MARC details
| 000 -LEADER |
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| fixed length control field |
05865cam a22003618a 4500 |
| 005 - DATE AND TIME OF LATEST TRANSACTION |
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| control field |
20211104000521.0 |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
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| fixed length control field |
020626s2002 ctu 001 0 eng |
| 010 ## - LIBRARY OF CONGRESS CONTROL NUMBER |
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| LC control number |
2002010172 |
| 011 ## - LINKING LIBRARY OF CONGRESS CONTROL NUMBER [OBSOLETE] |
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| Local cataloguing issues note |
BIB MATCHES WORLDCAT |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
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| International Standard Book Number |
0819565660 (pbk. : alk. paper) |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
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| International Standard Book Number |
0819565652 (cloth : alk. paper) |
| 035 ## - SYSTEM CONTROL NUMBER |
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| System control number |
(ATU)b10584432 |
| 035 ## - SYSTEM CONTROL NUMBER |
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| System control number |
(DLC) 2002010172 |
| 035 ## - SYSTEM CONTROL NUMBER |
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| System control number |
(OCoLC)50090046 |
| 040 ## - CATALOGING SOURCE |
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| Original cataloging agency |
DLC |
| 042 ## - AUTHENTICATION CODE |
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| Authentication code |
pcc |
| 050 00 - LIBRARY OF CONGRESS CALL NUMBER |
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| Classification number |
GV1783. |
| Item number |
D35 2002 |
| 082 0# - DEWEY DECIMAL CLASSIFICATION NUMBER |
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| Classification number |
792.8 |
| 100 1# - MAIN ENTRY--PERSONAL NAME |
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| Personal name |
Daly, Ann, |
| Dates associated with a name |
1959- |
| 9 (RLIN) |
406190 |
| 245 10 - TITLE STATEMENT |
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| Title |
Critical gestures : |
| Remainder of title |
writings on dance and culture / |
| Statement of responsibility, etc. |
Ann Daly. |
| 263 ## - PROJECTED PUBLICATION DATE |
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| Projected publication date |
0209. |
| 264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE |
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| Place of production, publication, distribution, manufacture |
Middletown, Conn. : |
| Name of producer, publisher, distributor, manufacturer |
Wesleyan University Press, |
| Date of production, publication, distribution, manufacture, or copyright notice |
c2002. |
| 300 ## - PHYSICAL DESCRIPTION |
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| Extent |
xlii, 378 p. |
| 500 ## - GENERAL NOTE |
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| General note |
Includes index. |
| 505 00 - FORMATTED CONTENTS NOTE |
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| Title |
Introduction -- |
| Miscellaneous information |
I. |
| Title |
Writing Dance -- |
| -- |
Pina Bausch -- |
| -- |
Tanztheater: The Thrill of the Lynch Mob or the Rage of a Woman? -- |
| -- |
Pina Bausch Goes West to Prospect for Imagery -- |
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Love Mysterious and Familiar: Pina Bausch Brings Her Visceral Non Sequiturs to Austin -- |
| -- |
Remembered Gesture -- |
| -- |
Mellower Now, A Resolute Romantic Keeps Trying -- |
| -- |
Deborah Hay -- |
| -- |
Review: The Man Who Grew Common in Wisdom -- |
| -- |
The Play of Dance: An Introduction to Lamb, Lamb, Lamb, Lamb, Lamb,. -- |
| -- |
No Exit: Deborah Hay's Latest Work a Meditation and Celebration in Space and Time -- |
| -- |
An Experimentalist in Soul and Body -- |
| -- |
Horse Rider Woman Playing Dancing: Ann Daly Interviews Deborah Hay -- |
| -- |
Bill T. Jones and Arnie Zane -- |
| -- |
Dance at Prospect Park: High Art, Lowbrow Spectacle -- |
| -- |
Review: Body against Body, edited by Elizabeth Zimmer and Susan Quasha -- |
| -- |
Dancing the Unsayable: Bill T. Jones's Still/Here Becomes a Meditation on the Possibilities of Postmodernist Art -- |
| -- |
When Dancers Move On to Making Dances -- |
| -- |
The Long Day's Journey of Bill T. Jones -- |
| -- |
Bill T. Jones in Conversation with Ann Daly -- |
| -- |
Voice Lessons -- |
| -- |
Ralph Lemon -- |
| -- |
Review: Ralph Lemon Repertory Concert -- |
| -- |
Conversations about Race in the Language of Dance -- |
| -- |
Afterword -- |
| -- |
Review: Kei Takei's Light, Part 20 & 21 (Diary of the Dream) and Tetsu Maeda's Evocations -- |
| -- |
Review: Fred Holland's Harbor/Cement -- |
| -- |
Review: Jane Comfort's TV Love -- |
| -- |
Review: Kazuo Ohno's Admiring La Argentina and Kuniko Kisanuki's Tefu Tefu -- |
| -- |
Review: Molissa Fenley Repertory Concert -- |
| -- |
Review: Gwall's Exit -- |
| -- |
Review: Lucinda Childs Repertory Concert -- |
| -- |
Review: Merce Cunningham's Roaratorio: An Irish Circus on Finnegans Wake -- |
| -- |
New York (USA): Experimental Dance -- |
| -- |
Review: John Kelly's Ode to a Cube -- |
| -- |
Review: Ralf Ralf's The Summit -- |
| -- |
Molissa Fenley's State of Darkness -- |
| -- |
Review: Susan Marshall's Interior with Seven Figures -- |
| -- |
Review: Dana Reitz's Suspect Terrain -- |
| -- |
Review: Nina Martin's Changing Face and Date with Fate -- |
| -- |
Susan Marshall Choreography Explores Traged, Joy -- |
| -- |
Review: Merce Cunningham Repertory Concert and Robert Wilson's Four Saints in Three Acts -- |
| -- |
The Choreography of Crisis: Women, Machines and Utopia Lost -- |
| -- |
Ballet with Attitude (or The Ballet of the Sexes) -- |
| -- |
Margery Segal's Primal Emotions -- |
| -- |
No Gravity No Boundary -- |
| -- |
The Freedom of Tradition -- |
| -- |
A Chronicle Faces Death and Celebrates Life -- |
| -- |
A Dancer Discovers a World of Profit and Daredevil Feats -- |
| -- |
New York (USA): Dance and Fashion -- |
| -- |
John Singer Sargent and the Dance -- |
| -- |
Lois Greenfield, the Frames That Bind, and the Metaphysics of Dance -- |
| -- |
Becoming Artaud: Solo Performances at Drawing Center Expand MOMA Exhibit -- |
| -- |
Body of Evidence: Schneemann Retrospective Exposes Subversive Gestures -- |
| -- |
An Inspiration Compounded of Hands and Feet -- |
| -- |
Turning a Photographer's Vision into Choreography -- |
| -- |
What Dance Has to Say about Beauty -- |
| -- |
Review: Sondra Horton Fraleigh's Dance and the Lived Body -- |
| -- |
"What Revolution?": The New Dance Scholarship in America -- |
| -- |
Review: Martha Graham's Blood Memory and Agnes de Mille's Martha -- |
| -- |
Review: A Cultural History of Gesture, edited by Jan Bremmer and Herman Roodenburg -- |
| -- |
Alvin Ailey Revealed -- |
| -- |
Postmodernism and American New Dance -- |
| -- |
BAM and Beyond: The Postmoderns Get Balleticized -- |
| -- |
The Closet Classicist -- |
| -- |
Darkness into Light: A Decade in the West Transforms a Butoh Troupe -- |
| -- |
Finding the Logic of Difference -- |
| -- |
Dancing: A Letter from New York City -- |
| -- |
Some Sentences by and about Merce Cunningham -- |
| -- |
New World A-Comin': A Century of Jazz and Modern Dance -- |
| -- |
In Dance, Preserving a Precarious Legacy Begins Onstage -- |
| Miscellaneous information |
II. |
| Title |
Making History -- |
| -- |
Review: From the Repertory of Isadora Duncan's "Soviet Workers' Songs" -- |
| -- |
The Continuing Beauty of the Curve: Isadora Duncan and Her Last Compositions -- |
| -- |
Review: Millicent Dillon's After Egypt -- |
| -- |
Isadora Duncan in 1920s America: "A Bolshevik Shade of Red" -- |
| -- |
Review: Lillian Loewenthal's The Search for Isadora -- |
| -- |
Isadora Duncan and the Distinction of Dance -- |
| -- |
Isdora Duncan's Dance Theory -- |
| -- |
A Fearless Confession Heard Round the World -- |
| Miscellaneous information |
III. |
| Title |
Theorizing Gender -- |
| -- |
The Balanchine Woman: Of Hummingbirds and Channel Swimmers -- |
| -- |
Classical Ballet: A Discourse of Difference -- |
| -- |
To Dance Is "Female" -- |
| -- |
Unlimited Partnership: Dance and Feminist Analysis -- |
| -- |
Dance History and Feminist Theory: Reconsidering Isadora Duncan and the Male Gaze -- |
| -- |
About Interpretation: Joann McNamara Interviews Ann Daly -- |
| -- |
Gender Issues in Dance History Pedagogy -- |
| -- |
"Woman," Women, and Subversion: Some Nagging Questions from a Dance Historian -- |
| -- |
Trends in Dance Scholarship: Feminist Theory across the Millennial Divide -- |
| -- |
Notes -- |
| -- |
Acknowledgments -- |
| -- |
Index. |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Topical term or geographic name entry element |
Modern dance |
| General subdivision |
Social aspects |
| 9 (RLIN) |
632415 |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Topical term or geographic name entry element |
Feminism and dance |
| 9 (RLIN) |
328849 |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Topical term or geographic name entry element |
Dance criticism |
| 9 (RLIN) |
316444 |
| 907 ## - LOCAL DATA ELEMENT G, LDG (RLIN) |
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| a |
.b10584432 |
| b |
11-07-17 |
| c |
27-10-15 |
| 998 ## - LOCAL CONTROL INFORMATION (RLIN) |
|---|
| -- |
(2)b |
| -- |
(2)c |
| Operator's initials, OID (RLIN) |
06-04-16 |
| Cataloger's initials, CIN (RLIN) |
m |
| First date, FD (RLIN) |
a |
| -- |
eng |
| -- |
ctu |
| -- |
0 |
| 945 ## - LOCAL PROCESSING INFORMATION (OCLC) |
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| a |
792.8 DAL |
| g |
1 |
| i |
A256642B |
| j |
0 |
| l |
cmain |
| o |
- |
| p |
$135.36 |
| q |
- |
| r |
- |
| s |
- |
| t |
0 |
| u |
12 |
| v |
0 |
| w |
0 |
| x |
0 |
| y |
.i11369784 |
| z |
28-10-15 |
| 942 ## - ADDED ENTRY ELEMENTS (KOHA) |
|---|
| Koha item type |
Book |
