MARC details
000 -LEADER |
fixed length control field |
02713cam a22004214i 4500 |
005 - DATE AND TIME OF LATEST TRANSACTION |
control field |
20221101182410.0 |
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
fixed length control field |
020612s2003 mauab b 001 0 eng d |
010 ## - LIBRARY OF CONGRESS CONTROL NUMBER |
LC control number |
2002075392 |
011 ## - LINKING LIBRARY OF CONGRESS CONTROL NUMBER [OBSOLETE] |
Local cataloguing issues note |
BIB MATCHES WORLDCAT |
020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
International Standard Book Number |
0262511843 |
Qualifying information |
pbk. |
020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
International Standard Book Number |
9780262511841 |
Qualifying information |
pbk. |
020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
International Standard Book Number |
0262011964 |
Qualifying information |
hbk. |
020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
International Standard Book Number |
9780262011969 |
Qualifying information |
hbk. |
035 ## - SYSTEM CONTROL NUMBER |
System control number |
(ATU)b10767319 |
035 ## - SYSTEM CONTROL NUMBER |
System control number |
(OCoLC)50023702 |
040 ## - CATALOGING SOURCE |
Original cataloging agency |
DLC |
Language of cataloging |
eng |
Description conventions |
rda |
Transcribing agency |
DLC |
Modifying agency |
UKM |
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C#P |
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BAKER |
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NLGGC |
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BTCTA |
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LVB |
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HEBIS |
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ATU |
042 ## - AUTHENTICATION CODE |
Authentication code |
pcc |
043 ## - GEOGRAPHIC AREA CODE |
Geographic area code |
n-us--- |
050 00 - LIBRARY OF CONGRESS CALL NUMBER |
Classification number |
N6512.5.C64 |
Item number |
A43 2003 |
082 00 - DEWEY DECIMAL CLASSIFICATION NUMBER |
Classification number |
709.7309045 |
Edition number |
21 |
100 1# - MAIN ENTRY--PERSONAL NAME |
Personal name |
Alberro, Alexander, |
Relator term |
author. |
9 (RLIN) |
1034172 |
245 10 - TITLE STATEMENT |
Title |
Conceptual art and the politics of publicity / |
Statement of responsibility, etc. |
Alexander Alberro. |
264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE |
Place of production, publication, distribution, manufacture |
Cambridge, Mass. : |
Name of producer, publisher, distributor, manufacturer |
MIT Press, |
Date of production, publication, distribution, manufacture, or copyright notice |
[2003] |
264 #4 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE |
Date of production, publication, distribution, manufacture, or copyright notice |
©2003 |
300 ## - PHYSICAL DESCRIPTION |
Extent |
236 pages : |
Other physical details |
illustrations, maps ; |
Dimensions |
22 cm |
336 ## - CONTENT TYPE |
Content type term |
text |
Content type code |
txt |
Source |
rdacontent |
337 ## - MEDIA TYPE |
Media type term |
unmediated |
Media type code |
n |
Source |
rdamedia |
338 ## - CARRIER TYPE |
Carrier type term |
volume |
Carrier type code |
nc |
Source |
rdacarrier |
504 ## - BIBLIOGRAPHY, ETC. NOTE |
Bibliography, etc. note |
Includes bibliographical references (pages 212-223) and index. |
505 00 - FORMATTED CONTENTS NOTE |
Miscellaneous information |
Pt. I. |
Title |
The Contradictions of Conceptual Art -- |
Miscellaneous information |
Ch. 1. |
Title |
Art, Advertising, Sign Value -- |
Miscellaneous information |
Ch. 2. |
Title |
Art as Idea -- |
Miscellaneous information |
Pt. II. |
Title |
Primary and Secondary Information -- |
Miscellaneous information |
Ch. 3. |
Title |
Locations, Variables, and Durations -- |
Miscellaneous information |
Ch. 4. |
Title |
The Linguistic Turn -- |
Miscellaneous information |
Ch. 5. |
Title |
Dematerialization -- |
Miscellaneous information |
Pt. III. |
Title |
Artists' Rights and Product Management -- |
Miscellaneous information |
Ch. 6. |
Title |
The Xerox Degree of Art -- |
Miscellaneous information |
Ch. 7. |
Title |
The Siegelaub Idea. |
520 1# - SUMMARY, ETC. |
Summary, etc. |
"Conceptual art was one of the most influential art movements of the second half of the twentieth century. In this book Alexander Alberro traces its origins to the mid-1960s, when its principles were first articulated by the artists Dan Graham, Joseph Kosuth, Sol LeWitt, Lawrence Weiner, and others. One of Alberro's central arguments is that the conceptual art movement was founded not just by the artists but also by the dealer Seth Siegelaub. Siegelaub promoted the artists, curated groundbreaking shows, organized symposia and publications, and in many ways set the stage for another kind of entrepreneur: the freelance curator. Alberro examines both Siegelaub's role in launching the careers of artists who were making "something from nothing" and his tactful business practices, particularly in marketing and advertising."--BOOK JACKET. |
588 ## - SOURCE OF DESCRIPTION NOTE |
Source of description note |
Machine converted from AACR2 source record. |
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
Topical term or geographic name entry element |
Conceptual art |
Geographic subdivision |
United States |
9 (RLIN) |
601355 |
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Koha item type |
Book |
945 ## - LOCAL PROCESSING INFORMATION (OCLC) |
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998 ## - LOCAL CONTROL INFORMATION (RLIN) |
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Operator's initials, OID (RLIN) |
06-04-16 |
Cataloger's initials, CIN (RLIN) |
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First date, FD (RLIN) |
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eng |
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