION NUMBER
Classification number 808.003
Edition number 22
245 00 - TITLE STATEMENT
Title Routledge encyclopedia of narrative theory /
Statement of responsibility, etc. edited by David Herman, Manfred Jahn and Marie-Laure Ryan.
264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE
Place of production, publication, distribution, manufacture London ;
-- New York :
Name of producer, publisher, distributor, manufacturer Routledge,
Date of production, publication, distribution, manufacture, or copyright notice 2004.
300 ## - PHYSICAL DESCRIPTION
Extent xxix, 718 p. :
Dimensions 25 cm.
504 ## - BIBLIOGRAPHY, ETC. NOTE
Bibliography, etc. note Includes bibliographical references and index.
505 00 - FORMATTED CONTENTS NOTE
Title Actant --
-- Action theory --
-- Adaptation --
-- Address --
-- Addresser and addressee --
-- Adolescent narrative --
-- Advertisements --
-- African narrative --
-- Agency --
-- Allegory --
-- Alteration --
-- Alterity --
-- Anachrony --
-- Analepsis --
-- Ancient theories of narrative (Western) --
-- Ancient theories of narrative (non-Western) --
-- Anecdote --
-- Animated film --
-- Annals --
-- Anti-narrative --
-- Apology --
-- Archetypal patterns --
-- Architext --
-- Artificial Intelligence and narrative --
-- Atomic and molecular narratives --
-- Attributive discourse --
-- Audience --
-- Australian Aboriginal narrative --
-- Authentication --
-- Author --
-- Authorial narrative situation --
-- Autobiography --
-- Autodiegetic narration --
-- Autofiction --
-- Backstory --
-- Ballad --
-- Biblical narrative --
-- Bildungsroman --
-- Biography --
-- Biological foundations of narrative --
-- Blog (weblog) --
-- Catachresis --
-- Catharsis --
-- Causality --
-- Character --
-- Chicago school --
-- Children's stories (narratives written for children) --
-- Children's storytelling --
-- Chinese narrative --
-- Chronicle --
-- Chronotope --
-- Cineroman --
-- Closure --
-- Codes for reading --
-- Cognitive narratology --
-- Coincidence --
-- Comics and graphic novel --
-- Coming-out story --
-- Commentary --
-- Communication in narrative --
-- Communication studies and narrative --
-- Composite novel --
-- Computational approaches to narrative --
-- Computer games and narrative --
-- Concretisation --
-- Confessional narrative --
-- Conflict --
-- Constance school --
-- Contextualism (in historiography) --
-- Conversational storytelling --
-- Counterfactual history --
-- Courtroom narrative --
-- Cultural-studies approaches to narrative --
-- Cyberpunk fiction --
-- Dance and narrative --
-- Deconstructive approaches to narrative --
-- Defamiliarisation --
-- Deixis --
-- Denarration --
-- Description --
-- Desire --
-- Detective fiction --
-- Dialogism --
-- Dialogue in the novel --
-- Diary --
-- Didactic narrative --
-- Diegesis --
-- Digital narrative --
-- Discourse analysis (Foucault) --
-- Discourse analysis (linguistics) --
-- Disnarrated, the --
-- Distance --
-- Drama and narrative --
-- Dramatic irony --
-- Dramatic monologue --
-- Dramatic situations --
-- Dream narrative --
-- Dual-voice hypothesis --
-- Dystopian fiction --
-- Eco-narratives --
-- Ecriture feminine --
-- Education and narrative --
-- Ekphrasis --
-- Embedding --
-- Emic and etic --
-- Emotion and narrative --
-- Emplotment --
-- Encyclopedic novel --
-- Epic --
-- Epiphany --
-- Episode --
-- Epistolary novel --
-- Ergodic literature --
-- Ethical turn --
-- Ethnographic approaches to narrative --
-- Events and event-types --
-- Evolution of narrative forms --
-- Existent --
-- Experiencing-I --
-- Experientiality --
-- Exposition --
-- Extradiegetic narrator --
-- Fable --
-- Fabula --
-- Fairy tale --
-- Family chronicle --
-- Fantastic, the --
-- Fantasy --
-- Feminist narratology --
-- Fiction, theories of --
-- Figura (Auerbach) --
-- Figural narration --
-- Film narrative --
-- First-person narration --
-- Focalization --
-- Folklore --
-- Folktale --
-- Foregrounding --
-- Formalism --
-- Frame theory --
-- Framed narrative --
-- Free indirect discourse --
-- Frequency --
-- Freytag's triangle --
-- Function (Jakobson) --
-- Function (Propp) --
-- Gapping --
-- Gaze --
-- Gender studies --
-- Genealogy --
-- Genre fiction --
-- Genre theory in film studies --
-- Genre theory in narrative studies --
-- Gesture --
-- Gossip --
-- Gothic novel --
-- Grand recit --
-- Graphic presentation as expressive device --
-- Hagiography --
-- Hermeneutics --
-- Hero --
-- Heterodiegetic narration --
-- Heteroglossia --
-- Historical novel --
-- Historical present --
-- Historicis --
-- Historiographic metafiction --
-- Historiographic narratology --
-- Historiography --
-- Holocaust narrative --
-- Homodiegetic narration --
-- Horizon of expectations --
-- Horror narrative --
-- Humour studies and narrative --
-- Hybrid genres --
-- Hybridity --
-- Hypertext --
-- Hypertext and hypotext (Genette) --
-- Hypodiegetic narrative --
-- Identity and narrative --
-- Ideology and narrative --
-- Image and narrative --
-- Immersion --
-- Implied author --
-- Implied reader --
-- In medias res --
-- Indeterminacy --
-- Institutional narrative --
-- Intentionality --
-- Interactive fiction --
-- Interactivity --
-- Interdisciplinary approaches to narrative --
-- Interior monologue --
-- Intermediality --
-- Intertextuality --
-- Intradiegetic narrator --
-- Irony --
-- Isotopy --
-- Japanese narrative --
-- Joke --
-- Journalism --
-- Law and narrative --
-- Legal fiction --
-- Legend --
-- Leitmotif --
-- Letters as narrative --
-- Life story --
-- Linguistic approaches to narrative --
-- Logic of narrative --
-- Magical realism --
-- Marxist approaches to narrative --
-- Master narrative --
-- Media and narrative --
-- Mediacy --
-- Medicine and narrative --
-- Medieval narrative --
-- Memory --
-- Mental mapping of narrative --
-- Metafiction --
-- Metahistory --
-- Metalepsis --
-- Metanarrative comment --
-- Metaphor --
-- Metonymy --
-- Micro-storie --
-- Mimesis --
-- Mindscreen --
-- Mind-style --
-- Minimal narrative --
-- Mise en abyme --
-- Modality --
-- Mode --
-- Modernist narrative --
-- Molecular narratives --
-- Montage --
-- Mood (Genette) --
-- Motif --
-- Multi-path narrative --
-- Multi-plot narrative --
-- Music and narrative --
-- Myth: thematic approaches --
-- Myth: theoretical approaches --
-- Mytheme --
505 00 - FORMATTED CONTENTS NOTE
Title Naming in narrative --
-- Narratee --
-- Narrating (Genette) --
-- Narrating-I --
-- Narration --
-- Narrative --
-- Narrative as argument --
-- Narrative as cognitive instrument --
-- Narrative comprehension --
-- Narrative disorders --
-- Narrative dynamics --
-- Narrative explanation --
-- Narrative in poetry --
-- Narrative intelligence --
-- Narrative levels --
-- Narrative progression --
-- Narrative psychology --
-- Narrative semantics --
-- Narrative situations --
-- Narrative speed --
-- Narrative structure --
-- Narrative techniques --
-- Narrative therapy --
-- Narrative transformation --
-- Narrative transmission --
-- Narrative turn in the humanities --
-- Narrative units --
-- Narrative universals --
-- Narrative versions --
-- Narrative, games, and play --
-- Narrativisation --
-- Narrativity --
-- Narrator --
-- Native American narrative --
-- Natural narratology --
-- Naturalisation --
-- Neo-Aristotelianism --
-- No-narrator theory --
-- Nonfiction novel --
-- Nouveau roman --
-- Novel, the --
-- Novella --
-- Nursery rhyme --
-- Obituary --
-- Opera --
-- Oral cultures and narrative --
-- Oral history --
-- Oral-formulaic theory --
-- Orality --
-- Organisations and narrative --
-- Oulipo --
-- Palimpsest --
-- Panfictionality --
-- Parable --
-- Paralepsis and paralipsis --
-- Paratext --
-- Parody --
-- Participatory narrative --
-- Pastiche --
-- Performance --
-- Performativity --
-- Person --
-- Perspective --
-- Phenomenology of narrative --
-- Philosophy and narrative --
-- Philosophical novel --
-- Photographs --
-- Picaresque novel --
-- Pictorial narrativity --
-- Plot --
-- Plot types --
-- Point --
-- Point of attack --
-- Point of view (cinematic) --
-- Point of view (literary) --
-- Polyphony --
-- Pornographic narrative --
-- Positioning --
-- Possible-worlds theory --
-- Postclassical narratology --
-- Post-colonialism and narrative --
-- Postmodern narrative --
-- Postmodern rewrites --
-- Poststructuralist approaches to narrative --
-- Pragmatics --
-- Prison narrative --
-- Prolepsis --
-- Prospective narration --
-- Psychoanalysis and narrative --
-- Psychological approaches to narrative --
-- Psychological novel --
-- Psychonarration --
-- Queer theory --
-- Quixotic novel --
-- Quotation theory --
-- Radio narrative --
-- Reader address --
-- Reader constructs --
-- Readerly text, writerly text (Barthes) --
-- Reader-response theory --
-- Realeme --
-- Realism, theories of --
-- Realist novel --
-- Reality effect --
-- Reception theory --
-- Reference --
-- Reflector --
-- Reflexivity --
-- Reliability --
-- Remediation --
-- Repurposing --
-- Retardatory devices --
-- Retrospective narration --
-- Rhetorical approaches to narrative --
-- Riddle --
-- Ring-composition --
-- Roman a clef --
-- Roman a these --
-- Romance --
-- Romance novel --
-- Russian Formalism --
-- Sanskrit narrative --
-- Satiric narrative --
-- Scene (cinematic) --
-- Schemata --
-- Science and narrative --
-- Science fiction --
-- Screenplay --
-- Scripts and schemata --
-- Secondary orality --
-- Second-person narration --
-- Semiotics --
-- Serial form --
-- Sermon --
-- Short story --
-- Shot --
-- Showing versus telling --
-- Simple forms --
-- Simulation and narrative --
-- Simultaneous narration --
-- Situation model --
-- Sjuzhet --
-- Skaz --
-- Slash fiction --
-- Slave narrative --
-- Soap opera --
-- Sociolinguistic approaches to narrative --
-- Sociological approaches to literary narrative --
-- Sociology and narrative --
-- Soundtrack --
-- Space in narrative --
-- Spatial form --
-- Spectacle --
-- Speech act theory --
-- Speech representation --
-- Sports broadcast --
-- Story arc --
-- Story grammars --
-- Story schemata and causal structure --
-- Story-discourse distinction --
-- Storyworld --
-- Stream of consciousness and interior monologue --
-- Structuralist narratology --
-- Summary and scene --
-- Surfiction --
-- Surrealist narrative --
-- Suspense and surprise --
-- Syllepsis --
-- Tabloid narrative --
-- Tall tale --
-- Tel Aviv School of narrative poetics --
-- Tel Quel --
-- Television --
-- Tellability --
-- Temporal ordering --
-- Tense and narrative --
-- Testimonio --
-- Text --
-- Text-world approach to narrative --
-- Thematic approaches to narrative --
-- Thematisation --
-- Theology and narrative --
-- Third-person narration --
-- Thought and consciousness representation (film) --
-- Thought and consciousness representation (literature) --
-- Thriller --
-- Time in narrative --
-- Transfictionality --
-- Transfocalization and transvocalization --
-- Transgressive fictions --
-- Trauma theory --
-- Travel narrative --
-- Trebling /triplication --
-- Truth --
-- Unnarratable, the --
-- Unreliable narration --
-- Urban legend --
-- Utopian and dystopian fiction --
-- Verisimilitude --
-- Virtuality --
-- Visual narrativity visualisation --
-- Voice --
-- Voice-over narration --
-- Writerly text.
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name entry element Narration (Rhetoric)
Form subdivision Encyclopedias
9 (RLIN) 724129
700 1# - ADDED ENTRY--PERSONAL NAME
Personal name Herman, David,
Dates associated with a name 1962-
9 (RLIN) 425784
700 1# - ADDED ENTRY--PERSONAL NAME
Personal name Jahn, Manfred,
Dates associated with a name 1943-
9 (RLIN) 425786
700 1# - ADDED ENTRY--PERSONAL NAME
Personal name Ryan, Marie-Laure,
Dates associated with a name 1946-
9 (RLIN) 227315
907 ## - LOCAL DATA ELEMENT G, LDG (RLIN)
a .b11067494
b 22-08-17
c 27-10-15
998 ## - LOCAL CONTROL INFORMATION (RLIN)
-- (2)b
-- (2)c
Operator's initials, OID (RLIN) 06-04-16
Cataloger's initials, CIN (RLIN) m
First date, FD (RLIN) a
-- eng
-- enk
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945 ## - LOCAL PROCESSING INFORMATION (OCLC)
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        City Campus City Campus City Campus Main Collection 29/10/2015 300.05 i12341356 11 31 808.003 ROU A294415B 01/06/2023 13/01/2023 1 300.05 31/10/2021 Book

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