Wireless imagination : sound, radio, and the avant-garde /

Wireless imagination : sound, radio, and the avant-garde / edited by Douglas Kahn and Gregory Whitehead. - xi, 452 pages ; 24 cm

Includes bibliographical references and index.

Introduction : histories of sound once removed / phonograph's horned mouth / lamentations of Edison, from L'eve future (1886) / Death in light of the phonograph : Raymond Roussel's Locus solus / Marcel Duchamp's gap music : operations in the space between art and noise / Banging on the windowpane : sound in early Surrealism / Give me the anathema, lascivious thing (1915) / Songs from the museum of the future : Russian sound creation (1910-1930) / symphony of sirens (1923) -- Out of the dark : notes on the nobodies of radio art / radia (1933) / Radio, death, and the devil : Artaud's Pour en finir avec le jugement de Dieu / To have done with the judgment of God / Soundplay : the polyphonous tradition of German radio art / ear that would hear sounds in themselves : John Cage 1935-1965 / Sound identity fading out : William Burroughs' tape experiments / Douglas Kahn --The Charles Grivel --The Villiers de l'Isle-Adam -- Douglas Kahn -- Craig Adcock -- Christopher Schiff -- Alberto Savinio -- Mel Gordon --The Gregory Whitehead --La F. T. Marinetti and Pino Masnata -- Allen S. Weiss -- Antonin Artaud -- Mark E. Cory --The Frances Dyson -- Robin Lydenberg.

0262111683 9780262111683 026261104X 9780262611046

92003066


Sound in art
Arts, Modern--20th century
Avant-garde (Aesthetics)--History--20th century.

NX650.S68 / W57 1992

700.904

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