Vision and textuality /
Vision and textuality /
Vision & textuality
edited by Stephen Melville and Bill Readings.
- xvii, 391 pages : illustrations ; 24 cm
Includes bibliographical references and index.
General introduction / Basic concepts of art history / Beholding art history: vision, place and power / Past looking / A discourse (with shape of reason missing) / The aesthetics of post-history: a German perspective / How obvious is art?: Kitsch and the semiotician / Reading the gaze: the construction of gender in "Rembrandt" / Philostratus and the imaginary museum / Topic and figures of enunciation: is it myself that I paint / The pen and the eye: the politics of the gazing body / Impersonal violence: the penetrating gaze and the field of narration in Caleb Williams / The visibility of visuality: Vauxhall Gardens and the Siting of the viewer / B/G / Vision procured / In the master's bedroom / Photo-unrealism: the contribution of the camera in the crisis of ocularcentrism / Chance encounters: Flâneur and Detraquée in Breton's Nadja / Stephen Melville and Bill Readings -- Stephen Melville -- Griselda Pollock -- Michael Ann Holly -- John Tagg -- Irit Rogoff -- Bill Readings -- Mieke Bal -- Norman Bryson -- Louis Marin -- Armour Fou / Hal Foster -- Françoise Luchert -- John Bender -- Peter de Bolla -- Thomas Crow -- Bennet Schaber -- Rosalind Krauss -- Martin Jay -- Victor Burgin. pt. 1. pt. 2. pt. 3. pt. 4. pt. 5.
0822316307 9780822316305 0822316447 9780822316442
94039995
Literature--History and criticism--Theory, etc.
Art and literature
Influence (Literary, artistic, etc.)
N380 / .V58 1995
701
Includes bibliographical references and index.
General introduction / Basic concepts of art history / Beholding art history: vision, place and power / Past looking / A discourse (with shape of reason missing) / The aesthetics of post-history: a German perspective / How obvious is art?: Kitsch and the semiotician / Reading the gaze: the construction of gender in "Rembrandt" / Philostratus and the imaginary museum / Topic and figures of enunciation: is it myself that I paint / The pen and the eye: the politics of the gazing body / Impersonal violence: the penetrating gaze and the field of narration in Caleb Williams / The visibility of visuality: Vauxhall Gardens and the Siting of the viewer / B/G / Vision procured / In the master's bedroom / Photo-unrealism: the contribution of the camera in the crisis of ocularcentrism / Chance encounters: Flâneur and Detraquée in Breton's Nadja / Stephen Melville and Bill Readings -- Stephen Melville -- Griselda Pollock -- Michael Ann Holly -- John Tagg -- Irit Rogoff -- Bill Readings -- Mieke Bal -- Norman Bryson -- Louis Marin -- Armour Fou / Hal Foster -- Françoise Luchert -- John Bender -- Peter de Bolla -- Thomas Crow -- Bennet Schaber -- Rosalind Krauss -- Martin Jay -- Victor Burgin. pt. 1. pt. 2. pt. 3. pt. 4. pt. 5.
0822316307 9780822316305 0822316447 9780822316442
94039995
Literature--History and criticism--Theory, etc.
Art and literature
Influence (Literary, artistic, etc.)
N380 / .V58 1995
701