MARC details
000 -LEADER |
fixed length control field |
03319cam a22003258a 4500 |
005 - DATE AND TIME OF LATEST TRANSACTION |
control field |
20221101183357.0 |
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
fixed length control field |
011207s2003 enk 000 0 eng |
011 ## - LINKING LIBRARY OF CONGRESS CONTROL NUMBER [OBSOLETE] |
Local cataloguing issues note |
BIB MATCHES WORLDCAT |
015 ## - NATIONAL BIBLIOGRAPHY NUMBER |
National bibliography number |
GBA2-Z7436 |
016 7# - NATIONAL BIBLIOGRAPHIC AGENCY CONTROL NUMBER |
Record control number |
0415170273 |
Source |
Uk |
020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
International Standard Book Number |
0415170273 |
020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
International Standard Book Number |
0415170281 (pbk.) : |
Terms of availability |
£19.99 |
035 ## - SYSTEM CONTROL NUMBER |
System control number |
(ATU)b10796915 |
035 ## - SYSTEM CONTROL NUMBER |
System control number |
(OCoLC)48678431 |
040 ## - CATALOGING SOURCE |
Original cataloging agency |
BNB |
082 0# - DEWEY DECIMAL CLASSIFICATION NUMBER |
Classification number |
781.6309 |
100 1# - MAIN ENTRY--PERSONAL NAME |
Personal name |
Connell, John, |
Dates associated with a name |
1952- |
9 (RLIN) |
412787 |
245 10 - TITLE STATEMENT |
Title |
Sound tracks : |
Remainder of title |
popular music identity and place / |
Statement of responsibility, etc. |
John Connell, Chris Gibson. |
264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE |
Place of production, publication, distribution, manufacture |
London : |
Name of producer, publisher, distributor, manufacturer |
Routledge, |
Date of production, publication, distribution, manufacture, or copyright notice |
2003. |
300 ## - PHYSICAL DESCRIPTION |
Extent |
xii, 320 p. : |
Other physical details |
ill. ; |
Dimensions |
24 cm. |
505 00 - FORMATTED CONTENTS NOTE |
Miscellaneous information |
1. |
Title |
Into the music -- |
Miscellaneous information |
2. |
Title |
Music and place: 'fixing authenticity' -- |
Miscellaneous information |
3. |
Title |
Music and movement: overcoming space -- |
Miscellaneous information |
4. |
Title |
The place of lyrics -- |
Miscellaneous information |
5. |
Title |
Sounds and scenes: a place for music? -- |
Miscellaneous information |
6. |
Title |
Music communities: national identity, ethnicity and place -- |
Miscellaneous information |
7. |
Title |
New worlds: music from the margins? -- |
Miscellaneous information |
8. |
Title |
A world of flows: music, mobility and transnational soundscapes -- |
Miscellaneous information |
9. |
Title |
Aural architecture: the spaces of music -- |
Miscellaneous information |
10. |
Title |
Marketing place: music and tourism -- |
Miscellaneous information |
11. |
Title |
Terra Digitalia? Music, copyright and territory in the information age -- |
Miscellaneous information |
12. |
Title |
The long and winding road ... |
520 1# - SUMMARY, ETC. |
Summary, etc. |
"Sound Tracks is the first comprehensive book on the new geography of popular music, examining the complex links between places, music and cultural identities. It provides an interdisciplinary perspective on local, national and global scenes, from the 'Mersey' and 'Icelandic' sounds to 'world music', and explores the diverse meanings of music in a range of regional contexts." "Sound Tracks traces the ways in which music has informed complex globalisations, the role of companies and technology in diffusion, innovation and commercialism and the wider significance of cultural industries. It links migration and mobility to new musical practices, whether in 'developing' countries of metropolitan centres, and traces the recent rise of 'music tourism'. It examines issues of authenticity and credibility, and the quest for roots within different musical genres, from buskers to brass bands, and from rap to rai. Sound Tracks emphasises music's contributions to the contradictions, illusions and celebrations of contemporary life. It situates music and the music industry within spatial theories of globalisation and local change: fixity and fluidity entangled." "In a world of intensified globalisation, links between space, music and identity are increasingly tenuous, yet places give credibility to music, not least in the 'country', and music is commonly linked to place, through claims to tradition, 'authenticity' and originality, and as a marketing device. This book develops new perspectives on these relationships and how they are situated within cultural and geographical thought."--Preliminary paging. |
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
Topical term or geographic name entry element |
Popular music |
General subdivision |
Social aspects |
9 (RLIN) |
629853 |
700 1# - ADDED ENTRY--PERSONAL NAME |
Personal name |
Gibson, Chris. |
9 (RLIN) |
1046082 |
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03-10-17 |
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27-10-15 |
942 ## - ADDED ENTRY ELEMENTS (KOHA) |
Koha item type |
Book |
945 ## - LOCAL PROCESSING INFORMATION (OCLC) |
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998 ## - LOCAL CONTROL INFORMATION (RLIN) |
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Operator's initials, OID (RLIN) |
06-04-16 |
Cataloger's initials, CIN (RLIN) |
m |
First date, FD (RLIN) |
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-- |
eng |
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enk |
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