Images : critical and primary sources /
Images : critical and primary sources /
edited by Sunil Manghani.
- 4 volumes ; 25 cm
Includes bibliographical references.
Understanding Images -- Image Studies -- What is an Image? / Image, Medium, Body / The Domain of Images / Bildwissenschaft / Role of the Spectator / Images, Not Signs / Defining Images -- Classical Greek Origins of Western Aesthetic Theory / The Philosophical Imaginary / The Simile of the Cave / The Origins of Imitation / Optics / Of Ideas / Representation and Imagination / Images, Bodies and Consciousness / Modernizing Vision / Image and Ideology -- Iconoclash / Idolatry and Iconoclasm / Image and Icon / The Precession of Simulacra / Ideology, Imagology and Critical Thought / Making Metapictures Political / What do Pictures Really Want? / W.J.T. Mitchell -- Hans Belting -- James Elkins -- Horst Bredekamp -- Jacques Aumont -- Régis Debray -- John T. Kirby -- Michèle Le Doeuff -- Plato -- Aristotle -- René Descartes -- John Locke -- Immanuel Kant -- Henri Bergson -- Jonathan Crary -- Bruno Latour -- David Freedberg -- Marie-José Mondzain -- Jean Baudrillard -- Jon Simons -- Sunil Manghani -- W.J.T. Mitchell -- Volume One. Part One. Part Two. Part Three. The Pictorial Turn -- Image Philosophy -- Thinking as Picturing / The Pictorial Turn / Pictorial Versus Iconic Turn / Do Pictures Really Want to Live? / Reality Remade / The Information Available in Pictures / New Perspective / Misreading with Nelson Goodman / Text & Image -- The Images of Pictures and Words / Divide and Narrate: the Icon-Symbol Tension in Seurat / Readerly Visuality / Rene Magritte's 'Les mots et les images' / The Absent Image / The Convention of Captioning and W.G. Sebald / Image as Thought -- A Plea for Visual Thinking / Perceptual Metaphor / Picturing Vision / How to 'See' With the Whole Body / Body Images / Thought-Images / Judith Genova -- W.J.T. Mitchell -- Gottfried Boehm and W.J.T. Mitchell -- Jacques Rancière -- Nelson Goodman -- James J. Gibson -- Nelson Goodman -- James Elkins -- Rudolf Armheim -- Wendy Steiner -- Ellen J. Esrock -- Lisa K. Lipinski -- Gary Shapiro -- Elizabeth Chaplin -- Rudolf Arnheim -- Donald Brook -- Joel Snyder -- Joyce Brodsky -- Antonio Damasio -- Sigrid Weigel -- Volume Two. Part One. Part Two. Part Three. Image Theory -- Art Theory -- The End of Image Theory / The Arrested Image and the Moving Eye / Crossing Frontiers / Beyond Semiotics -- The Third Meaning / Semiotics and Art History / Nonsemiotic Elements in Pictures / Psychoanalysis -- The Gaze / Woman as Image (Man as Bearer of the Look) / Cindy Sherman's Untitled Film Stills / The Gaze in the Expanded Field / Phenomenology -- Eye and Mind / Imagination / Between Mediums Diarmuid Costello --Visual and audiovisual: From Image to Moving Image / Leaving the Movie Theater / Site-seeing / The Sequence-Image / Digital-Facial-Image: Affect as Medium / Otto Pacht -- E.H. Gombrich -- Philippe-Alain Michaud -- Roland Barthes -- Mieke Bal and Norman Bryson -- James Elkins -- Jacques Lacan -- Laura Mulvey -- Joan Copjec -- Norman Bryson -- Maurice Merleau-Ponty -- Mikel Dufrenne -- Sean Cubitt -- Roland Barthes -- Giuliana Bruno -- Victor Burgin -- Mark Hansen -- Volume Three. Part One. Part Two. Part Three. Part Four. Part Five. Image Cultures -- Visual Culture -- Cultural Relativism and the Visual Turn / Symbol, Idol and Murti / Photo-Sharing / Image and Memory -- Involuntary Memory / Ways of Remembering / Notes on Myth, Memory and Technology / The Image of 'Accidental Napalm' / Bearing Personal Witness / Obama and Image / Visual Evidence -- Visible Materials / Talking about pictures: a case for photo elicitation / The Prosthetic Eye / Law In the Age of Images / Science Imaging -- A History of Scientific Imagery / Visual Abstraction and Anatomy / Images Scatter into Data, Data Gather into Images / Sensible Models in Cognitive Neuroscience / Thoughts Not Our Own / Scientific Visualism / The Neurology of the Platonic Ideal / Making Images -- Writing Hypnagogia / Two Kinds of Attention / Citizen Hamilton / Photographic Being / Martin Jay -- Gregory Price Grieve -- Susan Murray -- Marcel Proust -- John Berger -- Justin Lorentzen -- Robert Hariman and John Louis -- Barbie Zelizer -- Susan Buck-Morss -- Jon Wagner -- Douglas Harper -- Christopher Pinney -- Richard K. Sherwin -- Alexis Smets and Christoph Lüthy -- Tricia Daly and Philip Bell -- Peter Galison -- Arthur Piper -- Barbara Maria Stafford -- Don Ihde -- Semir Zeki -- Peter Schwenger -- Anton Ehrenzweig -- Hal Foster -- Yve Lomax. Volume Four. Part One. Part Two. Part Three. Part Four. Part Five.
"Images: Critical and Primary Sources is a major multi-volume work of reference that brings together seminal writings on the image. Taking an interdisciplinary approach, the essays range across the domains of philosophy, history, art, aesthetics, literature, science, anthropology, critical theory and cultural studies. The essays reveal a wide set of perspectives, problematics and approaches, helping to frame a rich, encompassing view of what we can broadly term 'image studies'. The four volumes are arranged thematically, each separately introduced and with the essays structured into specific sections for easy reference. Volume 1: Understanding Images establishes conceptual, historical, ideological and philosophical framings for understanding and defining the image; followed in Volume 2: The Pictorial Turn with a focus on the most enduring and constitutive question of the image: its relationship to, with and against text and textuality. Volume 3: Image Theory offers representative materials covering key theoretical approaches for analyzing, interpreting and critiquing the image. Finally, Volume 4: Image Cultures examines a wide range of social and cultural contexts of the image, which covers aspects of visual evidence, image and memory, visual methodologies, scientific imaging and the practical engagement of image-makers. Images: Critical and Primary Sources offers a major scholarly resource for any researchers involved in the study of the image and visual culture."--Publisher's website.
0857850849 9780857850843 0857850857 9780857850850 0857850865 9780857850867 0857850873 9780857850874 0857850881 9780857850881
Arts and society.
Graphic arts
306.47
Includes bibliographical references.
Understanding Images -- Image Studies -- What is an Image? / Image, Medium, Body / The Domain of Images / Bildwissenschaft / Role of the Spectator / Images, Not Signs / Defining Images -- Classical Greek Origins of Western Aesthetic Theory / The Philosophical Imaginary / The Simile of the Cave / The Origins of Imitation / Optics / Of Ideas / Representation and Imagination / Images, Bodies and Consciousness / Modernizing Vision / Image and Ideology -- Iconoclash / Idolatry and Iconoclasm / Image and Icon / The Precession of Simulacra / Ideology, Imagology and Critical Thought / Making Metapictures Political / What do Pictures Really Want? / W.J.T. Mitchell -- Hans Belting -- James Elkins -- Horst Bredekamp -- Jacques Aumont -- Régis Debray -- John T. Kirby -- Michèle Le Doeuff -- Plato -- Aristotle -- René Descartes -- John Locke -- Immanuel Kant -- Henri Bergson -- Jonathan Crary -- Bruno Latour -- David Freedberg -- Marie-José Mondzain -- Jean Baudrillard -- Jon Simons -- Sunil Manghani -- W.J.T. Mitchell -- Volume One. Part One. Part Two. Part Three. The Pictorial Turn -- Image Philosophy -- Thinking as Picturing / The Pictorial Turn / Pictorial Versus Iconic Turn / Do Pictures Really Want to Live? / Reality Remade / The Information Available in Pictures / New Perspective / Misreading with Nelson Goodman / Text & Image -- The Images of Pictures and Words / Divide and Narrate: the Icon-Symbol Tension in Seurat / Readerly Visuality / Rene Magritte's 'Les mots et les images' / The Absent Image / The Convention of Captioning and W.G. Sebald / Image as Thought -- A Plea for Visual Thinking / Perceptual Metaphor / Picturing Vision / How to 'See' With the Whole Body / Body Images / Thought-Images / Judith Genova -- W.J.T. Mitchell -- Gottfried Boehm and W.J.T. Mitchell -- Jacques Rancière -- Nelson Goodman -- James J. Gibson -- Nelson Goodman -- James Elkins -- Rudolf Armheim -- Wendy Steiner -- Ellen J. Esrock -- Lisa K. Lipinski -- Gary Shapiro -- Elizabeth Chaplin -- Rudolf Arnheim -- Donald Brook -- Joel Snyder -- Joyce Brodsky -- Antonio Damasio -- Sigrid Weigel -- Volume Two. Part One. Part Two. Part Three. Image Theory -- Art Theory -- The End of Image Theory / The Arrested Image and the Moving Eye / Crossing Frontiers / Beyond Semiotics -- The Third Meaning / Semiotics and Art History / Nonsemiotic Elements in Pictures / Psychoanalysis -- The Gaze / Woman as Image (Man as Bearer of the Look) / Cindy Sherman's Untitled Film Stills / The Gaze in the Expanded Field / Phenomenology -- Eye and Mind / Imagination / Between Mediums Diarmuid Costello --Visual and audiovisual: From Image to Moving Image / Leaving the Movie Theater / Site-seeing / The Sequence-Image / Digital-Facial-Image: Affect as Medium / Otto Pacht -- E.H. Gombrich -- Philippe-Alain Michaud -- Roland Barthes -- Mieke Bal and Norman Bryson -- James Elkins -- Jacques Lacan -- Laura Mulvey -- Joan Copjec -- Norman Bryson -- Maurice Merleau-Ponty -- Mikel Dufrenne -- Sean Cubitt -- Roland Barthes -- Giuliana Bruno -- Victor Burgin -- Mark Hansen -- Volume Three. Part One. Part Two. Part Three. Part Four. Part Five. Image Cultures -- Visual Culture -- Cultural Relativism and the Visual Turn / Symbol, Idol and Murti / Photo-Sharing / Image and Memory -- Involuntary Memory / Ways of Remembering / Notes on Myth, Memory and Technology / The Image of 'Accidental Napalm' / Bearing Personal Witness / Obama and Image / Visual Evidence -- Visible Materials / Talking about pictures: a case for photo elicitation / The Prosthetic Eye / Law In the Age of Images / Science Imaging -- A History of Scientific Imagery / Visual Abstraction and Anatomy / Images Scatter into Data, Data Gather into Images / Sensible Models in Cognitive Neuroscience / Thoughts Not Our Own / Scientific Visualism / The Neurology of the Platonic Ideal / Making Images -- Writing Hypnagogia / Two Kinds of Attention / Citizen Hamilton / Photographic Being / Martin Jay -- Gregory Price Grieve -- Susan Murray -- Marcel Proust -- John Berger -- Justin Lorentzen -- Robert Hariman and John Louis -- Barbie Zelizer -- Susan Buck-Morss -- Jon Wagner -- Douglas Harper -- Christopher Pinney -- Richard K. Sherwin -- Alexis Smets and Christoph Lüthy -- Tricia Daly and Philip Bell -- Peter Galison -- Arthur Piper -- Barbara Maria Stafford -- Don Ihde -- Semir Zeki -- Peter Schwenger -- Anton Ehrenzweig -- Hal Foster -- Yve Lomax. Volume Four. Part One. Part Two. Part Three. Part Four. Part Five.
"Images: Critical and Primary Sources is a major multi-volume work of reference that brings together seminal writings on the image. Taking an interdisciplinary approach, the essays range across the domains of philosophy, history, art, aesthetics, literature, science, anthropology, critical theory and cultural studies. The essays reveal a wide set of perspectives, problematics and approaches, helping to frame a rich, encompassing view of what we can broadly term 'image studies'. The four volumes are arranged thematically, each separately introduced and with the essays structured into specific sections for easy reference. Volume 1: Understanding Images establishes conceptual, historical, ideological and philosophical framings for understanding and defining the image; followed in Volume 2: The Pictorial Turn with a focus on the most enduring and constitutive question of the image: its relationship to, with and against text and textuality. Volume 3: Image Theory offers representative materials covering key theoretical approaches for analyzing, interpreting and critiquing the image. Finally, Volume 4: Image Cultures examines a wide range of social and cultural contexts of the image, which covers aspects of visual evidence, image and memory, visual methodologies, scientific imaging and the practical engagement of image-makers. Images: Critical and Primary Sources offers a major scholarly resource for any researchers involved in the study of the image and visual culture."--Publisher's website.
0857850849 9780857850843 0857850857 9780857850850 0857850865 9780857850867 0857850873 9780857850874 0857850881 9780857850881
Arts and society.
Graphic arts
306.47