MARC details
| 000 -LEADER |
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| fixed length control field |
07509cam a2200505 i 4500 |
| 003 - CONTROL NUMBER IDENTIFIER |
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| control field |
OCoLC |
| 005 - DATE AND TIME OF LATEST TRANSACTION |
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| control field |
20221101184526.0 |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
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| fixed length control field |
020415s2001 nyu b 100 0 eng d |
| 011 ## - LINKING LIBRARY OF CONGRESS CONTROL NUMBER [OBSOLETE] |
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| Local cataloguing issues note |
BIB MATCHES WORLDCAT |
| 011 ## - LINKING LIBRARY OF CONGRESS CONTROL NUMBER [OBSOLETE] |
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| Local cataloguing issues note |
PHYSICAL source |
| 035 ## - SYSTEM CONTROL NUMBER |
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| System control number |
(ATU)b10500819 |
| 035 ## - SYSTEM CONTROL NUMBER |
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| System control number |
(OCoLC)49585493 |
| 040 ## - CATALOGING SOURCE |
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| Original cataloging agency |
HAM |
| Language of cataloging |
eng |
| Description conventions |
rda |
| Transcribing agency |
HAM |
| Modifying agency |
WY@ |
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OCLCQ |
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UV0 |
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KLG |
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OCLCF |
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OCLCO |
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LWU |
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IXA |
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LVB |
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MTG |
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YNG |
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NMC |
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OCL |
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OSU |
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ATU |
| 050 #4 - LIBRARY OF CONGRESS CALL NUMBER |
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| Classification number |
GV1583 |
| Item number |
.C68 2001 |
| 082 04 - DEWEY DECIMAL CLASSIFICATION NUMBER |
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| Classification number |
792.807 |
| 110 2# - MAIN ENTRY--CORPORATE NAME |
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| Corporate name or jurisdiction name as entry element |
Congress on Research in Dance. |
| Subordinate unit |
Conference |
| Number of part/section/meeting |
(34th : |
| Date of meeting or treaty signing |
2001 : |
| Location of meeting |
New York, N.Y.) |
| 245 10 - TITLE STATEMENT |
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| Title |
Transmigratory moves : |
| Remainder of title |
dance in global circulation : conference proceedings, Congress on Research in Dance, October 26-28, 2001 / |
| Statement of responsibility, etc. |
[edited by] Janice LaPointe-Crump. |
| 246 1# - VARYING FORM OF TITLE |
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| Display text |
At head of title: |
| Title proper/short title |
CORD 2001 |
| 246 3# - VARYING FORM OF TITLE |
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| Title proper/short title |
CORD 2001, Transmigratory moves, Dance in global circulation |
| 246 3# - VARYING FORM OF TITLE |
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| Title proper/short title |
Conference proceedings, Congress on Research in Dance, October 26-28, 2001 |
| 264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE |
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| Place of production, publication, distribution, manufacture |
[Brockport, NY?] : |
| Name of producer, publisher, distributor, manufacturer |
Congress on Research in Dance, |
| Date of production, publication, distribution, manufacture, or copyright notice |
2001. |
| 300 ## - PHYSICAL DESCRIPTION |
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| Extent |
2 volumes ; |
| Dimensions |
28 cm |
| 336 ## - CONTENT TYPE |
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| Content type term |
text |
| Content type code |
txt |
| Source |
rdacontent |
| 337 ## - MEDIA TYPE |
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| Media type term |
unmediated |
| Media type code |
n |
| Source |
rdamedia |
| 338 ## - CARRIER TYPE |
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| Carrier type term |
volume |
| Carrier type code |
nc |
| Source |
rdacarrier |
| 500 ## - GENERAL NOTE |
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| General note |
A collection of edited papers provided by those authors who chose to contribute their papers as a record of the conference. |
| 500 ## - GENERAL NOTE |
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| General note |
Conference sponsors and venues: The Department of Performance Studies, Tisch School of the Arts; Gallatin School of Individualized Study, New York University; Judson Memorial Church; The Kitchen; Apple, 17 Waverly Place. |
| 504 ## - BIBLIOGRAPHY, ETC. NOTE |
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| Bibliography, etc. note |
Includes bibliographical references. |
| 505 00 - FORMATTED CONTENTS NOTE |
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| Miscellaneous information |
v. 1. Congress on research in dance -- |
| Title |
Open bodies: (x) change of identity in Capoeira and contact improvisation -- |
| -- |
Fusion, tradition in movement -- |
| -- |
Feeling and connection: a qualitative study of dance movement -- |
| -- |
Transforming Paulo Freire's liberatory pedagogy into pedagogy for dance -- |
| -- |
Cultural borrowing and appropriation be damned: issues in the ethno-asethetics of the urban English dancing landscape -- |
| -- |
Researching the residency: British dance goes contemporary -- |
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Musical reconversion: the national legacy of the Pasillo's productive ambiguity -- |
| -- |
Healing and performance: southern Italian tarantella -- |
| -- |
Connected dance: distributed performance across time zones -- |
| -- |
The shattered body -- |
| -- |
Lindas Odaliscas: Afro-orientalism in Brazilian belly dancing -- |
| -- |
Historical re-entactment: fact or fiction? Can we achieve historical accuracy when re-entacting period social dance? -- |
| -- |
Chop suey dances -- |
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St Denis and Butoh: dances of light and darkness -- |
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"No, no; I'm looking for the real Balinese dance": the pleasures and pitfalls of researching dance in a transmigatory world -- |
| -- |
From passacaglia to body automatic ... : embodying the human and posthuman -- |
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"On the outside looking in and loving it learning": a philosophical look at the position of women of color in dance studies and dance studies in Academia: a study within a study -- |
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Out of context: exploring the use of gesture in Bharata Natyam -- |
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Somatics in global circulation -- |
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Teaching conditions theory -- |
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Using geography information software to teach Hula activities from Hawaii to Texas -- |
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Building shared east/central European cultural partnerships: agenda, inter-region and with the U.S. -- |
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Towards a globalization of dance research: the scholarly disciplines -- |
| -- |
Movement dictionary of Okinawan dance: as a digital database of Asian-Pacific dance research -- |
| -- |
Vaslav Nijinksy in western imagination -- |
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The lindy hops the Atlantic: the jitterbug and jive in Britain, 1939-1945 -- |
| -- |
Placing our (disabled) selves: everyday practices, map-making and embodied syntax -- |
| -- |
Cultures in dance institutions -- |
| -- |
Nature as essence: Al Huang's east-west synthesis in modern dance -- |
| -- |
Traveling with tango: an ethnographer's dance -- |
| -- |
Where the African disapora and western Canada meet: a case study of decidedly jazz danceworks -- |
| -- |
Fusion: globalising the local and localising the global: the case of the lindy and other fusion dances/musics -- |
| -- |
Dancing in Utopia -- |
| -- |
Defining the African American presence in postmodern dance from the Judson Church era to the 1990s -- |
| -- |
Transitions of dancers and choreographers from the West Australian Academy of Performing Arts at Edith Cowan University to the profession -- |
| -- |
Transitions of dancers and choreographers from the University of North Carolina at Greensboro to the profession -- |
| -- |
Where Africa meets Europe: Afro-colonial influences as seen in the tradition of the mirrored devils of Panama -- |
| -- |
An encounter with otherness: the relation of the dancer and the choreographer -- |
| -- |
Yup'ik dance traditions: innovation and survival -- |
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Inventing tradition: the global development of Irish dance -- |
| -- |
Accommodating indivudalism in socialism: the Guangdong Modern Dance Company -- |
| Miscellaneous information |
v. 2. Proceedings supplement -- |
| Title |
2001 CORD honor award receipients -- |
| -- |
CORD conference schedule -- |
| -- |
Officers of the Congress on Research in Dance -- |
| -- |
A dispora of Native American dance -- |
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The convergence of orientalism and Parisian occultism in the dances of Valentine de St. Point. |
| 520 ## - SUMMARY, ETC. |
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| Summary, etc. |
This year's conference explores the ways in which dance forms circulate across communities, regions and nations, acquiring new meanings as they travel. While the term "globalization" has gained currency in scholarly debates of recent years, the dispersion of performance practices is hardly a new phenomenon. Thus, the conference includes both historical and contemporary analyses of dances' migrations. What happens when dances migrate? It is common knowledge that founding figures in European and Euro-American modern dance appropriated Asian movement vocabularies in their choreographies. But scholars are only beginning to examine the ways in which Latin American, African, and Asian "fokloric" dance convention has been inflected by European concert dance training and stage practice, as well as MTV choreographers. By focusing on the circulation of movement styles, pedagogies and performance conventions, we hope to trouble some of the categoric distinctions which have tended to divide dance research: between "Western" and "non-Western", "classical" and "folkloric", and "ritual", "social" and "theatrical" genres. Arguably, the histories of many contemporary dance forms are more complex than such restrictive categories would admit ... |
| 588 ## - SOURCE OF DESCRIPTION NOTE |
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| Source of description note |
Machine converted from AACR2 source record. |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
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| Topical term or geographic name entry element |
Dance |
| Form subdivision |
Congresses |
| 9 (RLIN) |
371707 |
| 700 1# - ADDED ENTRY--PERSONAL NAME |
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| Personal name |
LaPointe-Crump, Janice D. |
| 9 (RLIN) |
234904 |
| 710 2# - ADDED ENTRY--CORPORATE NAME |
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| Corporate name or jurisdiction name as entry element |
Tisch School of the Arts. |
| Subordinate unit |
Department of Performance Studies |
| 9 (RLIN) |
474916 |
| 710 2# - ADDED ENTRY--CORPORATE NAME |
|---|
| Corporate name or jurisdiction name as entry element |
New York University. |
| Subordinate unit |
Gallatin School of Individualized Study |
| 9 (RLIN) |
474917 |
| 710 2# - ADDED ENTRY--CORPORATE NAME |
|---|
| Corporate name or jurisdiction name as entry element |
Judson Memorial Church (New York, N.Y.) |
| 9 (RLIN) |
1035709 |
| 710 2# - ADDED ENTRY--CORPORATE NAME |
|---|
| Corporate name or jurisdiction name as entry element |
Kitchen Center for Video, Music, Dance, Performance, Film, and Literature (New York, N.Y.) |
| 9 (RLIN) |
1035711 |
| 710 2# - ADDED ENTRY--CORPORATE NAME |
|---|
| Corporate name or jurisdiction name as entry element |
Apple Restaurant & Bom Bar NYC. |
| 9 (RLIN) |
1035713 |
| 776 08 - ADDITIONAL PHYSICAL FORM ENTRY |
|---|
| Relationship information |
Online version: |
| Main entry heading |
Congress on Research in Dance. Conference (34th : 2001 : New York, N.Y.). |
| Title |
Transmigratory moves. |
| Place, publisher, and date of publication |
[Brockport, NY?] : Congress on Research in Dance, 2001 |
| Record control number |
(OCoLC)647065040 |
| 776 18 - ADDITIONAL PHYSICAL FORM ENTRY |
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| Record control number |
(OCoLC)49851085 |
| -- |
(OCoLC)62692940 |
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(OCoLC)81723792 |
| -- |
(OCoLC)83736048 |
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(OCoLC)224370496 |
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(OCoLC)244296725 |
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(OCoLC)654839132 |
| 907 ## - LOCAL DATA ELEMENT G, LDG (RLIN) |
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| a |
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| b |
06-09-21 |
| c |
27-10-15 |
| 942 ## - ADDED ENTRY ELEMENTS (KOHA) |
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| Koha item type |
Book |
| 945 ## - LOCAL PROCESSING INFORMATION (OCLC) |
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792.807 CON |
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28-10-15 |
| 998 ## - LOCAL CONTROL INFORMATION (RLIN) |
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| -- |
(2)b |
| -- |
(2)c |
| Operator's initials, OID (RLIN) |
28-10-15 |
| Cataloger's initials, CIN (RLIN) |
m |
| First date, FD (RLIN) |
a |
| -- |
eng |
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nyu |
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0 |
