Event-cities 3 /
Tschumi, Bernard, 1944-
Event-cities 3 / Event-cities three Bernard Tschumi. - 637 pages : illustrations ; 23 cm
Includes bibliographical references (pages 628-636).
Introduction : Concept vs. context vs. content ; New York, Urban glass house, 2000: vision glass -- A. Tactical indifference : Angoulême, Exhibition Center, 2000: concept decontextualized ; Geneva, Vacheron Constantin Headquarters, 2001-04: manufacturing time ; Strasbourg, Concert Hall, 2003: megaspan -- B. Reciprocity and conflict : Pittsburgh, Carnegie Science Center, 2000: Phagocyte ; Limoges, Concert Hall, 2003: concept recontextualized ; Vendée, International Sports Center, 2001: double content -- C. Contextualizing concept : Rome, Italian Space Agency, 2000: fractal cantilever ; Antwerp, Museum aan de Stroom, 2000: fractal matrix ; São Paulo, Museum of Contemporary Art, 2001: a vertical museum sketchbook ; Troy, Electronic Media and Performing Arts Center, 2001: double envelope -- D. Conceptualizing context : New York, Museum for African Art, Version 1, 2000-02: wood curves, glass box; Version 2, 2003-04: The tower vs. the museum ; Cincinnati, Athletic Center, 2001-: contextual free from ; Athens, New Acropolis Museum, 2000-: paradoxes, paraboxes -- E. Context becoming concept : Nice, Sophia-Antipolis Campus, 2004: camouflage -- F. Large scale: concepts becoming contexts : Paris, Expo 2004, 2001: virtual city of images ; Toronto, Downsview Park, 2000: natural artifice ; New York, Tri-towers of Babel: questioning Ground Zero, 2002: whose context? ; Beijing, Factory 798, 2003-: superposition.
0262701103 9780262701105
2004056686
Tschumi, Bernard, 1944-
Architecture, Modern--21st century
Architecture, Modern--20th century.
Architecture--Philosophy
NA1353.T78 / A35 2004
724.7
Event-cities 3 / Event-cities three Bernard Tschumi. - 637 pages : illustrations ; 23 cm
Includes bibliographical references (pages 628-636).
Introduction : Concept vs. context vs. content ; New York, Urban glass house, 2000: vision glass -- A. Tactical indifference : Angoulême, Exhibition Center, 2000: concept decontextualized ; Geneva, Vacheron Constantin Headquarters, 2001-04: manufacturing time ; Strasbourg, Concert Hall, 2003: megaspan -- B. Reciprocity and conflict : Pittsburgh, Carnegie Science Center, 2000: Phagocyte ; Limoges, Concert Hall, 2003: concept recontextualized ; Vendée, International Sports Center, 2001: double content -- C. Contextualizing concept : Rome, Italian Space Agency, 2000: fractal cantilever ; Antwerp, Museum aan de Stroom, 2000: fractal matrix ; São Paulo, Museum of Contemporary Art, 2001: a vertical museum sketchbook ; Troy, Electronic Media and Performing Arts Center, 2001: double envelope -- D. Conceptualizing context : New York, Museum for African Art, Version 1, 2000-02: wood curves, glass box; Version 2, 2003-04: The tower vs. the museum ; Cincinnati, Athletic Center, 2001-: contextual free from ; Athens, New Acropolis Museum, 2000-: paradoxes, paraboxes -- E. Context becoming concept : Nice, Sophia-Antipolis Campus, 2004: camouflage -- F. Large scale: concepts becoming contexts : Paris, Expo 2004, 2001: virtual city of images ; Toronto, Downsview Park, 2000: natural artifice ; New York, Tri-towers of Babel: questioning Ground Zero, 2002: whose context? ; Beijing, Factory 798, 2003-: superposition.
0262701103 9780262701105
2004056686
Tschumi, Bernard, 1944-
Architecture, Modern--21st century
Architecture, Modern--20th century.
Architecture--Philosophy
NA1353.T78 / A35 2004
724.7