MARC details
000 -LEADER |
fixed length control field |
02858cam a22003854i 4500 |
005 - DATE AND TIME OF LATEST TRANSACTION |
control field |
20221101192603.0 |
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
fixed length control field |
010206s2001 nyua bo 001 0 eng d |
010 ## - LIBRARY OF CONGRESS CONTROL NUMBER |
LC control number |
2001021214 |
011 ## - LINKING LIBRARY OF CONGRESS CONTROL NUMBER [OBSOLETE] |
Local cataloguing issues note |
BIB MATCHES WORLDCAT |
020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
International Standard Book Number |
0333919734 |
020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
International Standard Book Number |
9780333919736 |
035 ## - SYSTEM CONTROL NUMBER |
System control number |
(DLC) 2001021214 |
035 ## - SYSTEM CONTROL NUMBER |
System control number |
(OCoLC)45890427 |
040 ## - CATALOGING SOURCE |
Original cataloging agency |
DLC |
Language of cataloging |
eng |
Description conventions |
rda |
Modifying agency |
ATU |
042 ## - AUTHENTICATION CODE |
Authentication code |
pcc |
050 00 - LIBRARY OF CONGRESS CALL NUMBER |
Classification number |
GV1594. |
Item number |
B75 2001 |
082 0# - DEWEY DECIMAL CLASSIFICATION NUMBER |
Classification number |
792.8 |
100 1# - MAIN ENTRY--PERSONAL NAME |
Personal name |
Briginshaw, Valerie A., |
Relator term |
author. |
9 (RLIN) |
1042497 |
245 10 - TITLE STATEMENT |
Title |
Dance, space, and subjectivity / |
Statement of responsibility, etc. |
Valerie Briginshaw. |
264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE |
Place of production, publication, distribution, manufacture |
New York : |
Name of producer, publisher, distributor, manufacturer |
Palgrave, |
Date of production, publication, distribution, manufacture, or copyright notice |
2001. |
300 ## - PHYSICAL DESCRIPTION |
Extent |
xviii, 234 pages, 8 unnumbered pages of plates : |
Other physical details |
illustrations, portraits ; |
Dimensions |
23 cm |
336 ## - CONTENT TYPE |
Content type term |
text |
Content type code |
txt |
Source |
rdacontent |
337 ## - MEDIA TYPE |
Media type term |
unmediated |
Media type code |
n |
Source |
rdamedia |
338 ## - CARRIER TYPE |
Carrier type term |
volume |
Carrier type code |
nc |
Source |
rdacarrier |
504 ## - BIBLIOGRAPHY, ETC. NOTE |
Bibliography, etc. note |
Includes bibliographical references (pages 213-221) and index. |
505 00 - FORMATTED CONTENTS NOTE |
Miscellaneous information |
1. |
Title |
Introduction -- |
Miscellaneous information |
Pt. I. |
Title |
Constructions of Space and Subjectivity. |
Miscellaneous information |
2. |
Title |
Travel metaphors in dance - gendered constructions of travel, spaces and subjects. |
Miscellaneous information |
3. |
Title |
Transforming city spaces and subjects. |
Miscellaneous information |
4. |
Title |
Coastal constructions in Lea Anderson's Out on the Windy Beach -- |
Miscellaneous information |
Pt. II. |
Title |
Dancing in the 'In-Between Spaces'. |
Miscellaneous information |
5. |
Title |
Desire spatialized differently in dances that can be read as lesbian. |
Miscellaneous information |
6. |
Title |
Hybridity and nomadic subjectivity in Shobana Jeyasingh's Duets with Automobiles. |
Miscellaneous information |
7. |
Title |
Crossing the (black) Atlantic: spatial and temporal displacements in Meredith Monk's Ellis Island and Jonzi D's Aeroplane Man -- |
Miscellaneous information |
Pt. III. |
Title |
Inside/Outside Bodies and Spaces. |
Miscellaneous information |
8. |
Title |
Fleshy corporealities in Trisha Brown's If You Couldn't See Me, Lea Anderson's Joan and Yolande Snaith's Blind Faith. |
Miscellaneous information |
9. |
Title |
'Carnivalesque' subversions in Mark Morris' Dogtown, Liz Aggiss' Grotesque Dancer and Emilyn Claid's Across Your Heart. |
Miscellaneous information |
10. |
Title |
Architectural spaces in the choreography of William Forsythe and De Keersmaeker's Rosas Danst Rosas. |
520 1# - SUMMARY, ETC. |
Summary, etc. |
"This book contains close readings of postmodern dances and dance films informed by current critical theories. It explores the roles dance and space play in constructing subjectivity. Focusing on site-specific dance, the mutual construction of bodies and spaces, body/space interfaces and in-between spaces, the dances and dance films are read 'against the grain' to reveal their potential for troubling conventional notions of subjectivity associated with a white, Western, heterosexual, able-bodied male norm."--BOOK JACKET. |
588 ## - SOURCE OF DESCRIPTION NOTE |
Source of description note |
Machine converted from AACR2 source record. |
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
Topical term or geographic name entry element |
Dance |
Form subdivision |
Reviews |
9 (RLIN) |
342095 |
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
Topical term or geographic name entry element |
Postmodernism. |
9 (RLIN) |
322618 |
907 ## - LOCAL DATA ELEMENT G, LDG (RLIN) |
a |
.b10673404 |
b |
03-10-17 |
c |
27-10-15 |
942 ## - ADDED ENTRY ELEMENTS (KOHA) |
Koha item type |
Book |
945 ## - LOCAL PROCESSING INFORMATION (OCLC) |
a |
792.8 BRI |
g |
1 |
i |
A286993B |
j |
0 |
l |
cmain |
o |
- |
p |
$146.64 |
q |
- |
r |
- |
s |
- |
t |
0 |
u |
15 |
v |
1 |
w |
0 |
x |
1 |
y |
.i11611066 |
z |
28-10-15 |
998 ## - LOCAL CONTROL INFORMATION (RLIN) |
-- |
(2)b |
-- |
(2)c |
Operator's initials, OID (RLIN) |
06-04-16 |
Cataloger's initials, CIN (RLIN) |
m |
First date, FD (RLIN) |
a |
-- |
eng |
-- |
nyu |
-- |
0 |