MARC details
| 000 -LEADER |
|---|
| fixed length control field |
11404cam a22004214i 4500 |
| 005 - DATE AND TIME OF LATEST TRANSACTION |
|---|
| control field |
20221101191129.0 |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
|---|
| fixed length control field |
010323s2002 nyua b 001 0 eng d |
| 010 ## - LIBRARY OF CONGRESS CONTROL NUMBER |
|---|
| LC control number |
2001028615 |
| 011 ## - LINKING LIBRARY OF CONGRESS CONTROL NUMBER [OBSOLETE] |
|---|
| Local cataloguing issues note |
BIB MATCHES WORLDCAT |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
|---|
| International Standard Book Number |
0766820777 |
| Qualifying information |
alk. paper |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
|---|
| International Standard Book Number |
9780766820777 |
| Qualifying information |
alk. paper |
| 035 ## - SYSTEM CONTROL NUMBER |
|---|
| System control number |
(ATU)b10237902 |
| 035 ## - SYSTEM CONTROL NUMBER |
|---|
| System control number |
(DLC) 2001028615 |
| 035 ## - SYSTEM CONTROL NUMBER |
|---|
| System control number |
(OCoLC)46640906 |
| 040 ## - CATALOGING SOURCE |
|---|
| Original cataloging agency |
DLC |
| Language of cataloging |
eng |
| Description conventions |
rda |
| Modifying agency |
ATU |
| 042 ## - AUTHENTICATION CODE |
|---|
| Authentication code |
pcc |
| 050 00 - LIBRARY OF CONGRESS CALL NUMBER |
|---|
| Classification number |
TR350. |
| Item number |
J35 2002 |
| 082 0# - DEWEY DECIMAL CLASSIFICATION NUMBER |
|---|
| Classification number |
771 |
| 100 1# - MAIN ENTRY--PERSONAL NAME |
|---|
| Personal name |
James, Christopher, |
| Relator term |
author. |
| 9 (RLIN) |
1021422 |
| 245 10 - TITLE STATEMENT |
|---|
| Title |
Book of alternative photographic processes / |
| Statement of responsibility, etc. |
by Christopher James. |
| 264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE |
|---|
| Place of production, publication, distribution, manufacture |
Albany, N.Y. : |
| Name of producer, publisher, distributor, manufacturer |
Delmar Thomson Learning, |
| Date of production, publication, distribution, manufacture, or copyright notice |
[2002] |
| 264 #4 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE |
|---|
| Date of production, publication, distribution, manufacture, or copyright notice |
©2002 |
| 300 ## - PHYSICAL DESCRIPTION |
|---|
| Extent |
xiv, 386 pages : |
| Other physical details |
illustrations (some colour) ; |
| Dimensions |
28 cm |
| 336 ## - CONTENT TYPE |
|---|
| Content type term |
text |
| Content type code |
txt |
| Source |
rdacontent |
| 337 ## - MEDIA TYPE |
|---|
| Media type term |
unmediated |
| Media type code |
n |
| Source |
rdamedia |
| 338 ## - CARRIER TYPE |
|---|
| Carrier type term |
volume |
| Carrier type code |
nc |
| Source |
rdacarrier |
| 504 ## - BIBLIOGRAPHY, ETC. NOTE |
|---|
| Bibliography, etc. note |
Includes bibliographical references (pages 376-379) and index. |
| 505 00 - FORMATTED CONTENTS NOTE |
|---|
| Title |
Introduction -- |
| -- |
The Pinhole: -- |
| -- |
Overview & Expectations -- |
| -- |
A Little History: Conception & Connections -- |
| -- |
The Thumbnail Principle -- |
| -- |
A Little Science -- |
| -- |
How To Make a Pin Hole Camera & Pinhole Construction -- |
| -- |
Testing the Camera -- |
| -- |
Finding the Correct Exposure & Making Pictures -- |
| -- |
Pinhole Recommendations, Resources, & Related Web Sites -- |
| -- |
The Negative: Traditional & Alternative Options -- |
| -- |
Overview & Expectations -- |
| -- |
A Little History -- |
| -- |
Tiphaigne de la Roche's, Giphantie, (1760) -- |
| -- |
An Appropriate Time to Explain Things -- |
| -- |
What Negative Density Means -- |
| -- |
Negative Production Options -- |
| -- |
Commercial Labs, Copy Machine, Desk-Top Printers -- |
| -- |
Acrylic Negatives from Printed Sources -- |
| -- |
Polaroid Type 55 Positive / Negative Film -- |
| -- |
Conventional Films -- |
| -- |
The Cliche Verre & The Photogram -- |
| -- |
Single Stage Negative to Negative Duplicating -- |
| -- |
Multi-Stage Duplicating Films -- |
| -- |
Exposure & Development Considerations -- |
| -- |
Pyro -- |
| -- |
Soemarko's LC-1 & LC-1B Low Contrast Lith Formulas -- |
| -- |
Digital Options -- |
| -- |
Overview & Expectations -- |
| -- |
A Little History: The Digesting Duck to the Present -- |
| -- |
My View: the Present State of the Digital Arts -- |
| -- |
A Digital Caveat -- |
| -- |
A Digital Negative: A Layman's Explanation -- |
| -- |
Making CMYK Separation Negatives THE PLASTIC CAMERA -- |
| -- |
Overview & Expectations -- |
| -- |
A Little History -- |
| -- |
Toy Camera Philosophy & The Six Plastic Virtues -- |
| -- |
Plastic Camera Hints, Tips, & Shutter Modification -- |
| -- |
The Salted Paper Process -- |
| -- |
Overview & Expectations -- |
| -- |
A Little History -- |
| -- |
The Camera Lucida -- |
| -- |
Chemistry and Formulas -- |
| -- |
Gelatin, Sea Salt, & Starch Salting Formulas -- |
| -- |
The Silver Nitrate Sensitizing Formula & Application -- |
| -- |
Coating &Printing Salted Paper -- |
| -- |
Pre Wash & Wash Considerations -- |
| -- |
Toning Formulas for the Salted Paper Process -- |
| -- |
Gold Borax, Gold-Thiocyanate, Gold-Acetate Toning -- |
| -- |
Platinum, Palladium, Gold 231, & Blue-Gray Toning -- |
| -- |
Fixing the Salted Paper Print -- |
| -- |
Contrast Control & Final Wash THE CYANOTYPE PROCESS -- |
| -- |
Overview & Expectations -- |
| -- |
A Little History -- |
| -- |
How Cyanotype Works -- |
| -- |
The Chemistry: Chemicals and Sensitizer Formula -- |
| -- |
The Negative -- |
| -- |
Paper, Fabric Surfaces & Sensitizing -- |
| -- |
The Hake Brush -- |
| -- |
A Few Words About the Sun & Exposing the Cyanotype -- |
| -- |
Development: Water or Acid Options -- |
| -- |
Washing and Instant Gratification Oxidization -- |
| -- |
Clearing Highlights -- |
| -- |
Trouble-shooting & Formulas for Toning the Cyanotype -- |
| -- |
Cyanotype Variations: Fabrics & the New Cyanotype -- |
| -- |
Overview & Expectations -- |
| -- |
Materials & Preparation of Fabrics -- |
| -- |
Making Images: Chemistry & Formula -- |
| -- |
Coating, Printing, & Development -- |
| -- |
Post Development Options, Toning & Care -- |
| -- |
The New Cyanotype -- |
| -- |
A Little History -- |
| -- |
Five Shortcomings of the Classic Cyanotype Process -- |
| -- |
Chemical Solutions for the First 3 Shortcomings -- |
| -- |
Chemistry, Preparation, Coating & Drying -- |
| -- |
Negatives, Exposure, Processing, & Clearing -- |
| -- |
The Kallitypes: Van Dyke, B-V-D, Kallitype, & Brownprint Processes -- |
| -- |
Overview & Expectations -- |
| -- |
A Little History -- |
| -- |
The Van Dyke process -- |
| -- |
Van Dyke Chemistry: Sensitizing & Fixing -- |
| -- |
Papers, Sizing, & Negatives -- |
| -- |
Coating, Exposure, & Processing Steps for the Van Dyke -- |
| -- |
Lead Acetate, Gold 231, Selenium, Blue, & Split Toning -- |
| -- |
The Blue-Van-Dyke Process (B-V-D) -- |
| -- |
The Kallitype Process -- |
| -- |
The Sensitizer -- |
| -- |
A Little History -- |
| -- |
The Process: Chemistry, Formula & Preparation -- |
| -- |
Brush & Glass Rod Coating and Preparing a Hake Brush -- |
| -- |
Exposing the Print -- |
| -- |
Development Option #1: Black, Sepia, Brown, Gray-Blue Tones -- |
| -- |
Development Option #2: Ammonium Citrate and Sodium Acetate -- |
| -- |
Alternative Toning Options for Kallitype ·Contrast Control, Clearing, Fixing Formulas & Final Wash -- |
| -- |
The Brownprint Process -- |
| -- |
Overview of Sensitizer: Chemistry & Preparation -- |
| -- |
Exposure, Development, Fixing & Washing -- |
| -- |
The Platinum / Palladium Process -- |
| -- |
Overview & Expectations -- |
| -- |
A Little History -- |
| -- |
The Process Explained & Supplies and Materials -- |
| -- |
The Negative -- |
| -- |
Papers & Sizing -- |
| -- |
The Chemistry, Sensitizer, & Developers -- |
| -- |
Developer Formulas: Ammonium Citrate & Potassium Oxalate -- |
| -- |
Clearing Bath Formulas (EDTA) & an Emergency Clearing Bath -- |
| -- |
The Sensitizer Formulas: Platinum & Palladium -- |
| -- |
Platinum / Palladium Drop Chart -- |
| -- |
Coating the Paper & Exposure -- |
| -- |
Developing the Platinum / Palladium Image -- |
| -- |
Pre-Washing, Clearing, Final Wash & Trouble-shooting -- |
| -- |
Gum, Cyanotype, and Van Dyke with Pt / Pd -- |
| -- |
The Ziatype Process -- |
| -- |
Overview & Expectations -- |
| -- |
A Little History -- |
| -- |
How it Works & the Process -- |
| -- |
Abbreviation Symbols for Ziatype -- |
| -- |
Ziatype Drop Count Formulas -- |
| -- |
The Process: Mixing, Coating, & Exposure -- |
| -- |
POP Observations, Contrast Control, & Process Considerations -- |
| -- |
The Anthotype Process -- |
| -- |
Overview & Expectations -- |
| -- |
A Little History -- |
| -- |
Materials: Flowers, Berries & Alcohol -- |
| -- |
The Working Process -- |
| -- |
Paper: History, Shrinking, Sizing & Hardening -- |
| -- |
Overview & Expectations -- |
| -- |
A Few Words About the History of Paper -- |
| -- |
Shrinking, Sizing, & Hardening -- |
| -- |
Formalin & Glyoxal -- |
| -- |
Materials You Will Need -- |
| -- |
The Sizing Process -- |
| -- |
Formalin & Glyoxal Hardening Baths & Processes -- |
| -- |
The Gelatin-Glyoxal Single Step Solution -- |
| -- |
Arrowroot, Gesso-Acrylic, Polyurethane, & Gum Sizing -- |
| -- |
The Gum Bichromate Process -- |
| -- |
Overview & Expectations -- |
| -- |
A Little History -- |
| -- |
Collotype, Calotype, Woodburytype, & The Fish-Glue Process -- |
| -- |
How Gum Bichromate Works -- |
| -- |
A Few Words Before Beginning -- |
| -- |
The Gum Negative & Registration -- |
| -- |
Ammonium Dichromate Sensitizer -- |
| -- |
Watercolors, Gum Arabic, & Glue -- |
| -- |
Traditional Sensitizer Formulas -- |
| -- |
Sensitizing the Paper & Staining -- |
| -- |
Coating & Exposure -- |
| -- |
Printing with a Single Color and One Negative -- |
| -- |
Development & Clearing the Print -- |
| -- |
Multiple Negative Printing -- |
| -- |
Trouble-shooting & Resources -- |
| -- |
Dichromate Options: -- |
| -- |
Overview & Expectations -- |
| 505 00 - FORMATTED CONTENTS NOTE |
|---|
| Title |
The 3-D Gum Bichromate Process -- |
| -- |
How 3-D Works, Negatives, & Process -- |
| -- |
Gum Bichromate on Alternative Surfaces -- |
| -- |
The Basic Premise -- |
| -- |
The Tooth, Coating, Exposure & Processing -- |
| -- |
The Dusting-On process -- |
| -- |
A Little History -- |
| -- |
The Process: Contemporary -- |
| -- |
Working on Glass -- |
| -- |
Traditional Materials, Chemistry & Formulas -- |
| -- |
Hot & Humid Image Development -- |
| -- |
The Transfer Option & Herschel's Breath Printing Process -- |
| -- |
The Ferro-Tannic / Ferro-Gallic Iron Processes -- |
| -- |
A Little History -- |
| -- |
Chemistry, Sensitizing, Intensifying, & Toning Processes -- |
| -- |
The Albumen Process -- |
| -- |
Overview & Expectations -- |
| -- |
A Little History -- |
| -- |
How the Albumen Process Works -- |
| -- |
Method #1: Traditional Raw Egg Method -- |
| -- |
Method #2: The Powdered Albumen Method -- |
| -- |
Method #3: The Instant Gratification Method -- |
| -- |
Coating & Floating the Paper: Glossy or Matte Coating -- |
| -- |
Hardening & Sensitizing Paper: Silver to Salt Ratio -- |
| -- |
The Effects of Silver Albumenate -- |
| -- |
Exposure, Processing, Toning & Fixing the Albumen Print -- |
| -- |
A Simple Test for Residual Silver & Washing the Albumen Print -- |
| -- |
Pop: the Printing Out Process -- |
| -- |
Overview & Expectations -- |
| -- |
A Little History -- |
| -- |
POP Formulas and Process -- |
| -- |
Pre-Coated POP Papers & Process -- |
| -- |
Gold-Thiocyanate & Gold-Alkaline Toners -- |
| -- |
Replenishment of Gold Toners -- |
| -- |
Platinum, Gold-Platinum, Split Toning, & Gold-Borax Toning -- |
| -- |
Fixing and Final Wash for -- |
| -- |
Pop Hand Applied Emulsions: -- |
| -- |
Photo-Etching & Resists, Paint, The Contemporary Tintype, The Wet Collodion & Ambrotype Processes -- |
| -- |
Overview & Expectations -- |
| -- |
Varieties of Liquid Emulsions and Hardening Liquid Emulsions -- |
| -- |
Emulsions on Glass, Ceramics and Metal: Materials & Process -- |
| -- |
Solarplates, Photo-Resists, Simple Resists, Formulas & Etching -- |
| -- |
Contemporary Tintype Process: -- |
| -- |
A Little History -- |
| -- |
The Dry Plate Process -- |
| -- |
Coating, Exposure, Development, & Trouble-shooting -- |
| -- |
Wet Collodion & Ambrotype Process -- |
| -- |
A Little History -- |
| -- |
The Ambrotype Process -- |
| -- |
Salted Collodion Emulsion, Developer, & Fixer -- |
| -- |
Mounting, Varnishing, & the Presentation of Ambrotypes -- |
| -- |
The Mordancage Process -- |
| -- |
Overview & Expectations -- |
| -- |
Materials & Process -- |
| -- |
Re-development & Depouillment (gelatin removal) -- |
| -- |
Oxidation & Final Steps -- |
| -- |
Image Transfer Processes: -- |
| -- |
Color Lazer, Heat Transfer, Lazertran System, Polaroid Transfers & Emulsion Lifts & Ink Jet Water Transfer -- |
| -- |
Overview & Expectations -- |
| -- |
How a Color Laser Copier Works -- |
| -- |
Copyright and Post-Modernism -- |
| -- |
At the Copy Store & Materials -- |
| -- |
Color Laser Solvent Transfer, Varneytype, Blender Pens -- |
| -- |
Water & Dry Mount Process -- |
| -- |
Fabrics, Transfers & Non-Silver -- |
| -- |
Lazertran Transfer Systems -- |
| -- |
Transfer Processes for Paper, Glass, Metal, Wood, & Plaster -- |
| -- |
Lazertran Silk & Fabric Transfer -- |
| -- |
Lazertran Etch -- |
| -- |
Polaroid Emulsion Transfers & Emulsion Lifts -- |
| -- |
What is Polaroid Film & How it Works? -- |
| -- |
Materials & Processes for Transfers & Emulsion Lifts -- |
| -- |
Exposing Type 59 in an Enlarger -- |
| -- |
Ink Jet Water Transfer Process -- |
| -- |
Appendices -- |
| Miscellaneous information |
Appendix A. |
| Title |
Safety Considerations & Data for Chemicals Used in This Book -- |
| -- |
MSDS and Lab Safety Web Sites -- |
| -- |
Simple Definitions: pH, Acid, Alkali -- |
| -- |
Working With Chemicals: Always & Never Rules -- |
| -- |
CAS Numbers -- |
| -- |
Chemicals and Definitions -- |
| -- |
Disclaimer -- |
| Miscellaneous information |
Appendix B. |
| Title |
Us / Metric Conversion Tables -- |
| -- |
Dry and Liquid Measures Conversions (small volume) -- |
| -- |
Temperature Conversions -- |
| -- |
Percentages: Description & Calculation -- |
| Miscellaneous information |
Appendix C. |
| Title |
How To Make a Simple Uv Exposure Unit -- |
| -- |
Overview, Materials and How to Make One -- |
| Miscellaneous information |
Appendix D. |
| Title |
A Working Inventory for Planning an Alternative Process Workshop Or Class -- |
| -- |
Materials and Set Up for the Working Space -- |
| Miscellaneous information |
Appendix E. |
| Title |
A Modest List of Resources -- |
| -- |
Chemicals, Lab Gear & Kits -- |
| -- |
Www.msdssearch.com -- |
| Miscellaneous information |
Lab Materials. |
| Title |
& Art Supplies -- |
| -- |
Film & Photographic Supplies -- |
| -- |
Scans, Digital Printing, Books, Postcards, Portfolios -- |
| Miscellaneous information |
Appendix F. |
| Title |
Alternative Processes on the Interment -- |
| Miscellaneous information |
Appendix G. |
| Title |
An Alternative Process Working Space -- |
| Miscellaneous information |
Appendix H. |
| Title |
Selected Bibliography: Contemporary & Historical. |
| 588 ## - SOURCE OF DESCRIPTION NOTE |
|---|
| Source of description note |
Machine converted from AACR2 source record. |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Topical term or geographic name entry element |
Photography |
| General subdivision |
Processing |
| 9 (RLIN) |
322246 |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Topical term or geographic name entry element |
Photography |
| General subdivision |
Printing processes |
| 9 (RLIN) |
322245 |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Topical term or geographic name entry element |
Photography, Handworked |
| 9 (RLIN) |
322261 |
| 907 ## - LOCAL DATA ELEMENT G, LDG (RLIN) |
|---|
| a |
.b10237902 |
| b |
06-04-18 |
| c |
27-10-15 |
| 942 ## - ADDED ENTRY ELEMENTS (KOHA) |
|---|
| Koha item type |
Book |
| 945 ## - LOCAL PROCESSING INFORMATION (OCLC) |
|---|
| a |
771 JAM |
| g |
1 |
| i |
A410930B |
| j |
0 |
| l |
cmain |
| o |
- |
| p |
$102.43 |
| q |
- |
| r |
- |
| s |
- |
| t |
0 |
| u |
30 |
| v |
6 |
| w |
0 |
| x |
3 |
| y |
.i10565978 |
| z |
28-10-15 |
| 998 ## - LOCAL CONTROL INFORMATION (RLIN) |
|---|
| -- |
(2)b |
| -- |
(2)c |
| Operator's initials, OID (RLIN) |
06-04-16 |
| Cataloger's initials, CIN (RLIN) |
m |
| First date, FD (RLIN) |
a |
| -- |
eng |
| -- |
nyu |
| -- |
0 |
