MARC details
| 000 -LEADER |
|---|
| fixed length control field |
04528cam a2200325 i 4500 |
| 005 - DATE AND TIME OF LATEST TRANSACTION |
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| control field |
20221101190735.0 |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
|---|
| fixed length control field |
990211s1997 vra b 001 0 eng d |
| 011 ## - LINKING LIBRARY OF CONGRESS CONTROL NUMBER [OBSOLETE] |
|---|
| Local cataloguing issues note |
BIB MATCHES WORLDCAT |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
|---|
| International Standard Book Number |
0195540247 |
| Qualifying information |
pbk. |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
|---|
| International Standard Book Number |
9780195540246 |
| Qualifying information |
pbk. |
| 035 ## - SYSTEM CONTROL NUMBER |
|---|
| System control number |
(OCoLC)38456689 |
| 040 ## - CATALOGING SOURCE |
|---|
| Original cataloging agency |
AP |
| Language of cataloging |
eng |
| Description conventions |
rda |
| Transcribing agency |
AP |
| Modifying agency |
ATU |
| 082 0# - DEWEY DECIMAL CLASSIFICATION NUMBER |
|---|
| Classification number |
070.4 |
| 100 1# - MAIN ENTRY--PERSONAL NAME |
|---|
| Personal name |
Conley, David, |
| Relator term |
author. |
| 9 (RLIN) |
1020374 |
| 245 14 - TITLE STATEMENT |
|---|
| Title |
The daily miracle : |
| Remainder of title |
an introduction to journalism / |
| Statement of responsibility, etc. |
David Conley ; edited by Lucy Davison. |
| 264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE |
|---|
| Place of production, publication, distribution, manufacture |
Melbourne ; |
| -- |
Auckland : |
| Name of producer, publisher, distributor, manufacturer |
Oxford University Press, |
| Date of production, publication, distribution, manufacture, or copyright notice |
1997. |
| 300 ## - PHYSICAL DESCRIPTION |
|---|
| Extent |
xv, 320 pages ; |
| Dimensions |
23 cm |
| 336 ## - CONTENT TYPE |
|---|
| Content type term |
text |
| Content type code |
txt |
| Source |
rdacontent |
| 337 ## - MEDIA TYPE |
|---|
| Media type term |
unmediated |
| Media type code |
n |
| Source |
rdamedia |
| 338 ## - CARRIER TYPE |
|---|
| Carrier type term |
volume |
| Carrier type code |
nc |
| Source |
rdacarrier |
| 504 ## - BIBLIOGRAPHY, ETC. NOTE |
|---|
| Bibliography, etc. note |
Includes bibliographical references (pages 297-309) and index. |
| 505 00 - FORMATTED CONTENTS NOTE |
|---|
| Title |
Preface -- |
| Miscellaneous information |
I. |
| Title |
Film Language -- |
| -- |
[On Editing] -- |
| -- |
Beyond the Shot [The Cinematographic Principle and the Ideogram] -- |
| -- |
The Dramaturgy of Film Form [The Dialectical Approach to Film Form] -- |
| -- |
The Evolution of the Language of Cinema -- |
| -- |
Toward a Non-Bourgeois Camera Style -- |
| -- |
Some Points in the Semiotics of the Cinema -- |
| -- |
Problems of Denotation in the Fiction Film -- |
| -- |
Semiotics and the Cinema: Metz and Wollen -- |
| -- |
The Discourse of Pictures: Iconicity and Film Studies -- |
| -- |
The Tutor-Code of Classical Cinema -- |
| -- |
Against "The System of the Suture" -- |
| -- |
[On Suture] -- |
| -- |
The Spectator-in-the-Text: The Rhetoric of Stagecoach -- |
| Miscellaneous information |
II. |
| Title |
Film and Reality -- |
| -- |
Basic Concepts -- |
| -- |
The Cabinet of Dr. Caligari -- |
| -- |
The Ontology of the Photographic Image -- |
| -- |
The Myth of Total Cinema -- |
| -- |
De Sica: Metteur-en-scene -- |
| -- |
The Complete Film -- |
| -- |
Cinematography: The Creative Use of Reality -- |
| -- |
From Metaphors on Vision -- |
| -- |
Colonialism, Racism, and Representation: An Introduction -- |
| -- |
Recent Developments in Feminist Criticism -- |
| Miscellaneous information |
III. |
| Title |
The Film Medium: Image and Sound -- |
| -- |
Style and Medium in the Motion Pictures -- |
| -- |
The Establishment of Physical Existence -- |
| -- |
The Close-up -- |
| -- |
The Face of Man -- |
| -- |
Film and Reality -- |
| -- |
The Making of a Film -- |
| -- |
The Specificity Thesis -- |
| -- |
Projection -- |
| -- |
Photograph and Screen -- |
| -- |
Audience, Actor, and Star -- |
| -- |
Types; Cycles as Genres -- |
| -- |
Ideas of Origin -- |
| -- |
Ideological Effects of the Basic Cinematographic Apparatus -- |
| -- |
Aural Objects -- |
| -- |
Statement on Sound -- |
| -- |
The Voice in the Cinema: The Articulation of Body and Space -- |
| -- |
Technology and Aesthetics of Film Sound -- |
| -- |
Broadcast TV as Sound and Image -- |
| Miscellaneous information |
IV. |
| Title |
Film Narrative and the Other Arts -- |
| -- |
The Means of the Photoplay -- |
| -- |
Theater and Cinema -- |
| -- |
Acting: Stage vs. Screen -- |
| -- |
Dickens, Griffith and Ourselves [Dickens, Griffith and Film Today] -- |
| -- |
What Novels Can Do That Films Can't (and Vice Versa) -- |
| -- |
Adaptation -- |
| -- |
Narrative Discourse and the Narrator System -- |
| -- |
The Cinematic Narrator -- |
| -- |
The Concept of Cinematic Excess -- |
| -- |
Godard and Counter Cinema: Vent d'Est -- |
| Miscellaneous information |
V. |
| Title |
The Film Artist -- |
| -- |
Notes on the Auteur Theory in 1962 -- |
| -- |
The Auteur Theory -- |
| -- |
The Face of Garbo -- |
| -- |
Stars as a Cinematic Phenomenon -- |
| -- |
The Role of the Star in Film History [Joan Crawford] -- |
| -- |
Female Stars of the 1940s -- |
| -- |
The Mae West Nobody Knows -- |
| -- |
Valentino and Female Spectatorship -- |
| -- |
"The Whole Equation of Pictures" -- |
| Miscellaneous information |
VI. |
| Title |
Film Genres -- |
| -- |
Genre: The Conventions of Connection -- |
| -- |
A Semantic/Syntactic Approach to Film Genre -- |
| -- |
Film Genre and the Genre Film -- |
| -- |
Movie Chronicle: The Westerner -- |
| -- |
Ideology, Genre, Auteur -- |
| -- |
The Mummy's Pool -- |
| -- |
The Terror of Pleasure: The Contemporary Horror Film and Postmodern Theory -- |
| -- |
Film Bodies: Gender, Genre, and Excess -- |
| -- |
The Art Cinema as a Mode of Film Practice -- |
| Miscellaneous information |
VII. |
| Title |
Film: Psychology, Society, and Ideology -- |
| -- |
The Work of Art in the Age of Mechanical Reproduction -- |
| -- |
Cinema/Ideology/Criticism -- |
| -- |
The Apparatus: Metapsychological Approaches to the Impression of Reality in Cinema -- |
| -- |
Jean-Louis Baudry and "The Apparatus" -- |
| -- |
Preface -- |
| -- |
Identification, Mirror -- |
| -- |
The Passion for Perceiving -- |
| -- |
Disavowal, Fetishism -- |
| -- |
An Aesthetic of Astonishment: Early Film and the (In)Credulous Spectator -- |
| -- |
Visual Pleasure and Narrative Cinema -- |
| -- |
Black Spectatorship: Problems of Identification and Resistance -- |
| -- |
Index. |
| 588 ## - SOURCE OF DESCRIPTION NOTE |
|---|
| Source of description note |
Machine converted from AACR2 source record. |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Topical term or geographic name entry element |
Journalism. |
| 9 (RLIN) |
319668 |
| 700 1# - ADDED ENTRY--PERSONAL NAME |
|---|
| Personal name |
Davison, Lucy, |
| Relator term |
editor. |
| 9 (RLIN) |
1020376 |
| 907 ## - LOCAL DATA ELEMENT G, LDG (RLIN) |
|---|
| a |
.b10219778 |
| b |
03-10-17 |
| c |
27-10-15 |
| 942 ## - ADDED ENTRY ELEMENTS (KOHA) |
|---|
| Koha item type |
Book |
| 945 ## - LOCAL PROCESSING INFORMATION (OCLC) |
|---|
| a |
070.4 CON |
| g |
1 |
| i |
A182294B |
| j |
0 |
| l |
cmain |
| o |
- |
| p |
$29.83 |
| q |
- |
| r |
- |
| s |
- |
| t |
0 |
| u |
18 |
| v |
0 |
| w |
0 |
| x |
1 |
| y |
.i10537132 |
| z |
28-10-15 |
| 998 ## - LOCAL CONTROL INFORMATION (RLIN) |
|---|
| -- |
(2)b |
| -- |
(2)c |
| Operator's initials, OID (RLIN) |
06-04-16 |
| Cataloger's initials, CIN (RLIN) |
m |
| First date, FD (RLIN) |
a |
| -- |
eng |
| -- |
vra |
| -- |
4 |
